Fiction readers who overlook short stories are missing out. Not only do some of our best writers get started in the form before moving on to novels (think George Saunders and Jhumpa Lahiri), but some writers are such masters of the short story that they write them exclusively (including Alice Munro and Lucia Berlin). Many […]
Welcome to the sublime circus of Mark Mayer's Michener-Copernicus-winning debut, Aerialists, a fiercely inventive collection of nine stories in which classic carnival characters become ordinary misfits seeking grandeur in a lonely world.
Under the luminous tent of Mayer's prose, we see P.T. Barnum's caravan remade: A young misogynist finds a confidante in a cable-TV strongwoman. A realtor for the one percent invokes his inner murder clown. A skin-and-bones mathematician and his bearded wife plot revolution. A friendless peach farmer holds a funeral for a beloved elephant. And a model-train hobbyist prepares to throw his miniature world in the trash.
The circus has always been a collection of American exaggerations-the bold, the beautiful, the freakish, the big. Aerialists finds these myths living in the everyday. Mayer's deftly drawn characters illuminate these small-scale spectaculars, and their attempted acts of daring and feats of strength are rendered with humor, generosity, and uncommon grace.
Welcome to the sublime circus of Mark Mayer's Michener-Copernicus-winning debut, Aerialists, a fiercely inventive collection of nine stories in which classic carnival characters become ordinary misfits seeking grandeur in a lonely world.
Under the luminous tent of Mayer's prose, we see P.T. Barnum's caravan remade: A young misogynist finds a confidante in a cable-TV strongwoman. A realtor for the one percent invokes his inner murder clown. A skin-and-bones mathematician and his bearded wife plot revolution. A friendless peach farmer holds a funeral for a beloved elephant. And a model-train hobbyist prepares to throw his miniature world in the trash.
The circus has always been a collection of American exaggerations-the bold, the beautiful, the freakish, the big. Aerialists finds these myths living in the everyday. Mayer's deftly drawn characters illuminate these small-scale spectaculars, and their attempted acts of daring and feats of strength are rendered with humor, generosity, and uncommon grace.
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Overview
Welcome to the sublime circus of Mark Mayer's Michener-Copernicus-winning debut, Aerialists, a fiercely inventive collection of nine stories in which classic carnival characters become ordinary misfits seeking grandeur in a lonely world.
Under the luminous tent of Mayer's prose, we see P.T. Barnum's caravan remade: A young misogynist finds a confidante in a cable-TV strongwoman. A realtor for the one percent invokes his inner murder clown. A skin-and-bones mathematician and his bearded wife plot revolution. A friendless peach farmer holds a funeral for a beloved elephant. And a model-train hobbyist prepares to throw his miniature world in the trash.
The circus has always been a collection of American exaggerations-the bold, the beautiful, the freakish, the big. Aerialists finds these myths living in the everyday. Mayer's deftly drawn characters illuminate these small-scale spectaculars, and their attempted acts of daring and feats of strength are rendered with humor, generosity, and uncommon grace.
Product Details
ISBN-13: | 9781635572162 |
---|---|
Publisher: | Bloomsbury Publishing |
Publication date: | 02/19/2019 |
Sold by: | Barnes & Noble |
Format: | eBook |
Pages: | 304 |
File size: | 2 MB |
About the Author
Read an Excerpt
CHAPTER 1
STRONGWOMAN
A few weeks after my dad moved out, I played a trick on my mom. I asked to give her a hug, and after we held each other a minute I stuck a sewing needle in the back of her neck. I had it taped between my fingers with invisible tape.
She'd been wailing at night. Maybe she thought I couldn't hear her, but I could. I understood she was sad, but the sounds she made in the dark were so gigantic and horrible I didn't know where they came from. There were glow stars above my bed, moons and shooting stars with their tails peeling down, and I watched the yellow light they stored drain out. I hated myself for how I'd stuck them there. They were all clumped in one corner of the big empty ceiling, too close together to make any constellations. I tried to restick one, but you can't, they just fall. What helped a little was to pretend there was a black hole over the bed. That was what had sucked them together there.
I never said anything about the sounds. I did my homework well and made sure my teachers liked me. I was a good kid, basically, I think, for an eleven-year-old. I loved my mom, but sometimes I would pester her to tears. It was easy to make her sad, but she only wailed like that after she thought I was asleep. She would be up early cooking breakfasts she clipped from the paper. "How's my man doing?" she would say if she saw me staring off. Then she'd hug me. She was getting fatter and I liked hugging it all. There was a good white pad of it behind her neck. She didn't have a talk with me about the needle. "Ow, crap!" she said. She looked surprised, then sad, but she didn't make the sound.
A few days later, she told me I was going to spend the summer in Denver with my dad. Maybe it had been the plan all along.
I wanted to say I'd done it by accident. First I'd taped my middle finger and ring finger together, only because there was some tape. And then I'd seen the little needle hole of light between my fingers, so I put a needle through. And there. I'd figured out from one of their fights that I was an accident, which was okay. What it meant, though, was that maybe everything I did in the world was also an accident, that I was a way for more accidents to happen. I liked that. All the rocks I kicked down the sidewalk, which weren't going to move on their own, all the cars that stopped for me to cross the street. The invisible tape was part of that, and the needle.
It was an hour drive to Denver from Fort Collins and we hardly talked. She tried to dance a little to the radio, then quit; I watched the neat lanes of traffic, the millions of cars that were supposed to somehow never touch.
My dad had quit being a lawyer and said he was a property magnate now. He had two apartment buildings and a bowling alley he was fixing up. We spent most of the summer at the alley with his different girlfriends and a handyman named Gus.
"Junior," my dad said the first day, "start loving it."
There was a claw machine I could play without paying, a spot-the-differences video game called Titty Match-Up, and boxes of Sour Belts that were expired but tasted the same. The smell wasn't the shoes or the shoe spray or the beer spills or the burnt motors in the ball retrievers or the broken popcorn machine. I couldn't figure out what it was, but my dad strolled around breathing deep like we were in a garden.
He was so excited to see me, I realized I wasn't going to see him a lot. He called Ling-Ling Palace from the lanes at ten in the morning. "General Tao's breakfast. We got a special occasion here. What? Look, employ your expertise." He plunged the antenna into his palm.
The fancy, sagging business shirts made him look like a sultan, and he was learning to talk like one. He had a thousand keys now and he was always throwing them from hand to hand. If they dropped, he would leave them on the floor until it was convenient to pick them up. He didn't nick his mole once all summer. It looked like an ornament on his jaw.
He was trying out names. "Kingpin's," he'd gesture, his watch sledding through arm hair. "Would you grow your gut at a place called Kingpin's?"
I missed her. We talked on the phone, but we didn't say anything. She asked was my bowling game getting good, even though I'd said the lanes were broken. "Can I come home yet?"
"You have two homes." She explained divorce like I'd never heard of it before.
"I have two gnomes? What am I going to do with two gnomes?"
"Both your gnomes love you, Junior. Even when you tug our beards."
"I grew a beard. You wouldn't recognize me. I have a shark tattoo now and a forked beard and I crash motorcycles."
"I'm thirty feet tall and I eat lightning bolts and juggle tigers."
"We're stupid, Mom."
"I love you back, Junior."
"How's your momma?" my dad asked at work. "She all mended up?"
I thought for a second she'd told him about the needle, but he just meant the divorce.
"Mr. Zenichek," Gus said — we were watching him repair a ball retriever — "my social worker says not to put the children in the middle." He was going through some kind of divorce too. On Wednesdays and weekends, he would bring his three little daughters with him. They played Titty Match-Up together, clacking the screen with their bright, fake nails while I tried not to look.
"I don't know," I told my dad. "She's running a marathon."
"No doubt," he said. "My social worker tells me not to lie."
The roof of my mouth was starting to bleed from the Sour Belts. It wasn't a lie. She said she was going to.
"Junior," he said, "don't pretend like I don't care."
"I think she's really sad, Daddy."
"You darling boy," said my dad's girlfriend Dolly. Her eyes turned shiny on me, and her hair spray or lotion smelled like jam. Through his silk sleeve, I could see her fingers rubbing his arm where the skin was like an old balloon. With her other hand, she tried to touch my ear. "She'll be fine. We've all been there."
"Darling boy," he winked at me. "Well. Well, well, well."
My dad said Gus had almost become a lawyer himself. He'd done correspondence courses, and then, just when he was going to take the bar, a crazy woman had thrown a twenty-five-pound bag of birdseed from her balcony and knocked him stupid. "This guy," my dad liked to say, "has the best manners of any man I've ever known."
"No," Gus would say. "Don't tease. This isn't so."
Gus kept cocktail napkins with cartoons on them folded in his shirt pocket, but he used a bandanna from his back pocket to wipe his forehead or blow his nose. He washed his hands every hour and was always saying how grateful he was to have his health, even though we all knew he was brain damaged. My dad said he'd pay Gus extra to teach me some etiquette while he worked. He called it my Mexican finishing school even though Gus was from Colombia. I ate my lunch with Gus, and he would tell me to eat more slowly and put less on my fork. Soft bread should be chewed eight times, meat eighteen times. We each had to make a toast with grape soda before every meal. "Look there," he said and pointed with his insulated mug at the iridescent pink storm on a bowling ball. "Richard Junior, please give a toast to this."
Once he brought frozen leftovers and at lunch, when they were thawed, he took a bite and cried. I couldn't believe it. Maybe it was something his wife had left in the fridge. It was orange and oily with peppers floating in it. "Try this," he said. "You must absolutely try."
The claw machine had stamped leather wallets, and I finally retrieved the one that said viper on the side. "You son of a dog," my dad said. He was proud of me. Then he said we would have to put it back. I had to cry in order to keep it, and after that I didn't want it anymore.
"Nope," he said, "it's yours now. Bitch like that and you have to keep it."
I did keep it. I hated it, but I have it.
He said he left my mom because he didn't love her anymore and that that happens. He never said anything about how she'd gotten fat — maybe it had nothing to do with it — but his girlfriends that summer were all very thin. They seemed to like him, so there was no reason not to be happy for him. We would all watch Gus working on a ball retriever, and my dad would reach into the seat next to him and work his heavy tanned fingers over their small thighs into the narrow where I didn't let myself look. "What can I say? Your mother is a beautiful girl, a beautiful woman." He looked next to him. "All women are beautiful, and all men are ugly, and the most beautiful thing is that they might love you in spite of it. That's what it is, Junior — your momma loved something very ugly."
He was full of lessons for me.
"Junior," he said, "you're turning twelve. It's Summer of the Boner. Time for a man talk."
"Richard," said his girlfriend Alayna. "You're embarrassing him."
"Subject one," he said. "Objectifying women. This is serious, you can really hurt somebody with this stuff. You have to always see the whole bird, not just her cuts."
"Richard, stop." I thought I liked Alayna better than Dolly or Kim. She tied her scarves like a pirate and liked thumb wars, but I didn't like it how she was grinning now.
"Your stiffy isn't going to state its reasons and your job is to never figure them out. Because the reasons are hurtful. As soon as you think, There's a set, or, Those can walk, you're turning women into objects. Women should be mysteries, not objects. You get what I'm telling you? Always tell a woman you don't understand why you want her. 'It's beyond reason, baby.' Except ugly girls — you can tell ugly girls they're beautiful."
She slapped his thigh. "Dickie! Look how embarrassed he is."
He was so happy and handsome in his alley. "Here we are," he said every morning when we got there. Here we are — like this was who he'd been waiting for us to be.
"Gus, Junior, good news," my dad said at the end of the summer.
A dancercise place back in Fort Collins was going out of business and would sell Kingpin's its disco balls and light machine on the cheap. Gus could take me back to Mom's and pick up the goods. One trip, tidy.
Gus's old pickup smelled like Christmas candles. "Leather seats need oil every year," he said. "These are imitation, but true leather you must condition."
I spent the car ride watching the cars and programming my new watch. It had eight buttons. "Detonation complete," I said when an alarm went off. "One million people just exploded."
"Richard Junior, you know that is not funny at all."
The dancercise studio was on Lemay next to a Flowerama and across from the hospital. It was locked, and Gus had to pat the glass door with the band of his class ring for a long time before a woman came.
"Sorry," she said. "Potty."
She led us into the empty studio. There were posters everywhere of women in vibrant spandex, and long panel mirrors, but with the lights off it was like the inside of a cardboard box.
"I guess you talked with Miranda," she said. "I'm Celia."
"Mucho gusto. Soy Gustavo," Gus said. I could see how helpless he was. She was smiley and curvy and creamy brown. The big dark room should have made her look sad, but it didn't.
She laughed at him. "And you?"
"I'm Junior."
She laughed again. "Not for long."
Gus and I carried two disco balls and the light machine to his truck. She followed with a box of cords and papers. Gus counted out the bills on his tailgate.
"Okay," she said. "Hasta la pasta. Bowl some strikes."
Gus looked as if he would cry again. He sat in the driver seat, wiping his forehead with his bandanna and staring through the dash. His door was still open and the cab was dinging. Finally he got out and walked next door to the flower shop. He came back with a polite bouquet. He sat holding it in the dinging for a minute, then handed it to me. "Bring these for your mother," he said.
The door of my house smashed the wrong way against the frame, then swung back, but it was not my mom.
"Mrs. Zenichek?" Gus said.
A tremendous woman stood there. The sinews of her neck filled the doorframe and tugged as she turned her brawny eyes. Her shoulders and arms, even the muscles of her expression, were all partitioned. She looked like a butcher chart. But it was a woman: she was wearing pajamas; I could check. She took in Gus, the flowers, me.
"Mom?" I tried to call past her.
"Oh, Junior!" My mom appeared behind the monster and pulled me into the living room with a long hug, but it was different. She did more hugging — more holding and squeezing — but somehow it felt like less hug. She wasn't as soft, which was maybe healthier, but I didn't like it. I felt her arms, not her. "Welcome to Mom's house!" She laughed, and it was long and watery and bright. She held me back to look at me. Happiness rashed around her eyes.
Two sleeping bags were on the floor of the living room. A box of wine balanced on the arm of the couch. Her Shiva statuette on the bookcase had a pink and green ankle sock over its head.
"This is Klara," my mom said.
"He's a dumpling," said Klara. "And flowers!"
I extended them nervously. "Keep 'em," Klara told me. "I'll grab your shit."
She did, and the flowers I know ended up on the table, but Gus was gone already, and for all my manners training I hadn't even wished him goodbye.
Her name was Klara Loyzaga. My mom and her had spent most of the summer together. Klara — sometimes she pronounced it the Spanish way with two flicks of the tongue, sometimes she didn't — was a professional bodybuilder and strongwoman. She had competed all over the world and on cable television, under the name Klara Belle. Our living room was now full of videos of her shiny brown body in exhibitions of strained perfection and strength.
We spent a lot of good time that fall with Klara. She had a brother who'd died rock climbing, and she made a big deal about enjoying life. She bungee jumped and cooked her own hot sauce and supported important causes I'd never heard of. The Zapatistas. The Tutsis. Fair trade. She read a special newspaper that came once a week from France. Klara and my mom had already been to the Medicine Bows and Escalante and Telluride in Klara's Eurovan, and we went all over together, like a gang. We went to Elitch's and Klara paid the upcharge for the XLR8R, and they strapped the three of us together and towed us up to 182 feet, then dropped us. My mom sobbed the whole way up, but it was different than before. I hate it! I hate it! I hate it! — but then she loved it most. After that I wasn't shy. We watched Deep Space Nine and Walt Disney Classics and Klara's tapes in the living room and ate stove-popped popcorn with nutritional yeast and cumin and did massages. We took Klara rollerblading for her first time — she drove over with a Tweety Bird pillow taped to her butt. She left a guitar, which I was allowed to play, behind our TV. She tuned it to open G so I could slap the strings and bonk my knees like Elvis. Her face muscles made her whistle dangerously loud. A couple times we had sleepovers in the living room, the three of us. I explained Dutch ovens and she wanted to make it a competition, but Mom wouldn't have it. If I buried my watch in my sleeping bag, it woke only me, and I could roll toward my mom and listen to her breathe and watch the nylon of her sleeping bag tucking in and out with her breath.
In September, before it got cold, Klara had a beach party. A ditch ran through the back of her subdivision, and she trucked in sand and dumped it ditchside and invited her friends over for daiquiris and sun. There were squirt guns and hulas, Jamaican ginger ales for me, and sidewalk chalk for a watermelon-seed-spitting contest. "Do you know how hard it is to find a watermelon with actual seeds in it?" Klara told me. "Monsanto wants to neuter my melons!" She drank her margarita out of the paper limeade tube.
"Come on, Rico. Gas it!" her friends yelled when I got up to spit, but I kept laughing and screwing up.
They were all accomplished women in their thirties or forties. Potters, lawyers, a judo sensei, a professor of avalanche science. Somehow my mom knew them all. One had taken bass lessons from Gene Simmons. They balanced me on a surfboard and I tried to float down the ditch. When I passed one of them dangling her feet in, she said, "All right, Marlene. He made it: honorary Gorgon."
They all asked me if I had a girlfriend, then pretended not to believe me. Klara spent all fall teasing me about it.
Say we wanted to go to a movie. "What do you think?" she would ask into the paper. "Should we see Unstrung Heroes ?"
"I don't know," I'd say.
"'So touching the heart almost stops,'" she'd read. "Rico, baby, women love that shit."
I tried, but I couldn't look at Klara without seeing anatomy. Muscle overhung her. When she moved, it was an exaggerated demonstration of movement. This is how the body holds a steering wheel between two fingers like a cigar. This is how the body scratches a chin with a shoulder. This is how the body cuts through a burrito with a fork. She had a trick where she wiggled her fingers to make her fat veins pop back and forth over her tendon. Her skin was as firm, tan, and finely wrinkled as an earthworm's. Her gold necklace barely reached her collarbones. Her chest was large, and I watched and tried not to watch to see how much of it was muscle. Her hair was hard black, wavy, and not as long as it was trying to be. I didn't know — didn't know how to know — if she was beautiful.
(Continues…)
Excerpted from "Aerialists"
by .
Copyright © 2019 Mark Mayer.
Excerpted by permission of Bloomsbury Publishing Plc.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Strongwoman, 1,
Aerialists, 30,
The Evasive Magnolio, 61,
Twin, 76,
The Wilderness Act, 103,
The April Thief, 135,
Solidarity Forever, 198,
The Clown, 238,
The Ringmaster, 258,