Afro-Colombian Hip-Hop: Globalization, Transcultural Music, and Ethnic Identities

Afro-Colombian Hip-Hop: Globalization, Transcultural Music, and Ethnic Identities

by Christopher Dennis
Afro-Colombian Hip-Hop: Globalization, Transcultural Music, and Ethnic Identities

Afro-Colombian Hip-Hop: Globalization, Transcultural Music, and Ethnic Identities

by Christopher Dennis

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Overview

Afro-Colombian Hip-Hop: Globalization, Transcultural Music, and Ethnic Identities, by Christopher Dennis, explores the impact that globalization and the transnational spread of U.S. popular culture—specifically hip-hop and rap—are having on the social identities of younger generations of black Colombians. Along with addressing why and how hip-hop has migrated so effectively to Colombia’s black communities, Dennis introduces readers to some of the country’s most renowned Afro-Colombian hip-hop artists, their musical innovations, and production and distribution practices. Above all, Dennis demonstrates how, through a mode of transculturation, today’s young artists are transforming U.S. hip-hop into a more autonomous art form used for articulating oppositional social and political critiques, reworking ethnic identities, and actively contributing to the reimagining of the Colombian nation.
Afro-Colombian Hip-Hop uncovers ways in which young Afro-Colombian performers are attempting to use hip-hop and digital media to bring the perspectives, histories, and expressive forms of their marginalized communities into national and international public consciousness.


Product Details

ISBN-13: 9780739150580
Publisher: Lexington Books
Publication date: 12/16/2011
Sold by: Barnes & Noble
Format: eBook
Pages: 204
File size: 697 KB

About the Author

Christopher Dennis is a professor of Spanish language and Latin American Literature and Cultures at the University of North Carolina, Wilmington. In addition to his research on hip-hop, he has also published articles on Afro-Colombian literature, racial iconography relevant to Cartagena's tourist industry, and the discursive representation of black subjects in Colombian colonial literature.

Table of Contents

Acknowledgments

Chapter 1: Introduction

Chapter 2: Hip-HopAfrocolombiano: Origins, Production, and Distribution Practices

Chapter 3: Afro-Colombian Hip-Hop: Resistance and Political Protest

Chapter 4: The Afro-Colombian Hip-Hop Narrative and Emerging Identity Constructs

Chapter 5: The "Afro-Colombianization" of Hip-Hop

Chapter 6: A(n) (Afro)Colombian Hip-Hop Nation

Chapter 7: Conclusions: The Two Sides of Globalization

Notes

Selected Discography

Bibliography

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