Morrow expertly and smartly explores race, bigotry, oppression, and injustice against a backdrop of ordinary life with a dose of the supernatural added to the mix. A Song Below Water is a must-read for lovers of fantasy and contemporary stories alike.”—Booklist, starred review
“A watery and melodic crossroads of the real and the mythic, A Song Below Water lures readers with its seductive and beautifully black siren song. An enthralling tale of black girl magic and searing social commentary ready to rattle the bones.” — Dhonielle Clayton, New York Times bestselling author of The Belles series
“I love this book so, so much! Bethany C. Morrow delivers a blistering modern classic with this gorgeous tale of friendship and power. A Song Below Water somehow manages to be intensely happy and sad at the same time and all in the balance of great, riveting storytelling. The best YA novel I've read all year.” — Daniel José Older, New York Times bestselling author of Shadowshaper
“Morrow masterfully blends the real lives of Black girls in contemporary Portland with a mythic world of sirens, gargoyles and other supernatural creatures to create a compelling coming-of-age story in which two sisters, bound by love and fate, find their voices and their power.” —Rebecca Roanhorse, Hugo, Nebula and John W. Campbell Award Winner, author of Trail of Lightning and Star Wars: Resistance Reborn
"Delving into misogynoir, mythology, and the importance of friendship, this remarkable work cements Morrow's status as a literary master."—Buzzfeed, Best YA Speculative Fiction of 2020
“Empowering and full of surprises, A Song Below Water reminds us how important it is to use our voices, even when we’re afraid. Morrow has created a world that’s both familiar and brimming with fantastical creatures, and the result is timely, necessary, and utterly captivating.” – Akemi Dawn Bowman, award-winning author of Starfish
“A rich, intricate dive into mythology, misogynoir, and the way the world makes black girls out to be monsters. Like the siren's song, A Song Below Water is irresistibly compelling.” —Heidi Heilig, award-winning author of The Girl from Everywhere
“The world is lush and intense, the voice intoxicating, and the message eternal. Morrow will have you under her spell from page one.” — L.L. McKinney, author of the Nightmare-Verse series
“A compelling tale packed with endlessly inventive magical concepts, blazingly current social commentary, and heroines you'll fall hopelessly in love with. I'm obsessed.” — Sarah Kuhn, author of Heroine Complex series
“A Song Below Water is a lush, colorful, and deeply moving masterpiece about mythology, the sometimes masked evils of racism, and all the ways the world hurts black girls. An irresistible and perfectly bewitching read that I couldn't put down!” —Jay Coles, composer and author of Tyler Johnson Was Here
“A Song Below Water is a captivating tale about the magic of sisterhood and the importance of being seen for who you truly are.” —Parker Peevyhouse, author of The Echo Room
“Morrow has deftly woven a contemporary tale with mythical elements to take on the invisibility and marginalization of Black women, touching on issues such as misogynoir, body image, social justice, and generational trauma. Empowering and innovative. Morrow elevates mermaids and sirens to legitimate and compelling vanguards for social change.”—School Library Journal
"From sirens to mermaids to sprites and gargoyles, the magic is familiar — but different enough to be exciting. Morrow... tackles anti-blackness and white supremacy head-on, while still giving Tavia and Effie the space to be realistic, flawed teenagers. In this magic-infused version of America, having a voice is literally a superpower — a powerful message for the times we're living in."—NPR
“An exciting new contemporary fantasy. In this parallel world, black female empowerment is standing up for yourself and others while simultaneously navigating love, physical and emotional violence, and the responsibility of immense supernatural power.” —Kirkus Reviews
"You will want to cheer." —Locus
"A complex, layered, culturally relevant fantasy." —BookBub
"Delving into misogynoir, mythology, and the importance of friendship, this remarkable work cements Morrow's status as a literary master." —Buzzfeed, Best YA Speculative Fiction of 2020
"BLACK. MERMAIDS. That’s it. That’s the tweet." —Electric Literature
"A Song Below Water showed me that there will be times when life feels out of control, but those times don’t last forever. And sometimes the unknown can be transformed into beauty that can change the world." —Lightspeed
"An intriguing combination of contemporary themes and genre sensibilities." —Den of Geek
"A charming and fierce read, an ode to the bonds of friendship and an indictment of the world around them—and the world around us." —Bookriot
"It's beautiful and it's brilliant." —PBS
06/01/2020
Play-sisters Tavia and Effie are both black Portland, Ore., teens with secrets. Tavia, who is selectively nonverbal, is a siren in a world that persecutes sirens and seeks to silence their mythic voices. Effie, who plays a mermaid at Renaissance fairs, doesn’t know what brand of mythical creature she is, only that she’s changing day by day. When the murder of a recently slain black girl is tacitly justified by rumor that she may have been a siren, Tavia’s heavily insulated world is turned upside down, with Effie as her only constant. And as Effie’s inexplicable abilities grow, the world outside becomes increasingly dangerous for the girls, whose secrets cannot remain so forever. In this thought-provoking YA debut, Morrow (Mem, for adults) excels at grounding her fantastical reimagining of the modern world through depictions of marginalized experiences: social justice takes on fantastic proportions in a society occupied by gargoyles, sirens, sprites, and elokos, all occupying differing public statuses of reverence and fear. Though uneven pacing and an excess of dropped subplots congest the book’s first half, this triumph of black sisterhood and female resilience is sure to draw readers. Ages 13–up. Agent: Victoria Marini, Irene Goodman Agency. (June)
04/01/2020
Gr 8 Up—Tavia Philips and Effie Calhoun Freeman, Black high school teens, have been raised like sisters. Tavia is sickened by the knowledge of what could happen to her if she ever affirms her siren identity in a society where sirens are persecuted and silenced—but wants to proclaim who she is, much to the dismay of her father. Tavia draws her strength from Camilla Fox, a natural hair YouTube personality who turns out to be a siren, too. Effie, not a siren but a powerful swimmer, cosplays as a mermaid at a Renaissance fair, and is attracted to Elric, her cosplay partner who cannot see her beyond their fictional roles. Effie is burdened by an inferiority complex, the result of her grandmother hiding major family secrets. When another siren is murdered, Tavia and Effie's sisterhood has to weather many storms. Morrow has deftly woven a contemporary tale with mythical elements to take on the invisibility and marginalization of Black women, touching on issues such as misogynoir, body image, social justice, and generational trauma. VERDICT Empowering and innovative. Morrow elevates mermaids and sirens to legitimate and compelling vanguards for social change. For contemporary YA collections and fantasy shelves, too.—Donald Peebles, Brooklyn Public Library
2020-03-15
Two young women literally and figuratively embody #BlackGirlMagic.
Sixteen and with deep brown skin, Tavia is a siren who uses American Sign Language to push against the mesmerizing call that burns like a fire in her throat and could mean being silenced forever if it is released. Plagued with mysterious body ailments and no knowledge of her biological heritage to inform a diagnosis, light-brown–skinned 16-year-old Effie, Tavia’s sister-by-choice, is haunted by survivor’s guilt after a traumatic childhood incident. Portland, Oregon, provides a memorable setting for Morrow’s solid and intentional unpacking of myths around black people and their aversion to water activities through their stories. Chapters alternating first-person narration between the two protagonists set up Tavia to often be the voice of social justice inquiry, especially regarding prejudice against sirens, who are always black women. Effie’s storyline focuses on a different type of identity exploration as she untangles her complicated family history. Lengthy exposition with confusing plot turns and a reveal of ethnically diverse magical beings and their powers slows the first part of the book. The action picks up toward the middle, rising to create an exciting new contemporary fantasy. In this parallel world, black female empowerment is standing up for yourself and others while simultaneously navigating love, physical and emotional violence, and the responsibility of immense supernatural power.
A slow, hazy beginning eventually sharpens before charging into an electric, enchanting end. (Fantasy. 14-18)
