A Rogue of One's Own

A Rogue of One's Own

by Evie Dunmore

Narrated by Elizabeth Jasicki

Unabridged — 16 hours, 2 minutes

A Rogue of One's Own

A Rogue of One's Own

by Evie Dunmore

Narrated by Elizabeth Jasicki

Unabridged — 16 hours, 2 minutes

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Overview

Notes From Your Bookseller

Evie Dunmore shows us that rom-coms aren't ONLY for modern times. Historical, fun and ... hot. Historical romance never felt so … contemporary.

“Dunmore is my new find in historical romance. Her A League of Extraordinary Women series is extraordinary.”-Julia Quinn, #1 New York Times bestselling author

“This series balances friendship, politics, history, and romance in just the right mix.”-U.S. Representative Katie Porter

An Indie Next/LibraryReads pick!
An Apple Must Listen Audiobook for September!

A lady must have money and an army of her own if she is to win a revolution-but first, she must pit her wits against the wiles of an irresistible rogue bent on wrecking her plans...and her heart.

 
Lady Lucie is fuming. She and her band of Oxford suffragists have finally scraped together enough capital to control one of London's major publishing houses, with one purpose: to use it in a coup against Parliament. But who could have predicted that the one person standing between her and success is her old nemesis and London's undisputed lord of sin, Lord Ballentine? Or that he would be willing to hand over the reins for an outrageous price-a night in her bed.
 
Lucie tempts Tristan like no other woman, burning him up with her fierceness and determination every time they clash. But as their battle of wills and words fans the flames of long-smoldering devotion, the silver-tongued seducer runs the risk of becoming caught in his own snare.
 
As Lucie tries to out-maneuver Tristan in the boardroom and the bedchamber, she soon discovers there's truth in what the poets say: all is fair in love and war...

"Rich with subplot, historical detail and beautifully descriptive writing that keeps the pages turning until the delightfully unconventional happy ending."-NPR

Editorial Reviews

OCTOBER 2020 - AudioFile

Elizabeth Jasicki returns to narrate the second installment of this historical romance series. Long ago cast out of her aristocratic family for being a vocal suffragette, Lucie continues to fight for the equality of women. When Lord Ballentine, an aggravating childhood friend of her brother, shows up, sparks fly as they fight to control their desires. Jasicki maintains unique voices for the cast of characters, a skill that comes in handy during scenes when several of Lucie’s close friends take part in a conversation. However, the unhurried pace of her performance does little to enhance the listening experience, instead drawing out a long story and encouraging one’s mind to wander. A good choice for those who don’t mind a slow narration. A.L.S.M. © AudioFile 2020, Portland, Maine

Publishers Weekly

05/25/2020

All the elements that made Bringing Down the Duke such a delight are present in Dunmore’s smart, sexy second League of Extraordinary Women romance, but an unwieldy plot puts a slight damper on the fun. After all the reputable newspapers of Victorian England refuse to publish a report on the horrors wrought by the Married Women’s Property Act, firebrand Lady Lucie Tedbury buys shares in a publishing house of her own. Unfortunately, her fellow shareholder reveals himself to be Lord Tristan Ballentine, Lucie’s childhood nemesis, now a war hero, celebrated poet, and notorious rake. Tristan needs the income of the publishing house to free himself from his abusive father’s financial control, so he’s not about to let Lucie sink the business with radical reportage. The war left Tristan hardened, but not so much so that Lucie, his childhood infatuation, doesn’t stir him. Their enemies-to-lovers dynamic is electric and steers the book through a pileup of romance tropes, half-baked mysteries, and underdeveloped secondary characters (notably including Tristan’s Indian manservant and a spurned gay villain). Still, Dunmore’s prose sparkles, the sex scenes sizzle, the heroine stands tall, and historical details and literary allusions (including a cute cameo from Oscar Wilde) add charm. It’s a bumpy ride, but there are moments of brilliance. Agent: Kevan Lyon, Marsal Lyon Literary. (Sept.)

From the Publisher

Praise for Evie Dunmore and A Rogue of One's Own

"With her smart, well-researched stories and wildly appealing characters, Evie Dunmore has a unique ability to write historical romance for the modern reader. Evie Dunmore is my favorite new historical romance author!"—Lisa Kleypas, New York Times bestselling author

“Miss Dunmore is a literary force to be reckoned with. She’s single handedly forging a new historical romance era and I am here. For. It.”—Rachel Van Dyken, #1 New York Times bestselling author

“A swoonworthy romance fueled by electric chemistry.”—Chanel Cleeton, New York Times bestselling author

"Dunmore creates pure magic with this charming, romantic novel featuring a strong, stubborn heroine and a sexy, slightly-broken hero. Full of romance, humor, and heart, all revolving around the fascinating dynamics of the suffragist movement, it’s one of my favorite novels of 2020!”—Jennifer Probst, New York Times bestselling author

"There are few things I love more than a committed rogue…and better yet, his delicious comeuppance at the hands of the only woman who could ever possibly tame him! What a marvelous ride!"—Megan Crane, USA Today bestselling author

"A truly delightful historical romance, with oodles of period detail and lots of laugh out loud moments. Evie Dunmore is an author to watch, and this book will delight fans of Tessa Dare, Eva Leigh and Julia Quinn."—Historical Novel Society

"With a whip-smart suffragist heroine and a charming scoundrel of a leading man, this fresh take on historical romance is definitely one of my favorite reads of the year!"—Stephanie Marie Thornton, USA Today bestselling author

"Evie Dunmore is a phenomenon!...Breathtaking, high stakes romance, with one of the loveliest endings I’ve read in years."—Anna Campbell, author of the bestselling Dashing Widows series

“The perfect intersection of fierce feminism and swoon-worthy romance."—Eva Leigh, author of My Fake Rake

"A modern romance in a Victorian dress, sans the corset."—Amy E. Reichert, author of The Coincidence of Coconut Cake

OCTOBER 2020 - AudioFile

Elizabeth Jasicki returns to narrate the second installment of this historical romance series. Long ago cast out of her aristocratic family for being a vocal suffragette, Lucie continues to fight for the equality of women. When Lord Ballentine, an aggravating childhood friend of her brother, shows up, sparks fly as they fight to control their desires. Jasicki maintains unique voices for the cast of characters, a skill that comes in handy during scenes when several of Lucie’s close friends take part in a conversation. However, the unhurried pace of her performance does little to enhance the listening experience, instead drawing out a long story and encouraging one’s mind to wander. A good choice for those who don’t mind a slow narration. A.L.S.M. © AudioFile 2020, Portland, Maine

Kirkus Reviews

2020-07-01
A suffragist and a rogue move from unwilling business partners to lovers in Victorian England.

Lady Lucie Tedbury has an ulterior motive for buying half the shares of London Print, a publishing house known for wholesome magazines for women. She and her fellow Oxford suffragist friends are fighting against the Married Women’s Property Act. Their plan to publish a report is thwarted when Lucie finds out that Lord Tristan Ballentine, “scoundrel, seducer, bane of her youth,” has bought the remaining shares. Tristan cannot let Lucie bring down the publishing house; he needs to make a profitable income so he can free himself and his mother from his horrid father. Although their differing goals for the publisher put Lucie and Tristan at odds, their physical attraction is undeniable. Tristan offers control of the business in exchange for one night in bed together. At first Lucie thinks he’s asking too much, but she soon believes it’s too little. Like its predecessor, Bringing Down the Duke(2019), this second installment in the A League of Extraordinary Women series delivers a smart, capable heroine finding glorious love in a rich historical setting with plenty of wit and swoons along the way. Convoluted plotting and clichéd side characters make parts of the story drag, but Lucie’s consistent characterization pushes through. Her passion and dedication to the cause feel authentic and drive her conflict with the notion of romance. She refuses to lose herself and become a possession, yet she feels the freedom that comes with being loved.

A splendid, if uneven, addition to the series.

Product Details

BN ID: 2940177298474
Publisher: Penguin Random House
Publication date: 09/01/2020
Series: A League of Extraordinary Women , #2
Edition description: Unabridged
Sales rank: 951,308

Read an Excerpt

Chapter 1
   
    Buckinghamshire, Summer 1865
   
    Young ladies did not lie prone on the rug behind the library’s
    chesterfield and play chess against themselves. They did not stuff their
    cheeks with boiled sweets before breakfast. Lucie knew this. But it was
    the summer holidays and the dullest of them yet: Tommy had come home
    from Eton a proper prig who wouldn’t play with girls anymore; newly
    arrived cousin Cecily was the type of child who cried easily; and, at
    barely thirteen years of age, Lucie found she was too young to just
    decorously die of boredom. Her mother, on the other hand, would probably
    consider this quite a noble death. Then again, to the Countess of
    Wycliffe, most things were preferable over hoydenish behavior.
   
    The smell of leather and dust was in her nose and the library was
    pleasantly silent. Morning sun pooled on the chessboard and made the
    white queen shine bright like a beacon. She was in peril—a rogue knight
    had set a trap, and Her Majesty could now choose to sacrifice herself to
    protect the king, or to let him fall. Lucie’s fingers hovered over the
    polished ivory crown, indecisive.
   
    Rapid footsteps echoed in the hallway.
   
    Her mother’s delicate heels—but Mother never ran?
   
    The door flew open.
   
    “How could you? How could you?”
   
    Lucie froze. Her mother’s voice was trembling with outrage.
   
    The door slammed shut again and the floor shook from the force of it.
   
    “In front of everyone, the whole ballroom—”
   
    “Come now, must you carry on so?”
   
    Her stomach felt hollow. It was her father, his tone coldly bored and
    cutting.
   
    “Everyone knows, while I’m abed at home, oblivious!”
   
    “Good Gad. Why Rochester’s wife calls herself your friend is beyond
    me—she fills your ears with gossip and now look at you, raving like a
    madwoman. Why, I should have sent her away last night; it is rather like
    her erratic self to invite herself, to arrive late and unannounced—”
   
    “She stays,” snapped Mama. “She must stay—one honest person in a pit of
    snakes.”
   
    Her father laughed. “Lady Rochester, honest? Have you seen her son? What
    an odd little ginger fellow—I’d wager a thousand pounds he isn’t even
    Rochester’s spawn—”
   
    “What about you, Wycliffe? How many have you spawned among your side
    pieces?”
   
    “Now. This is below you, wife.”
   
    There was a pause, and it stretched and grew heavy like a lead blanket.
   
    Lucie’s heart was drumming against her ribs, hard and painful, the thuds
    so loud, they had to hear it.
   
    A sob shattered the quiet and it hit her stomach like a punch. Her
    mother was crying.
   
    “I beseech you, Thomas. What have I done wrong so you won’t even grant
    me discretion?”
   
    “Discretion—madam, your screeching can be heard from miles away!”
   
    “I gave you Tommy,” she said between sobs. “I nearly died giving you
    Tommy and yet you flaunt that . . . that person—in front of everyone.”
   
    “Saints, grant me patience—why am I shackled to such an overemotional
    female?”
   
    “I love you so, Thomas. Why, why can’t you love me?”
   
    A groan, fraught with impatience. “I love you well enough, wife, though
    your hysterics do make it a challenge.”
   
    “Why must it be so?” Mama keened. “Why am I not enough for you?”
   
    “Because, my dear, I am a man. May I have some peace in my library now,
    please.”
   
    A hesitation; then, a gasp that sounded like surrender.
   
    The thud of the heavy door falling shut once more came from a distance.
    A roar filled Lucie’s ears. Her throat was clogged with boiled sweets;
    she’d have to breathe through her mouth. But he would hear her.
   
    She could hold out. She would not breathe.
   
    The snick of a lighter. Wycliffe had lit a cigarette. Floorboards
    creaked. Leather crunched. He had settled into his armchair.
   
    Her lungs were burning, and her fingers were white as bone, alien and
    clawlike against the dizzying swirls of the rug.
   
    Still she lay silent. King and queen blurred before her eyes.
   
    She could hold out.
   
    Black began edging her vision. It was as though she’d never breathe again.
   
    Paper rustled. The earl was reading the morning news.
   
    A mile from the library, deep in the cool green woods of Wycliffe Park,
    Tristan Ballentine, the second son of the Earl of Rochester, had just
    decided to spend all his future summers at Wycliffe Hall. He might have
    to befriend Tommy, Greatest Prig at Eton, to put this plan into
    practice, but the morning walks alone would be worth it. Unlike the
    estate of his family seat, where every shrub was pruned and accounted
    for, Wycliffe Park left nature to its own devices. Trees gnarled.
    Shrubbery sprawled. The air was sweet with the fragrance of forest
    flowers. And he had found a most suitable place for reading Wordsworth:
    a circular clearing at the end of a hollow way. A large standing stone
    loomed at its center.
   
    Dew drenched his trouser legs as he circled the monolith. It looked
    suspiciously like a fairy stone, weathered and conical, planted here
    before all time. Of course, at twelve years of age, he was too old to
    believe in fairies and the like. His father had made this abundantly
    clear. Poetry, too, was forbidden in Ashdown Castle. Romantic lines ran
    counter to the Ballentine motto, “With Valor and Vigor.” But here, who
    could find him? Who would see? His copy of Wordsworth and Coleridge’s
    Lyrical Ballads was at the ready.
   
    He shrugged out of his coat and spread it on the grass, then made to
    stretch himself out on his belly. The fine fabric of his trousers
    promptly grated like chain mail against the broken skin on his backside,
    making him hiss in pain. His father drove his lessons home with a cane.
    And yesterday, the earl had been overzealous, again. It was why Mama had
    grabbed him, Tristan, and he had grabbed his books, and they had taken
    off to visit her friend Lady Wycliffe for the summer.
   
    He tried finding a comfortable position, shifting this way and that,
    then he gave up, unhooked his braces and began unbuttoning the fall of
    the pesky trousers. The next moment, the ground began to shake.
   
    For a beat, he froze.
   
    He snatched his coat and dove behind the standing stone just as a black
    horse thundered into view in the hollow-­way. A magnificent animal,
    gleaming with sweat, foam flying from its bit. The kind of stallion
    kings and hero's rode. It scrambled to a sudden halt on the clearing,
    sending lumps of soil flying with plate-­sized hooves.
   
    He gasped with shocked surprise.
   
    The rider was no king. No hero. The rider was not a man at all.
   
    It was a girl.
   
    She wore boots and breeches like a boy and rode astride, but there was
    no doubt she was a girl. A coolly shimmering fall of ice-­blond hair
    streamed down her back and whirled round her like a silken veil when the
    horse pivoted.
   
    He couldn’t have moved had he tried. He was stunned, his gaze riveted to
    her face—was she real? Her face . . . was perfect. Delicate and
    heart-­shaped, with fine, winged eyebrows and an obstinate, pointy
    little chin. A fairy.
   
    But her cheeks were flushed an angry pink and her lips pressed into a
    line. She looked ready to ride into battle on the big black beast . . .
   
    She made to slide from the saddle, and he shrank back behind the stone.
    He should show himself. His mouth went dry. What would he say? What did
    one say to someone so lovely and fierce?
   
    Her boots hit the ground with a light thud. She muttered a few soft
    words to the stallion. Then nothing.
   
    He craned his neck. The girl was gone. Quietly, he crept forward. When
    he rose to a crouch, he spotted her supine form in the grass, her
    slender arms flung wide.
   
    He might have moved a little closer . . . closer, even. He straightened,
    peering down.
   
    Her eyes were closed. Her lashes lay dark and straight against her pale
    cheeks. The gleaming strands of her hair fanned out around her head like
    rays of a white cold winter sun.
   
    His heart was racing. A powerful ache welled from his core, an anxious
    urgency, a dread, of sorts—this was a rare, precious opportunity and he
    was woefully unprepared to grasp it. He had not known girls like her
    existed, outside the fairy books and the princesses of the Nordic sagas
    he had to read in secret . . .
   
    An angry snort tore through the silence. The stallion was approaching,
    ears flat and teeth bared.
   
    “Hell,” Tristan said.
   
    The girl’s eyes snapped open. They stared at each other, her flat on her
    back, him looming.
   
    She was on her feet like a shot. “You! You are trespassing.”
   
    She had looked petite, but they stood nearly eye to eye.
   
    He felt his face freeze in a dim-­witted grin. “No, I—”
   
    Stormy gray eyes narrowed at him. “I know who you are. You are Lady
    Rochester’s son.”
   
    He remembered to bow his head. Quite nicely, too. “Tristan Ballentine.
    Your servant.”
   
    “You were spying on me!”
   
    “No. Yes. Well, a little,” he admitted, for he had.
   
    It was the worst moment to remember that the flap of his trousers was
    still half undone. Reflexively, he reached for the buttons, and the
    girl’s gaze followed.
   
    She gasped.
   
    Next he knew, her hand flew up and pain exploded in his left cheek. He
    staggered back, disoriented and clutching his face. He half-­expected
    his hand to come away smeared with red.
   
    He looked from his palm at her face. “Now that was uncalled for.”
   
    A flicker of uncertainty, perhaps contrition, briefly cooled the blaze
    in her eyes. Then she raised her hand with renewed determination. “You
    have seen nothing yet,” she snarled. “Leave me alone, you . . . little
    ginger.”
   
    His cheeks burned, and not from the slap. He knew he had barely grown an
    inch since his birthday, and yes, he worried the famous Ballentine
    height was eluding him. The runt, Marcus called him. His hand curled
    into a fist. If she were a boy, he’d deck her. But a gentleman never
    raised his hand to a girl, even if she made him want to howl. Marcus,
    now Marcus would have known how to handle this vicious pixie with
    aplomb. Tristan could only beat a hasty retreat, the slap still pulsing
    like fire on his cheekbone. The Lyrical Ballads lay forgotten in damp grass.

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