A Short History of Film, Third Edition

by Wheeler Winston Dixon, Gwendolyn Audrey Foster

Overview

With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.  

Product Details

ISBN-13:	9780813595146
Publisher:	Rutgers University Press
Publication date:	03/30/2018
Sold by:	Barnes & Noble
Format:	eBook
Pages:	524
File size:	173 MB
Note:	This product may take a few minutes to download.
Age Range:	18 Years

About the Author

WHEELER WINSTON DIXON is the James Ryan Professor Emeritus of Film Studies at the University of Nebraska, Lincoln. He is the author of many books, including Black and White Cinema: A Short History (Rutgers University Press), and an internationally known experimental filmmaker.

GWENDOLYN AUDREY FOSTER is Willa Cather Professor Emerita of Film Studies at the University of Nebraska, Lincoln. She is an award winning experimental filmmaker and a prolific author.
 

Table of Contents

CONTENTS
Acknowledgments
Timeline 1832–2012
1          The Invention of the Movies
2          The Birth of an American Industry
3          World Cinema: The Silent Era
4          The Hollywood Studio System in the 1930s and 1940s
5          International Cinema through World War II
6          Postwar Challenges to the Movies
7          World Cinema in the 1950s
8          The 1960s Explosion
9          World Cinema 1970 to the Present
10        The New Hollywood
Glossary of Film Terms
Bibliography
Index
 

Interviews

Dixon: Lincoln, NE 

Foster: Lincoln, NE 

Editorial Reviews

This excellent introduction stands out in a crowded field with its lively, accessible writing, broad coverage, and particular focus on traditionally marginalized figures in film history. Dixon (James Ryan Endowed Professor of Film Studies, Univ. of Nebraska-Lincoln; Film Talk: Directors at Work) and Foster (English, Univ. of Nebraska-Lincoln; Class-Passing: Social Mobility in Film and Popular Culture) discuss the technical innovations that moved the art form forward, and their lucid descriptions of often complicated concepts convey the excitement of innovation in mechanical as well as creative processes. The most striking aspect of the book is the coverage of women, African Americans, and Third World filmmakers, which strongly complements its solid coverage of American and European film. Illustrations abound, and even the best-versed cineaste will find new films to track down after reading the breezy, enthusiastic analysis in this book. Highly recommended for all collections, this text would also make an excellent textbook for introductory film-studies courses.
—Christian Zabriskie

Library Journal

"This is the film history book we've been waiting for."

chairman, National Society of Film Critics - David Sterritt

"A new history of international film at an affordable price. Nothing like those text book prices for a change. Includes perspectives on women and minorities in film along with innovations in technology, genres, studios, and conglomerates."

Cinema Books - Stephanie Ogle

"With the goal of offering 'a fast paced tour' of movie history, Dixon and Foster have produced a study in the tradition of Paul Rotha's The Film till Now. The authors touch all the bases—they address new trends in international moviemaking, technologies, and critical theory and the emergence of new national and ethnic cinemas—and relate film history to social history. Each new technique, style, school, trend, and newly visible ethnic or feminist group takes its place in the larger history, and Dixon and Foster make it all accessible to the neophyte reader without ever breaking the pace. Uncommonly well-reproduced stills and a topically organized bibliography enhance the discussion. Highly recommended."
 

Choice

"A Short History of Film is a comprehensive and detailed overview of the last 100 years of international film history. It will prove to be a useful reference tool for all students of film, both in and out of the classroom."

Brooklyn College, CUNY - Paula J. Massood

"A comprehensive and detailed overview of the last 100 years of international film history—what to watch while 'sheltering-in-place!'"

LitHub

"Significant University Press Titles for Undergraduates, 2012-2013"

From the Publisher

"A Short History of Film is the best 'one-stop shopping' volume on cinema history I have ever read. It offers not only thoroughness and concision, but also encourages meaningful browsing, as readers can pick and choose their topics of particular interest and then move on as desired."

Dallas Public Library - Catherine Ritchie

A new history of international film at an affordable price. Nothing like those text book prices for a change. Includes perspectives on women and minorities in film along with innovations in technology, genres, studios, and conglomerates.— Stephanie Ogle

Cinema Books