Aesthetica

Aesthetica

by Allie Rowbottom

Narrated by Chelsea Stephens

Unabridged — 7 hours, 47 minutes

Aesthetica

Aesthetica

by Allie Rowbottom

Narrated by Chelsea Stephens

Unabridged — 7 hours, 47 minutes

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Overview

At nineteen, she was an Instagram celebrity. Now, at thirty-five, she works behind the cosmetic counter at the "black and white store," peddling anti-aging products to women seeking physical and spiritual transformation. She too is seeking rebirth. She's about to undergo the high-risk, elective surgery Aesthetica¿, a procedure that will reverse all her past plastic surgery procedures, returning her, she hopes, to a truer self. Provided she survives the knife.



But on the eve of the surgery, her traumatic past resurfaces when she is asked to participate in the public takedown of her former manager/boyfriend, who has rebranded himself as a paragon of "woke" masculinity in the post-#MeToo world. With the hours ticking down to her surgery, she must confront the ugly truth about her experiences on and off the Instagram grid.



Propulsive, dark, and moving, Aesthetica is a Veronica for the age of "Instagram face," delivering a fresh, nuanced examination of feminism, #MeToo, and mother-daughter relationships, all while confronting our collective addiction to followers, filters, and faux realities.

Editorial Reviews

Publishers Weekly

★ 08/08/2022

Rowbottom (Jell-O Girls) delivers a complex and deeply engaging portrayal of a woman looking back on her career as an Instagram model. The narrative fluidly alternates between the near future, when Anna is in her mid-30s, and her rise to influencer status in 2017 at 19. After moving from Houston to Hollywood straight out of high school, she’s quickly scouted by a seedy but famed manager, Jake Alton. Jake and Anna soon begin a sexual relationship that, while consensual, is centered on an uneven power dynamic; he also gives her drugs and talks her into breast implants. At 35, a much-transformed Anna has returned to Hollywood not for a comeback but an undoing. Alone in a hotel room, she drinks wine and pops pills the night before a risky facial procedure called aesthetica, which involves the reversal of her implants and rhinoplasties. “The in-between time,” Anna narrates, “before results are final, is my favorite of any procedure... my body working to heal, my brain acclimating to the bruises and swelling until one day they’re gone and the transformation is complete.” Rowbottom brings as much tension to the story of Jake’s manipulation in Anna’s past as she does to the aesthetica, which Anna knows she might not survive. The subplots are equally rewarding, among them Anna’s inability to save her troubled single mother, and the reappearance of Anna’s childhood best friend, a successful runner who is struggling with anorexia. It all builds to a scorching commentary on society’s blindness toward female pain. Fans of Mary Gaitskill’s work and Black Mirror will flock to this pitch-perfect novel. Agent: Erin Harris, Folio Literary. (Nov.)

From the Publisher

Praise for Aesthetica

An NPR Best Book of 2022

A Vanity Fair Best Book of 2022
A Glamour Best Book of 2022

“In a book about looks, the language is tasked with turning words into images. Rowbottom’s buzzy and exacting vocabulary evokes a picture already resting in our minds and on our newsfeeds . . . Aesthetica asks whether someone devoted to beauty can decide to know who they are, rather than simply change it. Anna is stuck between ways of seeing: viewing one path as necessary and another as indulgence, past and future, eternal and ephemeral. No matter which we choose, we somehow always end up right back where we started, still believing we can somehow make ourselves over.” 
The New York Times Book Review

“This debut novel follows a 35-year-old woman undergoing a surgery to reverse the plastic surgeries she underwent while she was a teenage Instagram influencer living under the thrall of an abusive manager and lover. Allie Rowbottom’s book is as dark as it sounds, but it’s also vital, written with real anger and compassion. One of the best American novels so far about social media, it’s a chilling look at the state of today’s world—both real and virtual, although those boundaries keep blurring.”
—NPR

“This brutal tale of a teenage Instagram model teases out the ugliness of influencer culture against our rather ancient tradition of performative femininity. Under Allie Rowbottom’s patiently literary hand, this novel’s true gem lies in its central mother-daughter relationship—a reminder that our obsession with youth is never too far removed from what binds us to our lineage.” 
Vanity Fair

“[Examines]—and occasionally eviscerates—everything from social media consumption, to vanity, feminism, the city of Los Angeles and beyond.”
The Hollywood Reporter


“An edgy, whip-smart page-turner that does in fact keep you off your phone.”
—Nylon

“Indispensable . . . The novel is uncanny in its ability to zoom in and lay bare the effects social media has on our perception of youth, beauty, and relevance, but it also raises questions about whether using your body as currency can ever be a form of self-empowerment, the cost of excessive self-promotion, patriarchal power dynamics, and whether the staggering amount of time and money spent to become visually “perfect” is ever really worth it.”
—Glamour

"Rowbottom’s Aesthetica, released late last year, imagines a washed-up Instagram influencer in Los Angeles named Anna, who is preparing to undergo an experimental surgery called Aesthetica . . . There’s nothing supernatural afoot in Aesthetica, but when Anna slurs 'I’m a star' while high on Percocet, staring at her phone, proud of her own worst impulses, it’s as terrifying as any tale of a woman in thrall to wicked powers."
Wired


“A novel for anyone who exists on the internet and has wrestled with the dissonance between the self they project online and the body they inhabit in real life. It’s a dark and probing account of fame and agency and the ever-watchful gaze that creates the culture we live within.”
Los Angeles Review of Books

“Rowbottom wades through dueling waves of feminism, affectionate and critical of both second- and post-wave ideologies . . . There is no clear moral at the end Aesthetica, no satisfactory conclusion, no unified theory of implants, no winner in a culture war.”
BOMB Magazine

“An utterly propulsive narrative about one woman's slow descent into the world of social media and plastic surgery.”
—Lit Hub

“Allie Rowbottom’s debut novel presents as a buzzy beach read—and it is indeed devourable—but what lies beneath the surface hits at the heftiest themes. Grief, abuse, and the absurd beauty standards bearing down on women today collide in Anna, an aspiring influencer who becomes absorbed into the relentless world of social media, where women’s bodies are—in every sense—no longer their own.” 
Red Magazine

Aesthetica allows us to camp out in Anna’s consciousness. The book’s intimacy discourages judgment. Instead, we find ourselves dwelling in the gray areas, where nothing is wholly good or bad . . . Aesthetica is not only timely, it’s also necessary reading.” 
The Observer

“In this Los Angeles Gothic narrative set in the near future, an aging former influencer named Anna undergoes a cosmetic procedure that promises to reverse the many plastic surgeries she underwent seeking internet celebrity . . . As Anna reflects on the events that have brought her to this moment, readers chart her transformation from insecure teenager to Instagram star under the tutelage of Jake, whose money and power Anna craves—determined to rise above her humble upbringing by an ill single mother whose warnings about the perils of social media register too late.” 
—Poets & Writers

“Piercing.”
—The Millions

“More than anything else, Aesthetica investigates the fallacy of reversibility. When young, don’t we all imagine that life is a series of attempts that can more or less be undone without permanent consequence? Once we step into the light of reality, we realize that there is no fairy godmother waving a magic TV remote with a giant double arrow button reading REWIND. The particularly graceful move in Aesthetica is to advance beyond the commonplace observation that plastic surgery is a futile attempt to flip the hourglass; instead, Rowbottom asks us to imagine a cosmetic procedure that would undo the undoing, reverse the decisions a public figure might make to look like the fantasy version of their true self.”
The Brooklyn Rail

“[A] twisted deep dive into the sordid nature of social media . . . Aesthetica is a brutal novel that forces you to look in the mirror before breaking it and using the shards to cut you open.” 
—Buzzfeed

“Social media having a dark side is by no means a new concept. Aesthetica takes the idea a step further by imagining what comes after where we are now. Rowbottom explores the future of our relationship with social media with raw honesty, nuance, and compassion.”
—BookRiot

“Rowbottom is unafraid to portray the experience of living in accordance with an ever-evolving beauty standard as a perilous one, alienating and reliant on great sacrifice and pain . . . One of Aesthetica’s best, most genuinely thrilling qualities is its depiction of the intellectual and ethical whiplash that results from the collision of competing schools of feminism and ever-evolving bodily trends, leaving those who hope to balance sexiness and correct politics unmoored and dizzy.”
Astra Mag

“A conspicuous look at the toxicity of social media culture and the idea of perfection, Rowbottom deftly explores topics of mother-daughter relationships, exploitation, and feminism in this disturbing and raw debut.”
Apartment Therapy

"The magic of the novel is in Rowbottom’s lush and tender prose. She describes Anna’s experiences on Instagram and in medspas with a richness and empathy typically reserved for different kinds of protagonists (shyer, or more bookish, or more acerbic). The result is both heartbreaking and redemptive." 
Hazlitt

“Told in a split narrative alternating between the chaotic moments preceding Anna’s surgery and her tumultuous coming-of-age as an Instagram model, Aesthetica examines the lengths we go to in order to love ourselves. An exploration of womanhood and aging under the influence of social media and late-stage capitalism, the novel examines how internet culture impacts bodily agency and gender. At its core, Aesthetica is about the desire to be seen as we want to see ourselves.” 
Electric Lit

“Allie Rowbottom is taking on the grand challenge of addressing fake realities that lie beyond the screen.”
no kill Magazine

“Compelling . . . Rowbottom’s expressive and searching style is apt to capture both the bottomless emptiness and dark allure of image-centric internet life.” 
—Irish Times

“The book resists tired takeaways about our digital lives . . . Aesthetica is packed with evocative L.A. references, like Black Dahlia and El Coyote, along with more up-to-date ones, like weed spon-con and selfie walls.” 
The Cut

“The ‘Instagram Novel’ is tricky—too didactic, and you seem like a Luddite, too familiar, and you’re rehashing previous territory. Too few seem like they have any other message behind ‘Instagram is bad!’ but when a rare gem offers something new, it can be explosive.” 
OurCulture Magazine

“Rowbottom’s writing is not some cliché-ridden, girl-power critique of the global beauty industry . . . Aesthetica is concerned with showing you who the characters are, how they rub against each other, how their lives and purposes bleed into each other and create mess. It is interested in that mess and contradiction.” 
—KQED

“[A] searing and brilliant debut novel which delves into the horrifying and all too real world of influencer culture.”
—AnOther Mag

“Ruthless from start to finish—sharply interrogating Instagram culture, influencers, the world of eating disorders and much more in this new novel . . . Rowbottom doesn’t hold back: name dropping, calling out celebrities, and conceptualizing a world which feels all too familiar. Aesthetica is full of dark cynicism, but also bright light—it shines on the complex relationships between mothers and daughters, the way we handle (or avoid) grief, and the great lengths we will go to feel beautiful, even when it means losing ourselves along the way. Aesthetica is a memorable novel for feminists and skeptics alike, and it holds a mirror up to our culture in the way that the best books do.
—The Masters Review

“With narratives centered around virtual worlds, and our relationships to them, a reactive tone of condescension and distaste has quickly become a modern literary trope; it’s easier to identify what’s problematic in our reality than it is to allow for nuance. But with Aesthetica, Rowbottom captures the complexities of the human relationship to social media, and the identities we yearn to create within it . . . Rowbottom offers a distinctly human picture of the self-surveillance and collective addiction that have defined contemporary coming-of-age stories—one that is both terrifying and hopeful at once.”
—Document Journal

“You should read this book if you like: Contemporary fiction, debut novels, social critique, recovering Instagram influencers, the insidious evil of the social media era.” 
—Goodreads

“A beautiful, but also heartbreaking, portrayal of lost friendships and mother/daughter relationships.”
—Avocado Diaries

“A gothic twist on the contemporary woman's life. Immersive, wicked, and so much fun. Allie Rowbottom is the only writer that should be writing on this era of Instagram and Influencers.”
Marlowe Granados, author of Happy Hour

“In her dark, moving, fascinating, and healing first novel, Allie Rowbottom compassionately and lucidly examines one of the more painful, disturbing, stranger, and newest subcultures that our misogynist dominator society has produced.”
Tao Lin, author of Leave Society

“Much will be made of how perfectly Aesthetica captures influencer culture, but the genius of this novel is how far it extends past our current moment. In biting yet empathetic prose, Allie Rowbottom explores the ethos of American image making—from the early aughts, to the Instagram face era, and even trend forecasting what's to come. She gives it to you filter-free, making the book entirely unputdownable.”
Samantha Leach, Bustle's Entertainment Editor-at-Large

“Nobody investigates the relationship between surface and self like Allie Rowbottom. Full of biting observations and stunningly beautiful prose, Aesthetica is poetic and singular—an unforgettable novel about power and loneliness, mothers and daughters, self-destruction and self-preservation.”
—Kimberly King Parsons, author of the National Book Award–longlisted Black Light


Aesthetica is a pitch-perfect contemporary horror story and cautionary tale. Brutal and enlightening, with prose that crackles and radiates with heat, Rowbottom holds a fun house mirror not only to the characters within, but to a patriarchal America that equates body to commodity. Ultimately, Aesthetica is hopeful, reminding us of our very humanness, of our need to love and nurture and revere; Rowbottom tells us it's not too late to turn it all around, begin again. I've never read anything like it.”
—T Kira Madden, author of Long Live the Tribe of Fatherless Girls


"Propulsive, poetic, and addictive as hell, Aesthetica is a wholly original look not only into the world of social media influencers, but into the lives beyond the squares that are devastatingly rich in heart, depth, and ultimately, redemption. Allie Rowbottom writes like a wizard and I kept asking myself, how is she doing it? By the end, I knew only this: No one could write this book without staring down the world, really seeing it, all of it, the ugly and the strange, the blinding and gorgeous bits, and not once looking away. This book doesn't look away. It doesn't flinch. I'll remember it forever."
Chelsea Bieker, author of Godshot and Heartbroke

"Allie's writing is a light to follow in the dark, illuminating those human realities we often wish would stay hidden, but deep down, if we're open enough, are grateful to have seen all the same. I'm thrilled she wrote this story of discovery and self in the time of social media."
Dantiel W. Moniz, author of Milk Blood Heat

"Aesthetica is the best book about influencers I’ve ever read and the only book about the internet that doesn’t make the author sound like a thousand-year-old vampire."
Caroline Calloway

“Allie Rowbottom is a ruthless, incisive, and painfully human chronicler of how modern technology mediates every interaction, and throws up invisible walls to connection, amplifying and dulling every desire, and every harm. Never have I read a book like hers, that captures so perfectly the feeling that our phones have become an extra limb, and tracks their emotional consequences so acutely through such a universal story. This novel is a feminist communique written on the edge of almost-oblivion—in emojis, stitches, and pills—for every woman who's tried to save another, wishing she could force love into her. It's written like a psychological thriller. My heart was beating in my throat on every page.”
Sarah Gerard, author of True Love

"Allie Rowbottom's Aesthetica is a sharp and exhilarating portrait of girlhood through the distorted prism of Los Angeles and influencer culture. Her writing is alive and urgent; bravely exploring the tormented self-surveillance and unrelenting scrutiny that girls, aching to be seen, so readily subject themselves to. She deftly captures the emotional whiplash of toggling between a public and a private self, when neither feel entirely yours. Reading Aesthetica was like an incantation: each wry observation conjured visceral memories of my own girlhood I’d long since locked away: like the smell of Acqua di Gio, spray tans, calorie-counting frozen Lean Cuisines and endless Diet Coke. Like life itself, moments of horror are cut with unexpected humor and tenderness. Rowbottom accomplishes the great magic trick of powerful fiction: she reveals those secret parts of ourselves we’d long buried or forgotten that wait for us, aching to be seen."
—Nada Alic, author of Bad Thoughts

“In this nightmarish rendering of our age under the choke hold of social media, Allie Rowbottom explores the extreme methods women may undertake to meet society’s oppressive standards for their bodies.” 
Alta Journal

“This debut offers a nuanced examination of feminism in the age of Instagram.”
—ThriftBooks

“Rowbottom delivers a complex and deeply engaging portrayal of a woman looking back on her career as an Instagram model. The narrative fluidly alternates between the near future, when Anna is in her mid-30s, and her rise to influencer status in 2017 at 19 . . . it all builds to a scorching commentary on society’s blindness toward female pain. Fans of Mary Gaitskill’s work and Black Mirror will flock to this pitch-perfect novel.”
Publishers Weekly, Starred Review

“Rowbottom’s focus on second chances, true love, and self-awareness rings true as she calls out the image making and image makers of social media, and readers of a broad range of contemporary fiction will enjoy. Highly recommended.”
Library Journal

“Rowbottom's tale offers a piercing look at the reality behind the glamorous life Instagram influencers allegedly lead.”
Booklist

“An introspective novel wherein fame is fleeting and power must come from within.”
Foreword Reviews

“A challenging, compassionate novel about the aftermath of exploitation and packaged youth . . . While structurally the novel is conventional, tracking a naïve young woman’s entrapment in a sordid world and her reawakening as an adult, Rowbottom’s specificity about one moment in internet culture and the contradictory ideologies about autonomy and desire young women must parse make it worthwhile reading.”
Kirkus Reviews


Praise for Allie Rowbottom

"A book that alternately surprises and mesmerizes . . . Jell-O Girls is dark and astringent, a cutting rebuke to its delicate, candy-colored namesake . . . Rowbottom has the literary skills and the analytical cunning to pull it off . . . Gorgeous."
The New York Times

"With this fascinating cultural history of an iconic dessert and its creators, Rowbottom has found the courage to break the mold."
People

"A fascinating feminist exploration . . . A strange, sensitive account of trauma, motherhood, and America."
Real Simple
 
"From these beginnings, Allie Rowbottom has molded this generous book of intuition, connection, and grace. This is a work of wild insights and deep music."
Nick Flynn, author of Another Bullshit Night in Suck City

"Allie Rowbottom's memoir is an unflinching exploration of the inheritance and curse behind an American icon. Graceful and genuine, Jell-O Girls is what happens when a damn good story meets an even better writer."
Mat Johnson, author of Pym and Loving Day

"Allie Rowbotton is a talent not to be overlooked! I love this book with all my heart. I couldn't put down this strangely sparkling cultural and family history."
Porochista Khakpour, author of Sick

Library Journal

11/01/2022

DEBUT Author of the acclaimed memoir Jell-O Girls, about her business-empire family, Rowbottom crafts a stunning debut novel featuring 18-year-old Anna, who wants to be an Instagram star. She has followers but needs an agent to help boost her numbers, so she moves to Los Angeles. There, Instagram star Jake Alton takes her on as a client and a bedfellow, increasing her following significantly. He lures her on a little at a time, suggesting Botox, implants, and nose jobs. Along the way she becomes addicted to the drugs Jake provides. Each of these changes seem to boost her numbers but never propels her into the top tier. A big deal opportunity surfaces and Anna takes the bait, only to discover that her Instagram persona is expected to deliver more than simple influence. This causes her to rethink her goals, and at age 35 she decides to undo all the cosmetic enhancements so she can and live life as her true self. VERDICT Rowbottom's focus on second chances, true love, and self-awareness rings true as she calls out the image making and image makers of social media, and readers of a broad range of contemporary fiction will enjoy. Highly recommended.—Joanna M. Burkhardt

Kirkus Reviews

2022-08-31
A former Instagram model prepares for a surgery that promises to undo all her previous cosmetic procedures in this dark and poignant debut.

Anna is 35, and she has a face she no longer recognizes. After years of fillers and lifts—not all of which have aged well—she has the opportunity to begin aging naturally again if she goes through with the risky Aesthetica™ procedure. This surgery has its own artificiality; it won’t just remove implants and scar tissue but involves stretching her skin to create the lines that would have presumably formed if Anna hadn’t ever used Botox. Whereas her previous cosmetic procedures brought her closer to a symmetrical, consumable Instagram ideal, Aesthetica™ can restore Anna’s resemblance to her grandmother, a resemblance her mother always cherished. On the eve of the operation, Anna unravels the past that led her here—in particular, the power games and sexual abuse she experienced with her boyfriend and manager, Jake—and the relationships with her mother and her childhood best friend, Leah, she alternately shied away from and chased. Rowbottom’s prose moves back and forth from striking imagery to staccato simplicity (“Jake led me through the club, walking with a languid gait, his shoulders rolled back so that his heart looked open and imperiled. We sat at a sticky banquette”), which gives it an entrancing quality, like the best social media algorithms. While structurally the novel is conventional, tracking a naïve young woman’s entrapment in a sordid world and her reawakening as an adult, Rowbottom’s specificity about one moment in internet culture and the contradictory ideologies about autonomy and desire young women must parse make it worthwhile reading.

A challenging, compassionate novel about the aftermath of exploitation and packaged youth.

Product Details

BN ID: 2940174870574
Publisher: HighBridge Company
Publication date: 11/22/2022
Edition description: Unabridged

Read an Excerpt

1.
 
I am on my phone, of course I am. But the screams start, sudden as the sound of my own name. I look up. It’s only a group of girls, huddled by the hot tub. They lift arms, devices, as if in prayer; they still themselves before the lens, a ritual. Three flashes and again, they shriek, each omg another post, another like, another love. They are alive in their bodies, together in their bodies; I feel their oneness inside me, like hunger.
     The plate before me is empty, though. Just the rind of a bacon cheeseburger to remind me what I ate. On this white daybed. In my bikini, which is also white. Ketchup dripped down my chin, landed on my breasts, smatterings of B-movie blood I wipe with my whole hand, lick clean. I lie back, body bare and distended. I’m satiated, but the feeling always passes and the meal was freighted, like everything today, with the possibility that it might be my last.
     I fish a bottle from my black and white striped bag, snap the cap, swallow a pill with spit. I suck a vape to erase the chemical taste, blow cones of watermelon smoke toward the girls. They’re cute, but each one needs a tweak to achieve true beauty. Rhinoplasty, I diagnose when I look at one. Brow lift, I silently suggest for another. Buccal fat pad removal.
     In the big pool, a woman my age props her elbows on an inflatable raft. Nearby, a child, chubby with preadolescence, slumps sidesaddle on a foam noodle. Clearly they are together, clearly they are one, both redheaded and freckled, pear-shaped bodies waved as blown glass beneath the water. The mother says something and the child doesn’t answer, just stares at the hot tub, the girls. When I was young like her, I wanted nothing more than to emerge. Out into the seen world, the world of teenagers I saw on TV, girls I followed on Instagram. Girls who siphoned attention, desire, love, with reckless ease. Girls tweaked into fantasies I thought were real.
     “Isabelle,” the mother says. The number eleven between her eyebrows is so deep it threatens permanence. I touch my skin like I’m checking it’s still there. My forehead remains, pulled tight as a starched sheet and I want, for a moment, to wrinkle it. I want to become the other woman. A mother, a daughter, a purer version of myself; I want to become them all.
     I swallow to melt the pill further down my throat. I suck the vape. Isabelle lifts herself from the pool. Water pulls at her swimsuit. She pads to a set of lounge chairs, wraps herself in a terry cloth robe. It dwarfs her. I lift my phone, pinch the screen of space between us, zoom in to see her better. She turns to face me and I press the shutter, smile. She looks away. Scared, maybe.
     Wrapped in her towel, the mother stands, gathers her bag, ready to leave. Isabelle stands next and I stand too, so fast the world spots with blue. I blink through the blur, rush to gather my things. My phone, my bag, my flip-flops, kicked carelessly beneath the daybed. I have to squat to extract them. When I rise, I look for the woman and the girl. But my gaze lands only on a man, watching me from a nearby cabana. He’s older, sixties-ish, with his Kindle and iced tea, his Teva sandals and cargo shorts. His mirrored aviators in which I swear I see myself, gut unfurled, the burger inside adding to the paunch. I suck in for a moment. Then breathe out, let myself expand, let fat push up against scar tissue and skin, let the man look. I slip my feet into my sandals, one quick scuff, then another, and follow the wet footprints left by the woman and the girl; I follow the path they took away from me.
 
 
2.
 
Summer, 2017. Fifteen years in the past, the day I’d say my story starts, the start of a transformation I’m only now completing. Some chain wax center in West Hollywood and my half-naked body reclined on a sheet of butcher paper. Speakers on the ceiling spewed a pop song about fire and love. I looked up at panels of fluorescent light, a poster of a woman at a nice restaurant. Her hands were folded over the white napkin in her lap; her skin shone, concave and hairless; a steamed lobster on the table stared up at her, scarlet carapace still unbroken.
     “Knees to chest,” the waxist said. She had an accented, angular voice. I held my shins as she slathered steaming blue to my labia, the insides of my ass cheeks. The room was cold, the hot wax a comfort. “Just like a virgin,” she said and patted before she pulled.
     Pain flashed where the hair had been. A screaming hole I closed my eyes to slip inside. I wanted it. A womanly ritual, the hurting, my ability to stand it. One I might complain about with girlfriends, like period cramps, all of us in on the same unspoken joke, the suffering required by a certain sort of body. I thought of my mother, the vacation we took from Houston to LA two summers before. Orange light in our Hollywood hotel room and her body, squatting and squirming from the bathroom in a new cerulean one-piece. “Five decades of bathing suits and I still can’t figure out where everything’s supposed to go,” she said. “What do you think?” She turned a circle, cocked a hip, the blue suit shone and the waxist  wrenched the final strip, returning me to the room.
     “Baby,” the waxist said, “you like?” I opened my eyes and craned my neck to see a swath of pubic hair, smaller than a thumbprint. It stunned me, my own skin, infantile and pink; the coarse brown “landing strip” seemed somehow indecisive.
     “Maybe just take it all?” I said. The waxist nodded, returned to her pot, globbed blue over the remainder. She fanned, then pulled. “What you think now?”
     “What do you think?” my mother had repeated that night in Hollywood, when it was just us two in the orange light, assessing her new bathing suit. And I had been a mean girl.
     “Uh, you need a wax,” I said, trying out a new voice.
     Her face flushed. “Well, obviously,” she said. I buried myself in my phone. She disappeared into the bathroom, emerged in a towel. Later, while brushing my teeth, I spotted curlicued black hairs crowding the blades of her razor like weeds pushing through the shutters of a boarded-up house and felt angry in a way that made me want to be even meaner. I was harsh but she was clueless. How was she still such a little girl? Why was it my job to explain bikini lines and makeup application, lessons of womanhood her own mother died too young to impart? I learned them from YouTube, Instagram, and though my mother said she wanted instruction too, she never stuck with the rituals I prescribed. Contouring and gua sha massage, retinol and ten-step serum routines, all abandoned, as if she thought learning to care for herself would rob her own mom of the chance to rise from the dead and teach her.
     “Baby?” The waxist wanted answers.
     “Okay,” I said.
     She puffed cold powder onto my crotch. “Baby,” she said, “You go now.”
     I dressed, bare skin behind my clothes like a secret, safe with me, a pulled together girl, all the mess shorn off. A girl wise enough to identify the mess in the first place, and to fix it. I tipped using a formula my mother taught me (move the decimal point, then double it), called a car and walked out into Los Angeles. Ash on the air, and fire.
 
My Lyft driver was a man who spoke with fear about his teenage daughter. “Six thousand dollars to get her on drill team,” he said. “But she has to maintain a 4.0. Then she can do what she wants.”
     “Smart,” I said.
     “What do you do?” he asked.
     I didn’t have an answer. I had only been in Los Angeles two weeks, only been a high school graduate for six. No father cared what I did or didn’t do; mine had always been absent. Rich and old, he’d left by my third birthday. But in a way, he’d given me a gift, freedom, by abandoning me. Because here I was, hustling harder for what I’d lost.
     “I’m a freshman at USC,” I told the driver, a lie in the shape of what I thought he wanted to hear. We pulled up to my Airbnb.
     “Be safe out there, baby,” he said. I thanked him, got out, rolled my eyes. As if he knew what was safe for girls. As if his own daughter wasn’t miserable most likely, forced onto the drill team, so lame.
 
The Airbnb was a room in a bungalow off Robertson, shared with three other girls—community theater kids turned Hollywood waitstaff, auditioning endlessly, whining about flakey agents and acting coaches. Girls with next to no internet presence, who wanted a different sort of stardom, a different screen. When I suggested they build platforms, use Instagram to get noticed, they thanked me, but laughed a little, snarky, like they thought social media was superficial, uncreative, a crutch. So almost as soon as I moved in, I stopped talking to them. At night, they sat around the communal kitchen table running lines, projecting and enunciating like they were already on stage. To escape them, I walked. Beyond the smoke, the air smelled of flowers. Red bougainvillea draped over balconies and looked, in the fading light, like entrails, touched with blue. I took photos for my feed, captured the LA light, the Spanish-style mansions, winding wrought iron, ocean on the air, which cooled at night to a deep desert chill I’d never felt before. All of it was so new, so utterly unlike Houston, my mother, the stale and humid library where she worked, the chronic complaints she made about her body—its size and shape and ailments—always searching for something to cure. I turned the camera to my face and spoke as I walked. “Gonna be a big staaaah,” I said and smooched the lens.
     I had reason to believe I could touch stardom, and the money that came with it, as a model on Instagram. This is what I’d told my mother, how I’d sold her on my move to LA. Instagram was a business opportunity, a new frontier for entrepreneurial youths like me, youths with initiative. College stifled that sort of thing and I had read online that even rich kids were taking gap years to experience the real world. I had read that student debt was shackling my generation, condemning us to the same hardship I watched my mother weather, month by month, a running list of questions: which bills needed paying, which she could put off, what could she forego. Travel, therapy, dental work. The real world, shrunken by lack. But technology was wide open. It was where the money was. Influencers with one hundred thousand followers earned a thousand dollars a post, easy. Two hundred thousand followers equaled paid vacations to five-star resorts. Almost foolish, to want to do anything else.
     I was fourteen when I received a phone of my own, but I already knew how to use it. The first thing I did was save Leah’s number under the contact “BEST FRIEND FOREVER.” My mother’s I saved as “Mommy,” which I still sometimes called her. The second thing I did was start an Instagram account, gather followers with hashtags and selfies that accentuated my youth, the teeth that took up half my face when I smiled.
     My mother said my smile belonged to the grandmother who’d died before my birth. “You look so like her,” she would say and gesture at framed photographs, old black and white images of the beautiful mother she’d lost too soon. It was a source of pride for my mom, to have produced a child to carry on the legacy of her own mom’s bright smile. But she was wrong. I was prettier than my grandmother ever was. I was special, destined to transcend the small lives of the women who came before me; I was deserving of DMs from Instagram scouts, brand offers to “collab.”
     The only message I replied to, spring of my junior year of high school, had all the markings of a scam. It was, instead, a fluke, a job modeling festival wear for a brand called Hippy Baby, based in Austin, a job for a girl with management, a comp card and portfolio. But someone had fallen through, someone had said rush, some scout plucked me off Instagram and said I had a “trademark smile,” all teeth. I was seventeen, barely licensed. But I drove my mother’s car the whole way, I-10 to I-71, three hours through wildflower fields to a loft downtown, a photographer named Eric, his nameless assistant, who was a girl my age. They rearranged my body like furniture, both frustrated that I was so unpracticed. “Where do I change?” I asked after the first outfit was shot and they said, “Wherever,” like I should know. In the room’s middle, I bent to pull up bikini bottoms, or to drop them, and imagined my asshole puckering in the air conditioned cold, how they would see it too. If they did, they didn’t say. They didn’t care about my asshole, just my ass itself, just the outside.
     “You’ve got a butt,” Eric told me when he finished shooting. “But you’ve got a gut, too.” He said nothing of my smile.
     “I’m keto and I love it,” his assistant said. She was friendlier once the work was done. And yet I left alone and hungry, just the photographer’s voice in my head, the word gut, repeating.
     When the pictures posted I catapulted from 6,000 to 20,000 Instagram follows, earned $4,000. So much growth, so quickly. Like the solution to an ailment I hadn’t known I suffered, a power I’d known was possible, but hadn’t anticipated would be easy to claim. So easy, the number of dollars in my account, the number of people at my fingertips, all of them wanting, waiting for solutions I might offer, products I might sell, power I might promise. When I hit 20,000 I screamed and jumped and took a selfie, trademark smiling, proving to myself how happy I was. But really, I was thinking of what more I could make for myself, what more I could make for my mother, now that I was backed by a number that would continue to grow if I worked at it, leveraged my number for a bigger, better number. Leverage was how empires were built, the walls of a well-made house high and thick and every bill paid on time, everyone inside healthy and safe. I subscribed to Business Insider, spent hours reading beyond their paywall. I learned that persistence is an essential quality of successful entrepreneurs. Gut, I thought when I took selfies. Keto, I whispered when I opened the fridge. It felt like a promise Los Angeles could help me keep and I begged my mother for a trip. Finally, when summer came—my seventeenth, her forty-eighth—she agreed. We flew from Houston to Los Angeles for Star Tours, studio tours, the Hollywood Sign. We stayed three nights, walked for three days up and down Sunset Boulevard, Melrose Boulevard, Hollywood Boulevard, in and out of amusement parks: Universal Studios, California Adventure, and the newly opened Fairy Tale Land, our favorite. Afterward, I imagined graduating high school and returning to LA. And now here I was, returned.

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