Praise for A Solemn Pleasure
Firecracker Award Finalist
Poets & Writers “Best Books for Writers” selection
Literary Hub “Best Books about Books” selection
Image: Art, Faith, Mystery “Top Ten of the Year” selection
Publishers Weekly “Top 10: Literary Biographies, Essays & Criticism” selection
Foreword Reviews “Books for Grads” selection
“Altogether magnificent. . . . [The essay “Spirit and Vision”] bears that cynicism-disarming quality of a commencement address and enchants the psyche like an incantation. . . . [Pritchard] ends the piece like one might a commencement address—and if this were one, it would certainly be among the greatest commencement addresses of all time. . . . Complement A Solemn Pleasure, seriously pleasurable in its entirety, with Susan Sontag’s advice to writers, Virginia Woolf on writing and self-doubt, and Cheryl Strayed’s no-nonsense wisdom on the craft.” —Maria Popova, Marginalian
“Invite[s] underlining, re-reading, and reading aloud. . . . Pritchard [is] a beautifully descriptive stylist and deeply committed artist. . . . A Solemn Pleasure is not only a great way for readers to meet [her], but an excellent choice to mark the launch of Bellevue Literary Press’ new series, The Art of the Essay.” —Rain Taxi Review of Books
“Pritchard once again validates the assertion that all true art is moral, as it instructs by seeking to improve life.” —World Literature Today
“Pritchard’s essay collection is one to keep by your bedside to read again and again. Like Lewis Hyde’s The Gift, Pritchard plumbs the depths of why we write, in order to uncover the important reasons we need to write. . . . This book will give you super powers.” —Atticus Review
“A spirited, intelligent, wide-ranging exploration of the joys, frustrations, and trials of the life of the writer.” —Colorado Review
“A fine, delicate essayist. . . . Pritchard’s writing is inspiring.” —Literary Hub
“Elegant, funny. . . . Pritchard’s own prose embodies her conviction that great writing involves both imagining the inner life of its subjects and a ‘bearing witness’ to the human condition and the transcendent mystery that surrounds it.” —Image: Art, Faith, Mystery
“Ethically rich. . . . Pay attention to the surge of [Pritchard’s] mind and the spiritual energy she demonstrates.” —Spirituality & Practice
“As insightful as it is engaging. . . . Pritchard will make you cry, think, and laugh; each essay is filled with wit and wisdom. . . . A great read for writers, readers looking for enlightenment, and those who savor nonfiction that explores the spiritual through the everyday.” —Library Journal (starred review)
“Moving. . . . Readers will treasure the book’s numerous memorable moments.” —Publishers Weekly
“Heartfelt . . . bear[s] powerful witness to suffering, compassion, and transcendence.” —Kirkus Reviews
“From grief to daily rituals to the shape of a dachshund, Pritchard insightfully connects the most obscure of subjects to reveal gems of truth about the human experience.” —Foreword Reviews
“Full of lovely sentences that often achieve an almost mystical, spiritual power.” —NewPages
“Gorgeous and moving. . . . Each of these essays confirms that to write is to think and feel, to take part in the profound and sacred act of witness. Read together—and the book is so arresting that many readers will finish it in a single sitting—the essays amount to a clear and irrefutable mandate for empathy.” —Bret Anthony Johnston (from the foreword)
“‘Great writers are witnesses to the spirit of their age,’ Pritchard declares. And in her splendid collection of essays, A Solemn Pleasure, she bears witness to matters great and small, from the quotidian joys of a borrowed room in London to the life and example of Georgia O'Keeffe to the plight of the Lost Boys of Sudan. Art is for her ‘a form of active prayer,’ which leads her to journey both inward and outward, notably to Afghanistan, where the consequences of the war on terror become tragically clear. This is the spirit of our age, gracefully rendered in Pritchard’s essays, which will stand the test of time.” —Christopher Merrill, director of the International Writing Program at the Universityof Iowa and author of The Tree of the Doves: Ceremony, Expedition, War
“Pritchard has written an incredible book that is an important testament to the role of the writer as society’s moral and spiritual compass. In A Solemn Pleasure, Pritchard meshes the personal with the political in a bold and deeply honest composition that will make every reader a more compassionate human being. This book is written from the heart. It will refresh your passions and inspire the deepest yearnings of your soul. I found myself underlining, taking notes, and feeling inspired to write.” —Jen Percy, author of Demon Camp
Select Praise for Melissa Pritchard
A writer at the height of her powers.” —Oprah.com
“Dreamy and delightful.” —NPR All Things Considered
“Wildly imaginative. . . . Endearingly quirky.” —Glamour
“Precise and lucid.” —New York Times Book Review
“Pritchard polishes the strange and makes it shine.” —Leslie Jamison, San Francisco Chronicle
“One of our finest writers.” —Annie Dillard
“Vivid, bold, and wickedly witty.” —Sena Jeter Naslund
“Pritchard’s voice is completely her own.” —Tayari Jones
“Pritchard’s prose, that darkly lyrical firmament, is brightened by the dizzy luminous arrangement of her stars and satellites, her great gifts to us: humor, irony, kindness, brilliance.” —Antonya Nelson
2015-02-17
Essays in praise of writing and faith. Journalist, fiction writer, and teacher Pritchard (Creative Writing/Arizona State Univ.; Palmerino, 2014, etc.) collects 15 pieces that testify to her belief that art is "a form of active prayer" and writing literature, a "sacred vocation." The author addresses several essays to aspiring writers. In "Spirit and Vision," she exhorts writers to think of their lives as "a form of perpetual perishing, that as you lose yourselves in devotion and discipline to your work, you will attain the Beloved and begin to perceive the divine reality in all." Another essay recounts her search for a regional voice as indelible as those of William Faulkner, Eudora Welty, and Flannery O'Connor, writers "inextricably linked to place." In the brief but potent essay "Elephant in the Dark," Pritchard underscores the importance of a story's point of view, asking, "which character owns the story most deeply?" A few pieces are slight memoirs: the author recalls her experience researching at the British Library; teaching British, Irish, and American writing students at Warwick University; and reflecting on why she came to admire Georgia O'Keeffe. Longer pieces are more substantive. "Finding Ashton," a moving piece with a tragic ending, recounts her friendship with a female soldier that began when Pritchard was embedded with troops in Afghanistan. " ‘Still, God Helps You': Memories of a Sudanese Child Slave" reveals the harrowing story of 33-year-old William Mawwin, whom the author met when he was a student in Phoenix, Arizona, where she lives. When she discovered that he had to drop out of community college due to financial difficulties, she heard a "voice" that commanded her to pay for his tuition and books. In the course of many interviews, he related his experiences of unspeakable degradation and cruelty as a child slave. As with many collections, the quality varies, but the best of these heartfelt essays bear powerful witness to suffering, compassion, and transcendence.