A Sentimental Education

A Sentimental Education

by Hannah McGregor
A Sentimental Education

A Sentimental Education

by Hannah McGregor

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Overview

How do you tell the story of a feminist education, when the work of feminism can never be perfected or completed? In A Sentimental Education, Hannah McGregor, the podcaster behind Witch, Please and Secret Feminist Agenda, explores what podcasting has taught her about doing feminist scholarship not as a methodology but as a way of life.

Moving between memoir and theory, these essays consider the collective practices of feminist meaning-making in activities as varied as reading, critique, podcasting, and even mourning. In part this book is a memoir of one person's education as a reader and a thinker, and in part it is an analysis of some of the genres and aesthetic modes that have been sites of feminist meaning-making: the sentimental, the personal, the banal, and the relatable. Above all, it is a meditation on what it means to care deeply and to know that caring is both necessary and utterly insufficient.

In the tradition of feminist autotheory, this collection works outward from the specificity of McGregor's embodied experience - as a white settler, a fat femme, and a motherless daughter. In so doing, it invites readers to reconsider the culture, media, political structures, and lived experiences that inform how we move through the world separately and together.


Product Details

ISBN-13: 9781771125574
Publisher: Wilfrid Laurier University Press
Publication date: 09/20/2022
Pages: 142
Product dimensions: 5.25(w) x 8.00(h) x (d)

About the Author

Hannah McGregor is an Associate Professor of Publishing at Simon Fraser University. She is the host of the podcasts Secret Feminist Agenda and The SpokenWeb Podcast, and co-host of Witch, Please, a feminist podcast about the Harry Potter world. She also co-edited the book Refuse: CanLit in Ruins (Book*hug 2018).

Read an Excerpt

Excerpt from A Sentimental Education, by Hannah McGregor, pp. 3-5 (WLU Press, 2022)

I was raised on sentimentality: girl heroines whose pluck and imagination and capacity for care elevated them above other girls—in a world where girlhood itself had no innate value—and instead made them remarkable, noteworthy. I was raised on Pride and Prejudice’s Elizabeth Bennett and Anne of Green Gables’s Anne Shirley and Little Women’s Jo March, on The Little Mermaid’s Ariel and Beauty and the Beast’s Belle, all queer girls just a little out of step with the world around them, prone, as I was, to bookishness and flights of imagination and perhaps to an unbecoming surplus of feeling that somehow convinced them, despite the restraints of their worlds, not to settle, not to comply, to “want much more than this provincial life.” And they were rewarded, these plucky girls—who were all, it would take me years to realize, white—by beauty and marriage and some level of material comfort.

I recognized myself, a precociously smart white girl, in these heroines, and also knew that their story would not be my story until I solved the central problem of me, which was my fatness. Being fat can be radicalizing, if you let it, but sometimes it takes a while. I had a youthful conviction that I, too, had the stuff of a sentimental heroine buried beneath the body I’d been taught to think of as “not me,” but a thing I must be liberated from. This conviction was amplified by the domestic tragedy I lived through for most of my youth. My mother was diagnosed with cancer when I was eight and died by suicide at the age of forty-four, when I was sixteen. As much as I was shaped by my mother, by the person she was, I was also shaped by the fact of her death and the stories I told myself to try to make sense of it.

I begin here, with my body and with my mother, because these are the objective facts about me. I’m beginning with the objective: what I have observed, recorded, experienced. This is how Manulani Aluli-Meyer, a scholar of Indigenous Hawaiian epistemologies, explains objectivity, as something located in the body: “Body is a synonym for external, objective, literal, sensual, empirical” (2006, 266). The objective is what we can count: I had one mother, and then I had none. We were four, and then we were three. What comes next, the subjective, the mind, is how we make sense of what we have observed; this is what I call theory, and what Aluli-Meyer calls “logic, rationality, intelligence, conceptualization” (272). We err when we mistake subjectivity for objectivity, when we begin with the interpretation and pretend that it isn’t an interpretation at all but a statement of fact, when we begin with the theory and discard any experiences (especially those of marginalized peoples) that don’t fit. But theories are damned seductive, and they can make the raw stuff of experience hurt a whole lot less.

Table of Contents

Preface
Territory Acknowledgement
A Sentimental Education
Caring Ferociously
#Relatable
Words with Friends
Horizons of the Podcastable
Coming Back to Care
Works Cited
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