African Francophone Writing: A Critical Introduction

African Francophone Writing: A Critical Introduction

African Francophone Writing: A Critical Introduction

African Francophone Writing: A Critical Introduction

Hardcover

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Overview

African Francophone Writing presents a comprehensive overview of African writing in the Francophone literary world. It explores the work of important classic and contemporary African writers from the 1950s to the present who, until recently, have received little critical attention. The contributors view their subjects from a diverse range of critical perspectives — historical, thematic, psychoanalytic, feminist and post-colonial — to provide a variety of theoretically sophisticated analyses of Francophone writing. A comprehensive introduction and an extensive chronological table are included. African Francophone literature is rapidly becoming a major discipline in universities in Britain and North America. This book will provide much needed critical material for students at both undergraduate and postgraduate level. [Well-known authors studied in this book include: Chraïbi, Memmi and Boudjedra in the Maghreb; Sembène, Kourouma and Adiaffi in sub-Saharan Africa; Begag and Cherif from the 'Beur' community; and women writers such as Debèche, Fall and BÂ.]

Product Details

ISBN-13: 9781859730096
Publisher: Berg Publishers
Publication date: 03/01/1996
Series: Berg French Studies Series
Pages: 215
Product dimensions: 5.50(w) x 8.50(h) x 0.56(d)

About the Author

Ms Laïla Ibnlfassi Lecturer in Francophone Literature,London Guildhall University Nicki Hitchcott Lecturer in French, University of Nottingham

Table of Contents

L. Ibnlfassi and N. Hitchcott, Introduction — Part I: North Africa — A. Judge, The Institutional Framework of La Francophonie — A. Hargreaves, Writers of Maghrebian Immigrant Origin in France: French, Francophone, Maghrebian or Beur? — C. Owen, Points of View: Looking at the Other in Michel Tourbanier's La Goutte d'Or and Rachid Boudjedra's Topographie idéale pour une agression caractérisé — L. Ibnlfassi,Chraïbi's Le Passé simple and a Theory of Doubles — F. Abu-Haidar, Unmasking Women: The Female Persona in Algerian Fiction — S. Poole, Commuting the "sentences" of Malek Haddad — S. Hand, Don't Look Back: Albert Memmi's La Statue de sel — J. Kaye, To Be a Poet in Morocco — Part II: Sub-Saharan Africa — M. Borgomano, Linguistic and Cultural Heterogeneity and the Novel in Francophone Africa — N. Hitchcott, 'Confidently Feminine'? Sexual Role-play in the Novels of Mariama BÂ — A. D. Njinjoh,Tradition and Continuity: The Quest of Synthesis in Francis Bebey's Le Fils d'Agatha Moudio — P. Hawkins, Marxist Intertext, Islamic Reinscription? Some Common Themes in the Novels of Sembène Ousmane and Aminata Sow Fall — A. Manley, Amadou Hampaté BÂ's Amkullel: A Malian Memoir and its Contexts — Afterword — M. Beti, Homecoming — Chronological Table
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