A Very Old Machine: The Many Origins of the Cinema in India

A Very Old Machine: The Many Origins of the Cinema in India

by Sudhir Mahadevan
A Very Old Machine: The Many Origins of the Cinema in India

A Very Old Machine: The Many Origins of the Cinema in India

by Sudhir Mahadevan

Paperback(Reprint)

$34.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

In A Very Old Machine, Sudhir Mahadevan shows how Indian cinema's many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in its twenty-first-century present. He proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that was (and is) understood, experienced, and present in everyday life in myriad ways. Employing methods of media archaeology, close textual analysis, archival research, and cultural theory, Mahadevan digs into the history of photography, print media, practices of piracy and showmanship, and contemporary everyday imaginations of the cinema to offer an understanding of how the cinema came to be such a dominant force of culture in India. The result is an open-ended and innovative account of Indian cinema's "many origins."

Product Details

ISBN-13: 9781438458281
Publisher: State University of New York Press
Publication date: 07/02/2016
Series: SUNY series, Horizons of Cinema
Edition description: Reprint
Pages: 256
Product dimensions: 6.00(w) x 8.90(h) x 0.70(d)

About the Author

Sudhir Mahadevan is Associate Professor in the Department of Comparative Literature, Cinema and Media at the University of Washington.

Table of Contents

List of Illustrations
Acknowledgments
Introduction

Part I: Obsolescence

1. The Nineteenth-Century Indian Techno-Bazaar

2. Traveling Showmen, Makeshift Cinemas: The Bioscopewallah and Early Cinema

Part II: Mechanical Reproduction and Mass Culture

3. Copyright and Cultural Authenticity: The Politics of Mechanical Reproduction in South Asia

4. The Cinema as Mass Culture: The Melodramas of Mechanical Reproduction

Part III: Intermediality

5. The Emergence of Topicality: Snapshot Cultures and Newspaper Photojournalism

6. Politics across Media: The Partition of Bengal (1905) and the Cinematic City

Part IV: Archives

7. The Abundant Ephemeral: The Protocols of Popular Film Historiography in India

8. Postscript

Notes
Works Cited
Filmography
Index
From the B&N Reads Blog

Customer Reviews