A Strange Commonplace

The author of Mulligan Stew presents “a savage, baffling and beguiling novel about the wreckage that infidelity leaves behind” (Kirkus Reviews). 

Borrowing its title from a William Carlos Williams poem, A Strange Commonplace lays bare the secrets and dreams of characters whose lives are intertwined by coincidence and necessity, possessions and experience. From the boozy 1950s to the culturally vacuous present, through the jungle of city streets and suburban bedroom communities, lines blur between families and acquaintances, violence and love, hope and despair. As fathers try to connect with their children, as writers struggle for credibility, as wives walk out, and an old man plays Russian roulette with a deck of cards, their stories resonate with poignancy and savage humor—familiar, tragic, and cathartic. 

 “One never expects traditional plots from Sorrentino . . . but one can usually count on wit, vigorous prose, and an unflinchingly bleak take on life. . . . The novel is divided into fifty-two discrete parts—a dazzlingly original deck of cards.” —The New Yorker 

 “[Sorrentino] can be cutting in his satire, and bullying in his eroticism, and now adds anger to the mix as he portrays a circle of struggling New Yorkers living back in the sexist, alcohol-sodden, and hypocritical 1950s on into the egomaniacal present.” —Booklist 

"1101159785"
A Strange Commonplace

The author of Mulligan Stew presents “a savage, baffling and beguiling novel about the wreckage that infidelity leaves behind” (Kirkus Reviews). 

Borrowing its title from a William Carlos Williams poem, A Strange Commonplace lays bare the secrets and dreams of characters whose lives are intertwined by coincidence and necessity, possessions and experience. From the boozy 1950s to the culturally vacuous present, through the jungle of city streets and suburban bedroom communities, lines blur between families and acquaintances, violence and love, hope and despair. As fathers try to connect with their children, as writers struggle for credibility, as wives walk out, and an old man plays Russian roulette with a deck of cards, their stories resonate with poignancy and savage humor—familiar, tragic, and cathartic. 

 “One never expects traditional plots from Sorrentino . . . but one can usually count on wit, vigorous prose, and an unflinchingly bleak take on life. . . . The novel is divided into fifty-two discrete parts—a dazzlingly original deck of cards.” —The New Yorker 

 “[Sorrentino] can be cutting in his satire, and bullying in his eroticism, and now adds anger to the mix as he portrays a circle of struggling New Yorkers living back in the sexist, alcohol-sodden, and hypocritical 1950s on into the egomaniacal present.” —Booklist 

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A Strange Commonplace

A Strange Commonplace

by Gilbert Sorrentino
A Strange Commonplace

A Strange Commonplace

by Gilbert Sorrentino

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Overview

The author of Mulligan Stew presents “a savage, baffling and beguiling novel about the wreckage that infidelity leaves behind” (Kirkus Reviews). 

Borrowing its title from a William Carlos Williams poem, A Strange Commonplace lays bare the secrets and dreams of characters whose lives are intertwined by coincidence and necessity, possessions and experience. From the boozy 1950s to the culturally vacuous present, through the jungle of city streets and suburban bedroom communities, lines blur between families and acquaintances, violence and love, hope and despair. As fathers try to connect with their children, as writers struggle for credibility, as wives walk out, and an old man plays Russian roulette with a deck of cards, their stories resonate with poignancy and savage humor—familiar, tragic, and cathartic. 

 “One never expects traditional plots from Sorrentino . . . but one can usually count on wit, vigorous prose, and an unflinchingly bleak take on life. . . . The novel is divided into fifty-two discrete parts—a dazzlingly original deck of cards.” —The New Yorker 

 “[Sorrentino] can be cutting in his satire, and bullying in his eroticism, and now adds anger to the mix as he portrays a circle of struggling New Yorkers living back in the sexist, alcohol-sodden, and hypocritical 1950s on into the egomaniacal present.” —Booklist 


Product Details

ISBN-13: 9781566892872
Publisher: Coffee House Press
Publication date: 11/13/2012
Sold by: Barnes & Noble
Format: eBook
Pages: 154
File size: 2 MB

About the Author

A luminary of American literature, Gilbert Sorrentino was a boyhood friend of Hubert Selby, Jr., a confidant of William Carlos Williams, a two-time PEN/Faulkner Award finalist, and the recipient of a Lannan Literary Lifetime Achievement Award. He taught at Stanford for many years before returning to his native Brooklyn and published over thirty books before his death in 2006.

Read an Excerpt

CHAPTER 1

Book One

In the Bedroom

After her husband left her for some floozie WHO was supposed to be an executive secretary at the crummy half-assed company he'd worked at for years without a raise or even so much as a bottle of cheap whiskey at Christmas, she packed up a few things, took the girl, and moved in with her cousin Janet on Gerritsen Avenue. She'd get the rest of her things after her father had spoken with the rat about his plans for taking his clothes out of the house: she didn't ever want to see his face again. She should have known that something was going on when he took to wearing a ridiculous homburg instead of his usual fedora. She'd laughed at the hat and he'd blushed and then got angry. Now that she thought back on this she realized that the tramp must have said something about how distinguished he'd look in a homburg, and the damn fool went to the haberdashery, probably the Owl Men's Shop, where the kike told him he could be a banker in a hat like that. Happy as a clam. After a couple of weeks, she went back to the house to pack a suitcase with some of her toiletries, and found a note from him on the kitchen table, pinned under a bottle of Worcestershire sauce. "Dear Sweetheart, I've made a great mistake but I love you only, you, can you forgive me? Please call me at Ralph's or leave a message with him for a time I can talk to you. I love you, and want our marriage to last more than you can know." She put the letter in her handbag, went upstairs to their bedroom, and opened a drawer in her dresser. In among her lingerie and stockings she found his white silk scarf, the one with the blue polka dots that she'd always liked so much. She startled herself by laughing convulsively, then threw the scarf on the floor and stepped on it. The son of a bitch bastard son of a bitch.

Success

At the white-wine book party, an event his nervous publisher had never even begun to conceive of as a portent of his memoir's surprising and modest but somewhat hysterical celebrity, he bumped into Napoleon, a "bro," as the cant of the day momentarily had it, who had been one of his drug suppliers in his high school days. Napoleon was quite different now, dressed in a dark, conservatively cut suit, and an elegant tie against a gleaming white shirt. He thought to say how far they'd come from the old days, but realized how jejune such a remark would be and kept still. Napoleon's card announced him as an Entertainment Consultant, and listed addresses in both Chelsea and Williamsburg. They laughed and postured, the usual half-true stories were hauled out, and Napoleon's wife, Claire, smiled brilliantly in her role as ignorant but pleased outsider. She was an arrestingly beautiful young woman, whom the memoirist immediately decided to pursue; his pursuit of her led to a sexual encounter some weeks later, then another, and soon they were lovers. According to Claire, Napoleon was not interested in her comings and goings, and had other girls. This fact, true or not, somewhat tarnished the exoticism of the affair for the memoirist, and he felt on the cusp of boredom. One day, Claire, pale and nervous and chain-smoking the execrable Gitanes that sex had instructed him to tolerate, told him that she'd been diagnosed with multiple myeloma. He comforted her with assorted clichés, held her tenderly, fucked her with what he was certain was sensitive caring, and sent her home with a stricken yet deeply compassionate look on his face: sadness beyond words, of course. That was that! He had, after all, literary responsibilities, publicity tasks to honor, people to talk to and cultivate, too many things to do to permit this exhausted intrigue to continue. She might want sympathy or understanding or whatever it is that the incurably sick want. Well, she was married. He stopped calling her, and did not acknowledge the messages she left on his answering machine. That, indeed, was that. She died less than a year later, while he was in Los Angeles, where he had moved to further his romantically stalled career, as he probably liked to think of it.

Born Again

Claudia, as she had taken to calling herself these past five years, came in from her supper at the Parisian diner at about six o'clock, as usual. She'd had a hot brisket sandwich and a small salad and they'd refilled her iced tea free of charge; she was a good customer. She double-locked the door and slid the chain on, then hung up her coat. She took off her dress and slip and laid them carefully over the back of a chair, put on her pink chenille bathrobe, placed her flats in the back of the closet and slipped her feet into worn corduroy slippers. The apartment was silent, save for the thin clanking of the two radiators that warmed the small rooms. The letter from Warren that had come a week before lay on the kitchen table. She hadn't opened it, nor would she, of course, and in a week or two, or maybe a month or even longer, she'd throw it away unread. There was something satisfyingly insulting and contemptuous about ignoring the letter. It would be, she knew, just like the others from the pig — those that she, like a fool, bothered to read — maudlin and self-pitying, filled with regrets and sentimental clichés about the sacredness of marriage and love and the gift of children from a loving God; about being together through thick and thin, about, God help us, their honeymoon even, which had become sacred. He'd have the gall, certainly he would, to mention their daughter, her daughter, pretending bitter guilt and deep remorse and talking about Jesus and salvation and being born again: enough goddamned sanctimonious evangelical Christian bullshit and broken glass, as her grandfather would say, to make a decent human being blush. She had never thought, never, that she'd hate anyone as much as she hated Warren, and she often smiled sourly to herself when she acknowledged the fact that she had permitted her hatred to ruin, utterly, what was left of her life. And Warren, with his disgusting Jesus this and Jesus that, his whining, falsely joyous Christian idiocies, had arranged his putrid life so that his past, if not virtually obliterated, was — even better — redeemed. He was the fake grateful recipient of a fake grace. Claudia thought that any God worth a nickel — even Warren's loathsome creeping Jesus — should have mercilessly destroyed him with disease and agony and poverty. Should have killed him! It was dark in the apartment now, and she rose, quite abruptly, to walk to her small dresser and open the bottom drawer, where she kept the lingerie that she'd never wear again, not that it would fit her now. She had hidden there, although hidden from what she had no idea, an old tattered book, wrapped in the white chemise she'd worn on her wedding day, her sad and dark wedding day. She opened the book at random, and read: "For a moment Bomba was so taken aback by the sight of the jaguar that he did not stir." She closed the book and wrapped the chemise around it, then stood staring at the window, black with night. One of these evenings she'd read the whole book through, as she hadn't done in at least twenty years, more like twenty-five, and allow her heart to break completely. Then it would be the right time to take the pills she'd been hoarding. Maybe she'd bump into Jesus and tell him what she thought of him and give him a good one on his other goddamned cheek.

Lovers

For almost forty years now i've known a woman whose husband, almost that many years ago, was utterly crazy about — the phrase, I realize, dates me — a younger friend of hers, whom he thought unimpeachably beautiful; often, upon meeting her, he would quote Marlowe's lines on Helen in Doctor Faustus, throwing wide his arms and declaiming the famous words in a graceless parody of ham acting that was neither funny, nor, to my mind, appropriate, and that embarrassed his wife, the young woman, and anyone else unlucky enough to be awkwardly present. Even more embarrassing was the obvious fact that this rote performance was a transparent attempt to conceal his deep feelings for Clara, I believe her name was. Clara had a younger brother, who, early one morning, was, astonishingly, shot to death from a passing car while standing outside a Bay Ridge diner. She never really recovered from this stupid and abrupt death, and the husband, it is perhaps unnecessary to say, took immediate advantage of her rickety emotional state, to seduce her. Clara became pregnant, which led, or so I believe, to the breakup of the marriage, although the man's wife, my woman friend, even after all these years, has never so much as suggested that this was the case; she has never even suggested that the two were intimate. Clara must have had an abortion or suffered a miscarriage, because no child was, to my knowledge, ever born. Clara's Uncle Ray, so the rumor went, came looking for what he called her boyfriend, soon after the latter, filled with self-pity, had moved out of the apartment, and beat him up badly, breaking his nose, jaw, and two teeth. Clara was married, about six months later, to a young black man who was involved in the music business, or maybe it was the real-estate business. Given the time and the place and Clara's yahoo relatives, they moved away. Quite recently, my woman friend told me that Clara had died just a few years into her marriage. It took me a moment to realize that this had happened some thirty-five years ago, perhaps because my friend seemed so pleased — delighted even — about her death, and spoke of it as a recent event. We're both alone, as you may have surmised, and since we get along fairly well, I've decided to ask her if she'd consider living with me. Marriage is out of the question, since she is still married to the man she has, for many years, called the lover.

Another Story

He called a man who had been a friend of his youth, but to whom he had not spoken for forty-one years. They had simply lost touch, as the smartly descriptive phrase has it. He didn't know it, but he called because he needed to make a story for himself, since the always changing story that he had held in his mind for all those forty-one years was his friend's story, not his. So he called, getting the number from Los Angeles information. The old friend sounded the same as he'd always sounded, slightly drunk and bored, but he became irritable when he realized who was calling. Why the hell are you calling me after all this time? is, essentially, what he said. This angered the caller, and the story that he had prepared to release, is perhaps the word, became another story. He called, he lied, because of the considerable amount of money he owed the old friend, you remember that loan you gave me when I stayed with you and Jenny in San Francisco? The story was emerging into the eternal present of all stories, an insubstantial present, a chimera. The old friend remembered the loan, of course! It's about time, he said, Jesus Christ, it's been thirty-five years or more. He was taking the place assigned him in the rising fantasy edifice. And, the caller said, as well as the debt, I also came across that old copy of your Bomba the Jungle Boy that we used to have such laughs over, but, he said, he'd decided to keep that — for old times' sake: nice touch, the boys' book. It hardly needs to be said that the man owed his old friend nothing, nor did the old friend ever give or lend him a copy of any book that was not what he considered serious. Yet and yet, the old friend said that he wanted Bomber or whatever it was called back, and the money, too. He was doing very well in the role. The caller said that he'd just remembered the day he left the apartment on, what was it, Baker Street? Dolores?, and said good-bye to him and Jenny, and how the old friend had insisted that he come up with two hundred, or was it three hundred dollars? For the food he'd eaten, and the other things that he'd used, during his two-week stay with them. Apparently, the old friend had completely forgotten that the caller had bought all the booze and cigarettes, put gas in the car, picked up the check at the restaurants they'd gone to, apparently, he'd, sure, just forgotten all that on the day he'd packed up and left the apartment. The story was getting very clear now, and sharply delineated, and he hauled it rapidly up into the light. He reminded the old friend of the day that he and Jenny had gone shopping for a birthday present for him, a suede jacket was it? From Emporium Capwell? He remembered that day, didn't he? Of course. That was the day that he and Jenny had gone to a motel in Belmont where they'd spent the better part of the afternoon. The old friend made some kind of a noise and then told him to go and fuck himself the son of a bitch that he was. To which the caller replied with a question having to do with the old friend's alcoholism, was he still a drunk? Or had he found temperance, joy, and Jesus? There was a click on the other end of the line, the same sound that is present in many stories as well as films, a reassuring click that all is moving along as it should, a click that tells us where we are. He wondered if the old friend and Jenny were still together, she's an old woman now, of course. She'd been really sweet, if a little naive, always just a step behind the then-current drivel and fashions and notions and truths. But he'd been touched that she'd gone to the trouble of faking an orgasm in the motel, as if she thought he'd care one way or another. So had he gone to a motel with her? He'd wanted to, standing there on Post Street, with the old friend's suede jacket in its gleaming box.

Movies

He got off the subway at a stop he hadn't even seen for more than forty years, walked up the stairs to the street and then down the block. The Alpine was still there, but now it was a multiplex, showing all the latest blow-'em-up, imbecile-comedy, fake-sex movies. The saloon that had been next door was now a mosque: the drunks and laughter, assignations and fistfights, gropings and jukebox hits now dead and displaced by benevolent and peaceful Islam and its benevolent and peaceful teachings. He would have gone in to see any movie at all, but that would have spoiled the effect of the cheap booze, of the fictitious and romanticized past that he'd decided to swallow, to breathe in, to anoint himself with. What he wanted to see was Tarzan and Laurel and Hardy; Robert Benchley and a Pete Smith Specialty; Red Dust and Beau Geste; something with Rondo Hatton or Bruce Cabot or Jack Lambert or Barton MacLane or Binnie Barnes or Gail Patrick or Claire Trevor or the sublime Jack Carson. He wanted to sprawl in a broken seat and eat Neccos and Jujubes, Black Crows and Nibs and Walnettos. This was not true. What he wanted was to be alive somewhere else, in some other time, to tell his mother things that she didn't want to hear. To watch a playground softball game with his father, who would go home with him to a supper his mother had never made, a small-town, happy American supper, lavish with steaming gravy boats, bright vegetables, creamy mashed potatoes, a supper with homemade pies cooling on the windowsill for Pete the Tramp and Hans and Fritz to pinch. He wanted to eat Charms lollipops in all their strange, unearthly reds and greens and yellows and purples. He wanted his father to pick him up and carry him all the way home, and not to be the weak skirt-chaser that he had been and that had finally wrecked his idyllic marriage to his patient, loving, devoted wife. So his mother had always said, and so he had always believed, even though it was a perfect lie, smooth and lustrous from much-contented calibrations and adjustments. He believed it even now, standing in the breezy shade. Oh, not really, but he believed it even now. Men and women passed by, people who had not yet been born when he'd refined his pity for his mother and his loathing for his father — and vice versa — to a fine consistency, one of alienation and bitterness and inadequacy. Do they still make Nibs? They don't make Walnettos. He wished that he could chafe his barely breathing nostalgia into a delicious, a self-satisfied sadness, but he was not only too old to dupe himself, he was too old to pretend that he could. Maybe he'd go in anyway and see a movie that starred some young actor who looked like a crazed frog irresistible to women.

Pair of Deuces

He held a pair of deuces, a king of diamonds, A four of spades, and a seven of clubs. He drew three cards and waited to look to see if he'd got the third deuce. If he had drawn it, what? What would happen? What did he want to happen? Warren and Ray and Blackie were arranging their cards as best they could: Warren, shaking with palsy, Blackie, Jesus, Blackie had almost forgotten how to play the game, thought he was playing rummy half the time, and Ray, half-blind, who'd opened and drawn one card, looked irritated, so it was clear that the two low pair he'd probably been dealt had not miraculously become a full house. Even though he'd probably prayed to St. Anselm or St. Jude or the Blessed Virgin, or maybe the Infant Jesus of Prague. He'd Infant Jesus of Prague him right up his ass if he'd got his third deuce. And if he had, a big black Packard would appear on the lawn where they walked the pitiful Alzheimer's patients around and around. He'd find his beautiful Borsalino on his shelf next to the idiotic baseball caps his daughter-in-law brought him; he'd make sure to lose them, but she brought more. They all had those logos or dim-witted messages on them. The one he liked best matter-of-factly stated: BORN TO LOVE TRAINED TO KILL. What an impossibly stupid woman she was. Well, he didn't have to live with her. So, he'd have his Borsalino on, maybe that powder-blue tropical worsted suit he'd babied for years and years with the beautiful drape to the pants. He'd step into his Packard. That sweet young girl he'd got half-drunk with about three lifetimes ago in a bar off Gun Hill Road would be on the seat next to him in a little sun dress, a white sun dress. They'd finish what they started, oh the hell with it. What he really wanted to happen was for Warren and Blackie and Ray to disappear, for the Ridge Meadow Manor to disappear, and for himself to be as if he had never been: not to disappear, but to have never existed. Three deuces would do the trick. He looked at his cards, pushing the tight little booklet open with his thumb, card by card. The card that should have been his third deuce was a four of clubs. Ray, squinting as he laid his cards down, won, of course, with his lousy two pair. Well, all right. Tomorrow he'd try another magical route to oblivion.

(Continues…)


Excerpted from "A Strange Commonplace"
by .
Copyright © 2006 Gilbert Sorrentino.
Excerpted by permission of COFFEE HOUSE PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Book One,
In the Bedroom,
Success,
Born Again,
Lovers,
Another Story,
Movies,
Pair of Deuces,
In Dreams,
On the Roof,
A Familiar Woman,
In the Diner,
Happy Days,
Claire,
Rockefeller Center,
Brothers,
A Small Adventure,
Another Small Adventure,
Cold Supper,
Pearl Gray Homburg,
An Apartment,
Saturday Afternoon,
The Jungle,
Snow,
Rain,
The Alpine,
A Wake,
Book Two,
Happy Days,
Claire,
Another Story,
Lovers,
Pair of Deuces,
Cold Supper,
An Apartment,
Success,
A Small Adventure,
Pearl Gray Homburg,
In Dreams,
Movies,
Born Again,
Snow,
A Familiar Woman,
On the Roof,
The Jungle,
In the Bedroom,
Rockefeller Center,
Another Small Adventure,
Saturday Afternoon,
The Alpine,
In the Diner,
Brothers,
Rain,
A Wake,

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