[A] compelling debut…Beautifully told by Llanos-Figueroa, this is an unforgettable saga of the magical beliefs binding one family for generations.” — Booklist on Daughters of the Stone
” This commanding exploration of women's history will resonate with readers of strong African American feminist narratives like those of Toni Morrison and Ntozake Shange. With its unflinching description of slavery, it should also appeal to readers of slave narratives like Charles Johnson's Middle Passage and Manu Herbstein's Ama: A Story of the Atlantic Slave Trade.” — Library Journal (starred review) on Daughters of the Stone
“Dahlma Llanos-Figueroa's Daughters of the Stone sings as few novels can. It also tells us of a culture and nation that is underrepresented in our literature: Puerto Rico. And it does so with brilliant flourishes in a narrative both gripping and intimate. Conveying a wide sweep of history, as witnessed by several generations of women, the book has the warmth of autobiography while sustaining a firm and stately control of technique and language.” — 2010 PEN Literary Awards Program on Daughters of the Stone
"A Woman of Endurance is a new classic of Caribbean literature. With exquisite, patient, poetic prose, Dahlma Llanos-Figueroa illuminates the world of 19th-century Puerto Rican haciendas and the slavery on which they depended. By telling this story through the eyes of Pola, one of those slaves, Llanos-Figueroa has written the grand epic that Pola—and all the other forgotten women of endurance—richly deserve." — —Cristina García, author of Dreaming in Cuban
"Dahlma's prose is a poetic hurricane, A Woman of Endurance is an exquisite jewel of a novel. No other writer addresses our African roots with such luminous intensity." — —Ernesto Quiñonez, Bodega Dreams and Taína
“Dahlma Llanos-Figueroa’s novels are as necessary to Puerto Rican literature as rice and beans are to the Puerto Rican diet. A Woman of Endurance should be taught as both history and literature of las Americas; it cements Llanos-Figueroa as an urgent and critical voice for our times. Her rigorous and compassionate attention to the human experience of the horrific legacy of enslaved Black people in Puerto Rico is a triumph for literature, Puerto Rican and otherwise, and a testament to the enduring spirit of human beings.” — —Marisel Vera, author of The Taste of Sugar
"A Woman of Endurance is a marvelous gift and a complete triumph. The women in this novel create themselves and build paths toward a self-defined freedom. Llanos-Figueroa has given us a love letter that was lost among the many receipts and historical narratives told only by the victorious." — —Willie Perdomo, award-winning poet and author of Where Nickels Cost a Dime and The Crazy Bunch
“Pola's story had to be told and the only artist who could write it is Dahlma Llanos-Figueroa, who inhabits her characters so thoroughly that a reader could easily believe the writing of this book was an act of wizardry. A Woman of Endurance is a must-read." — —Connie May Fowler, author of Before Women had Wings and A Million Fragile Bones
"A Woman of Endurance is a wonder, at once wrenching and tender, gripping and gorgeous, sweeping and profound. Llanos-Figueroa has written a ground-breaking contribution to the literature of enslavement, of the Americas, and of the possibilities for healing and becoming free.” — —Carolina de Robertis, author of The President and the Frog
“The horrific enslavement of more than 15 million Africans from West and Central Africa to build the Americas carried many untold stories. Pola's is one of those stories that insisted on being told.” — —Dr. Marta Moreno Vega, President/Founder of Creative Justice Initiative Inc.
Dahlma Llanos-Figueroa’s A Woman of Endurance is a powerful novel, at times harrowing, but also full of love. A delicate balancing act of history and pain and grace and beauty. This is the Black Puerto Rican novel I have been waiting for my whole life. — —Jaquira Díaz, author of Ordinary Girls
“The restoration of [Pola’s] Yoruba spirituality and her deepened friendships are both touching and emotionally palpable. This harrowing story is hard to put down.” — Publishers Weekly
“Llanos-Figueroa’s prose is lively, her characters vivid…a moving and engaging tale” — Kirkus Reviews
“Llanos-Figueroa’s prose is at once merciless and elegantly descriptive.” — Booklist
12/01/2022
A 2010 finalist for the PEN/Robert W. Bingham Prize, author Llanos-Figueroa pulls from her Puerto Rican heritage to bring listeners a story from a 19th-century plantation in Puerto Rico. Having grown up with her grandparents there, the author discovered the rich storytelling traditions of the women in her family. She continues this tradition with the story of Pola, a captured and enslaved woman from the west coast of Africa. Pola's idyllic life ends abruptly and she suddenly exists only to work the sugarcane fields and be brutally raped. Her infants are taken from her immediately after birth. When this horrific existence becomes too much to bear, Pola escapes to end her enslavement, but she is caught, whipped, and sold to another plantation where conditions are relatively better. Actress Tracey Leigh narrates Pola's tale and characters. Even while the narrative depicts horrors, the narration is calm and evenly paced. VERDICT The listener may wish for a more streamlined narrative, but the side stories paint an authentic picture of Pola's life and chronicle her healing as she moves from beyond death to life.—Laura Trombley
A thoroughly engaging narration by Tracey Leigh re-creates the depravity rampant in the Puerto Rican slave trade in the nineteenth century. Leigh’s voice is clear, her Spanish diction is exceptional, and her pacing and tone bring life to the period and the large cast. Pola, a young African woman, is captured and sent to a Puerto Rican plantation to be a breeder. With an impressive range of voices, Leigh’s descriptions of the Middle Passage are harrowing. She captures Pola’s despair as she experiences continual rape, inhumane conditions, and babies ripped from her arms at birth. Sold to another plantation, Pola finds kindness among her fellow slaves. In this harrowing story of unspeakable cruelty and the triumph of the human spirit, Leigh doesn’t miss a nuance. S.J.H. © AudioFile 2022, Portland, Maine
A thoroughly engaging narration by Tracey Leigh re-creates the depravity rampant in the Puerto Rican slave trade in the nineteenth century. Leigh’s voice is clear, her Spanish diction is exceptional, and her pacing and tone bring life to the period and the large cast. Pola, a young African woman, is captured and sent to a Puerto Rican plantation to be a breeder. With an impressive range of voices, Leigh’s descriptions of the Middle Passage are harrowing. She captures Pola’s despair as she experiences continual rape, inhumane conditions, and babies ripped from her arms at birth. Sold to another plantation, Pola finds kindness among her fellow slaves. In this harrowing story of unspeakable cruelty and the triumph of the human spirit, Leigh doesn’t miss a nuance. S.J.H. © AudioFile 2022, Portland, Maine
