African Literature in the Digital Age: Class and Sexual Politics in New Writing from Nigeria and Kenya
The first book-length study on the relationship between African literature and new media.



The digital space provides a new avenue to move literature beyond the restrictions of book publishing on the continent. Arguing that writers are putting their work on cyberspace because communities are emerging from this space, and because increasing numbers of Africans use the internet as part of their day-to-day engagement with their societies and the world, Shola Adenekan explores this transformative development in Nigeria and Kenya, both significant countries in African literature and two of the continent's largest digital technology hubs.
Queer Kenyans and Nigerians find new avenues for their work online where print publishers are refusing to publish short stories and poems on same-sex desire. Binyavanga Wainaina's rise to critical acclaim arguably started on the literary blog Generator 21. Chimamanda Ngozi Adichie's literary celebrity partly relies on her prolific use of social media to tell thestory of powerful Nigerian women. With further examples from the development of literature across the continent, this innovative book sheds new light on narratives about digital Africa. It will also be the first major work to provide a trajectory of class consciousness in Kenyan and Nigerian writing. Through this analysis, the book articulates the difference in attitudes towards queerness, sexuality, and hetero-normativity among successive generations of writers.
1137585833
African Literature in the Digital Age: Class and Sexual Politics in New Writing from Nigeria and Kenya
The first book-length study on the relationship between African literature and new media.



The digital space provides a new avenue to move literature beyond the restrictions of book publishing on the continent. Arguing that writers are putting their work on cyberspace because communities are emerging from this space, and because increasing numbers of Africans use the internet as part of their day-to-day engagement with their societies and the world, Shola Adenekan explores this transformative development in Nigeria and Kenya, both significant countries in African literature and two of the continent's largest digital technology hubs.
Queer Kenyans and Nigerians find new avenues for their work online where print publishers are refusing to publish short stories and poems on same-sex desire. Binyavanga Wainaina's rise to critical acclaim arguably started on the literary blog Generator 21. Chimamanda Ngozi Adichie's literary celebrity partly relies on her prolific use of social media to tell thestory of powerful Nigerian women. With further examples from the development of literature across the continent, this innovative book sheds new light on narratives about digital Africa. It will also be the first major work to provide a trajectory of class consciousness in Kenyan and Nigerian writing. Through this analysis, the book articulates the difference in attitudes towards queerness, sexuality, and hetero-normativity among successive generations of writers.
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African Literature in the Digital Age: Class and Sexual Politics in New Writing from Nigeria and Kenya

African Literature in the Digital Age: Class and Sexual Politics in New Writing from Nigeria and Kenya

by Shola Adenekan
African Literature in the Digital Age: Class and Sexual Politics in New Writing from Nigeria and Kenya

African Literature in the Digital Age: Class and Sexual Politics in New Writing from Nigeria and Kenya

by Shola Adenekan

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Overview

The first book-length study on the relationship between African literature and new media.



The digital space provides a new avenue to move literature beyond the restrictions of book publishing on the continent. Arguing that writers are putting their work on cyberspace because communities are emerging from this space, and because increasing numbers of Africans use the internet as part of their day-to-day engagement with their societies and the world, Shola Adenekan explores this transformative development in Nigeria and Kenya, both significant countries in African literature and two of the continent's largest digital technology hubs.
Queer Kenyans and Nigerians find new avenues for their work online where print publishers are refusing to publish short stories and poems on same-sex desire. Binyavanga Wainaina's rise to critical acclaim arguably started on the literary blog Generator 21. Chimamanda Ngozi Adichie's literary celebrity partly relies on her prolific use of social media to tell thestory of powerful Nigerian women. With further examples from the development of literature across the continent, this innovative book sheds new light on narratives about digital Africa. It will also be the first major work to provide a trajectory of class consciousness in Kenyan and Nigerian writing. Through this analysis, the book articulates the difference in attitudes towards queerness, sexuality, and hetero-normativity among successive generations of writers.

Product Details

ISBN-13: 9781847012388
Publisher: BOYDELL & BREWER INC
Publication date: 03/19/2021
Series: ISSN , #9
Pages: 224
Product dimensions: 6.14(w) x 9.21(h) x (d)

About the Author

SHOLA ADENEKAN is an associate professor of African literature at Ghent University, Belgium, and also the publisher of Thenewblackmagazine.com.

Table of Contents

Introduction: Kenyan and Nigerian Writers in the Digital Age
Network Thinking: Literary Networks in the Digital Age
Class and Poetry in the Digital Age
Class Consciousness in Online Fictions
Digital Queer: The Queering of African Literature
Middle-Class, Transnational, Queer and African
'Ashewo no be Job': The Figure of the Modern Girl in the Digital Age
The Erotic in New Writing from Nigeria
Social Media and the Aesthetics of the Quotidian
Conclusion: Connecting the Dots
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