Adhocism, expanded and updated edition: The Case for Improvisation

by Charles Jencks, Nathan Silver

Overview

The triumphant return of a book that gave us permission to throw out the rulebook, in activities ranging from play to architecture to revolution.

When this book first appeared in 1972, it was part of the spirit that would define a new architecture and design era—a new way of thinking ready to move beyond the purist doctrines and formal models of modernism. Charles Jencks and Nathan Silver's book was a manifesto for a generation that took pleasure in doing things ad hoc, using materials at hand to solve real-world problems. The implications were subversive. Turned-off citizens of the 1970s immediately adopted the book as a DIY guide. The word “adhocism” entered the vocabulary, the concept of adhocism became part of the designer's toolkit, and Adhocism became a cult classic. Now Adhocism is available again, with new texts by Jencks and Silver reflecting on the past forty years of adhocism and new illustrations demonstrating adhocism's continuing relevance.

Adhocism has always been around. (Think Robinson Crusoe, making a raft and then a shelter from the wreck of his ship.) As a design principle, adhocism starts with everyday improvisations: a bottle as a candleholder, a dictionary as a doorstop, a tractor seat on wheels as a dining room chair. But it is also an undeveloped force within the way we approach almost every activity, from play to architecture to city planning to political revolution.

Engagingly written, filled with pictures and examples from areas as diverse as auto mechanics and biology, Adhocism urges us to pay less attention to the rulebook and more to the real principle of how we actually do things. It declares that problems are not necessarily solved in a genius's “eureka!” moment but by trial and error, adjustment and readjustment.

Product Details

ISBN-13:	9780262518444
Publisher:	MIT Press
Publication date:	05/24/2013
Series:	The MIT Press
Edition description:	expanded and updated edition
Pages:	248
Product dimensions:	7.00(w) x 9.90(h) x 0.60(d)
Age Range:	18 Years

About the Author

Charles Jencks is an architectural theorist, landscape architect, and designer living in Scotland.

Nathan Silver is an architect, writer, and former architecture school head living in London. He is the author of Lost New York, nominated for the National Book Award.

Table of Contents

Foreword to the MIT Press Edition: The Style of Eureka vii

Foreword to the 1972 Edition 9

Acknowledgments 11

Part 1 By Charles Jencks 13

1 The Spirit of Adhocism 15

2 The Pluralist Universe, or Pluriverse 29

3 Mechanical, Natural and Critical Evolution 39

4 Consumer Democracy 55

5 Towards an Articulate Environment 73

6 The Ad Hoc Revolution 89

Part 2 By Nathan Silver 103

1 Modes and Resources of Adhocism 105

2 The Adhocist Sensibility 139

3 Adhocism in the Market and the City 173

4 Appendix: Miscellaneous Adhockery 187

Afterword to the MIT Press Edition: ISM or Is It? 201

Photo Credits to the 1972 Edition 216

Index to the 1972 Edition 220

Editorial Reviews

Four decades after the initial publication of Charles Jencks and Nathan Silver's manifesto for improvisation, adhocism is still very much in vogue...Now recognisable as one of the core Postmodern texts, it remains equally subversive and sustainable, as much a manifesto of its time as a guide for the present.—Architectural Review—

An expanded edition of a 1972 book, which now appears prescient, this is an exploration of an idea of design that blends Dada, high-tech and DIY. The result is close to contemporary ideas about hacking and mass customisation.

—Financial Times—

From the Publisher

An expanded edition of a 1972 book, which now appears prescient, this is an exploration of an idea of design that blends Dada, high-tech and DIY. The result is close to contemporary ideas about hacking and mass customisation.

—Financial Times

Reviews

Four decades after the initial publication of Charles Jencks and Nathan Silver's manifesto for improvisation, adhocism is still very much in vogue...Now recognisable as one of the core Postmodern texts, it remains equally subversive and sustainable, as much a manifesto of its time as a guide for the present.

Architectural Review

An expanded edition of a 1972 book, which now appears prescient, this is an exploration of an idea of design that blends Dada, high-tech and DIY. The result is close to contemporary ideas about hacking and mass customisation.

Financial Times