Aetherial Worlds: Stories

by Tatyana Tolstaya Narrated by Anya Migdal

Overview

“Playful and poetic . . . A foxy, original writer. Memory fuses with wonder, and wonder with worship."*-The Wall Street Journal

“Marvelously vivid, perfectly tuned. . . Tolstaya is well known in Russia as a brilliant and caustic political critic, but her memories of her Soviet childhood have a tender, personal quality.”**-The New York Times Book Review

“Grimly hilarious ... Everything in this generous writer's hands is vivid and alive ...Tolstaya is divinely quotable-slangy, indignant, lyrical, crude...It's all sublime...the swerve and cackle, the breeziness and dark depths...the torrents of language and the offhand perfect touch...She has been compared to Chekhov. Absurd...Tolstaya barrels by him and knocks him in the ditch.”*-Joy Williams,*Bookforum

From one of modern Russia's finest writers, a spellbinding collection of eighteen stories, her first to be translated into English in more than twenty years.

Ordinary realities and yearnings to transcend them lead to miraculous other worlds in this dazzling collection of stories. A woman's deceased father appears in her dreams with clues about the afterlife; a Russian professor in a small American town constructs elaborate fantasies during her cigarette break; a man falls in love with a marble statue as his marriage falls apart; a child glimpses heaven through a stained-glass window. With the emotional insight of Chekhov, the surreal satire of Gogol, and a unique blend of humor and poetry all her own, Tolstaya transmutes the quotidian into aetherial alternatives. These tales, about politics, identity, love, and loss, cut to the core of the Russian psyche, even as they lay bare human universals. Tolstaya's characters--seekers all--are daydreaming children, lonely adults, dislocated foreigners in unfamiliar lands. Whether contemplating the strategic complexities of delivering telegrams in Leningrad or the meditative melancholy of holiday aspic, vibrant inner lives and the grim elements of existence are registered in equally sharp detail in a starkly bleak but sympathetic vision of life on earth.
A unique collection from one of the first women in years to rank among Russia's most important writers.

Editorial Reviews

Publishers Weekly

★ 01/08/2018
These uniformly masterful stories from Tolstaya (The Slynx) reject any attempt at easy categorization, resulting in a profound, surprising, and rich experience. Some stories, like the title work, which details a narrator named Tatyana’s unhappy experience teaching creative writing to American college students in 1992 and owning a home in New Jersey with endless problems, seem straightforwardly autobiographical. Other stories, such as “The Invisible Maiden,” about memories of a dacha, or “A Young Lady in Bloom,” which recalls a stint delivering telegrams as a student, echo the lyricism of the Russian masters and glow with “the swanlike whiteness of the past.” Others are more essayistic: “The Square” meditates on the frightening painting of the artist Kazimir Malevich; “Official Nationality” modestly distills the Russian character to three bullet points: “boldness, longanimity, and ‘Let’s hope.’ ” Some, such as “The Window,” are surreal allegories in the manner of Gogol. While the works blend fantasy and fact, often within the same story, what unites them all is Tolstaya’s singular and assured voice, capable of beautiful specificity—noticing “the calm blue flower of propane” on a stove—and of surveying history from above and proclaiming, matter-of-factly, that “autocracy is basically self-explanatory.” Agent: Andrew Wylie, the Wylie Agency. (Mar.)

From the Publisher

Grimly hilarious…Everything in this generous writer’s hands is vivid and alive…Tolstaya is divinely quotable—slangy, indignant, lyrical, crude...It’s all sublime...the swerve and cackle, the breeziness and dark depths...the torrents of language and the offhand perfect touch…She has been compared to Chekhov. Absurd...Tolstaya barrels by him and knocks him in the ditch.”
—Joy Williams, Bookforum

“Praised by...Joseph Brodsky as ‘the most original, tactile, luminous voice in Russian prose,’ Tolstaya, two decades on, is all that and more in this edgy, brash, slyly surreal, and mordantly funny short story collection...Tolstaya contrasts family troubles, poverty, lies, and tyranny with the ‘aetherial worlds’ of love, dreams, memories, and myths. Tolstaya’s daring, masterful stories, crisply translated, glint and whirl with extraordinary dimension and force.”
—Booklist

“Tolstaya’s writing is so good that it cuts through the surface directly to the universal workings of the human heart.”
—Bookpage

“These uniformly masterful stories reject any attempt at easy categorization, resulting in a profound, surprising, and rich experience. Some stories…echo the lyricism of the Russian masters…Others are more essayistic...Some, such as ‘The Window,’ are surreal allegories in the manner of Gogol. While the works blend fantasy and fact, often within the same story, what unites them all is Tolstaya’s singular and assured voice, capable of beautiful specificity...and of surveying history from above and proclaiming, matter-of-factly, that ‘autocracy is basically self-explanatory.’”
 —Publishers Weekly (starred review)

“A poet of silences and small gestures, Tolstaya often writes of love, if sometimes love that has gone off the rails…Elegant, lyrical tales woven with melancholy and world-weariness—but also with a curious optimism. A gem.”
—Kirkus (starred review)
 
"​Call off the search for Tatyana Tolstaya's origins among the Russian greats: There's no one like her anywhere, then or now. She is a writer of breathtaking originality, boldness and importance."
—Thomas McGuane, author of Cloudbursts

Kirkus Review

★ 2017-12-24
Long-awaited new collection of stories by Russian writer and former talk show host Tolstaya (The White Walls: Collected Stories, 2007, etc.).Related to Leo Tolstoy (albeit distantly) as well as Ivan Turgenev, her grandfather the science-fiction and historical novelist Aleksey Tolstoy, Tolstaya admits in the opening, semiautobiographical story "20/20" to having the latter's "ability to daydream…although not to the same extent." That story goes on to describe a period of blindness following eye surgery, when she discovered the ability to see, not just remember, the past and enter a "heretofore invisible, hidden world" of the imagination. A poet of silences and small gestures, Tolstaya often writes of love, if sometimes love that has gone off the rails because one or the other of the partners is either not listening or asking the wrong questions; says Eric, the illicit lover of one émigré academic, "Tell me something surprising about your alphabet. The Russian alphabet." Answering that it has a letter that represents, yes, "a certain type of silence," she wonders why he wants to know, inasmuch as he has no intention of learning Russian and therefore no need for that bit of information. And what of mere curiosity? Well, that way lies trouble. Several stories are set on campus, but some of the most memorable take place in quiet places such as the Russian woods far from the city: "It's the most important place in the world—nowhere," Tolstaya writes. Meanwhile, in the city, life's daily difficulties mount: in a wonderful aperçu, a beleaguered apartment dweller in the middle of a renovation notes that, as the famed clay tablets of early Greek civilization recorded that a carpenter named Tirieus didn't show up for work, contemporary carpenters are just as "eternally flaky": "a Russian carpenter (or plumber, tile layer, spackler) stretches out his arm to his Mycenaean brethren across millennia: Workers of the world unite, if not in space then in time."Elegant, lyrical tales woven with melancholy and world-weariness—but also with a curious optimism. A gem.

Product Details

BN ID:	2940169066258
Publisher:	Penguin Random House
Publication date:	03/20/2018
Edition description:	Unabridged

Videos