Aemilia Lanyer: Gender, Genre, and the Canon
Aemilia Lanyer was a middle-class Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But she is remembered today as the first Englishwoman to publish a substantial volume of original poems (1611).

Her output is varied, subtle, provocative, and witty. The essays in this volume establish the intrinsic merit of Lanyer's poetry and use her work to interrogate that of her male contemporaries, Donne, Jonson, and Shakespeare. As a whole the collection offers a sustained discussion of the processes of canonization and the construction of literary history.

For this first booklength study of Lanyer's work, Marshall Grossman has assembled a stellar group of Renaissance scholars, including Boyd Berry, David Bevington, Leeds Barroll, Achsah Guibbory, Michael Morgan Holmes, Barbara K. Lewalski, Kari Boyd McBride, Naomi I. Miller, Janel Mueller, Karen Nelson, and Susanne Woods.

"1119018802"
Aemilia Lanyer: Gender, Genre, and the Canon
Aemilia Lanyer was a middle-class Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But she is remembered today as the first Englishwoman to publish a substantial volume of original poems (1611).

Her output is varied, subtle, provocative, and witty. The essays in this volume establish the intrinsic merit of Lanyer's poetry and use her work to interrogate that of her male contemporaries, Donne, Jonson, and Shakespeare. As a whole the collection offers a sustained discussion of the processes of canonization and the construction of literary history.

For this first booklength study of Lanyer's work, Marshall Grossman has assembled a stellar group of Renaissance scholars, including Boyd Berry, David Bevington, Leeds Barroll, Achsah Guibbory, Michael Morgan Holmes, Barbara K. Lewalski, Kari Boyd McBride, Naomi I. Miller, Janel Mueller, Karen Nelson, and Susanne Woods.

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Aemilia Lanyer: Gender, Genre, and the Canon

Aemilia Lanyer: Gender, Genre, and the Canon

by Marshall Grossman (Editor)
Aemilia Lanyer: Gender, Genre, and the Canon

Aemilia Lanyer: Gender, Genre, and the Canon

by Marshall Grossman (Editor)

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Overview

Aemilia Lanyer was a middle-class Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But she is remembered today as the first Englishwoman to publish a substantial volume of original poems (1611).

Her output is varied, subtle, provocative, and witty. The essays in this volume establish the intrinsic merit of Lanyer's poetry and use her work to interrogate that of her male contemporaries, Donne, Jonson, and Shakespeare. As a whole the collection offers a sustained discussion of the processes of canonization and the construction of literary history.

For this first booklength study of Lanyer's work, Marshall Grossman has assembled a stellar group of Renaissance scholars, including Boyd Berry, David Bevington, Leeds Barroll, Achsah Guibbory, Michael Morgan Holmes, Barbara K. Lewalski, Kari Boyd McBride, Naomi I. Miller, Janel Mueller, Karen Nelson, and Susanne Woods.


Product Details

ISBN-13: 9780813182803
Publisher: University Press of Kentucky
Publication date: 05/11/2021
Series: Studies in the English Renaissance
Sold by: Barnes & Noble
Format: eBook
Pages: 288
File size: 763 KB
Age Range: 18 Years

About the Author

Marshall Grossman, professor of English at the University of Maryland College Park is the author of The Story of All Things: Writing the Self in English Renaissance Narrative Poetry.

Table of Contents

Introduction
A. L. Rowse's Dark Lady
Looking for Patrons
Seizing Discourses and Reinventing Genres
Sacred Celebration: The Patronage Poems
Vocation and Authority: Born to Write
The Feminist Poetics of Salve Deus Rex Judaeorum
The Gendering of Genre: Literary History and the Canon
(M)other Tongues: Maternity and Subjectivity
The Love of Other Women: Rich Chains and Sweet Kisses
The Gospel According to Aemilia: Women and the Sacred
Pardon... though I have digrest: Digression as Style in "Salve Deus Rex Judaeorum"
Annotated Bibliography: Texts and Criticism of Aemilia Bassano Lanyer

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