"A memorable journey into the transatlantic world in the age of revolution through a close study of the greatest colonial American artist. Kamensky, a historian with an art historian’s sensibility, provides a brilliant survey of John Singleton Copley’s life, work, and subjects, vivified by a detailed examination of letters, diaries, and official records, many previously untapped, to involve the reader in the emotional and sensory experience of living in those tumultuous times."
"Vivid and detailed…a drama in motion."
Wall Street Journal - Kathleen DuVal
"[I]ntelligent and substantive."
Boston Globe - Wendy Smith
"Kamensky wields a keen putty knife in a restoration that strives—rather than for objectivity—for acuity and honesty. Kamensky has that in spades."
Christian Science Monitor - Peter Lewis
"Vivid, intimate, and richly detailed, Jane Kamensky’s biography of John Singleton Copley illuminates the deeply intertwined worlds of America and England at the moment of their violent divorce. The career of the great painter from Boston provides a wonderfully fresh and surprising perspective on the American Revolution, on the scope of artistic ambition, and on the high costs of divided loyalty."
"The greatest American artist of the eighteenth century, John Singleton Copley, preferred life in Britain, escaping from the bitter civil war that we call the American Revolution. In this brilliantly insightful and lucidly written biography, Jane Kamensky reveals the age of revolution in fresh new tones as complex and compelling as the interplay of light and shade in the finest Copley painting."
"With a singular focus on Copley and a more vibrant prose style, Kamensky probes deeply into such matters as family relations, local politics and the psychological costs of failing to realize one’s ambitions."
"Beautifully written and elegant, A Revolution in Color gives us a vibrant and new perspective on the conflict between America and Great Britain, a conflict the ambitious John Singleton Copley embodied. Jane Kamensky enriches our understanding of this vital time in world history."
"Far from a born partisan, Copley could have gone either way. Kamensky’s great accomplishment is to leave readers pulled by different audiences, demands, and political allegiances right along with him."
The Atlantic - Caitlin Fitz
"A pleasure to read from first page to last, Jane Kamensky’s exploration of the artist life, work, and tumultuous times of John Singleton Copley is itself a masterpiece. Like all excellent portraitists, Kamensky probes deeply into the character of her subject, as deft with the small, revealing detail as she is with the sweeping strokes of landscape and setting. Both gripping narrative history and insightful art criticism, A Revolution in Color is a genre-busting tour de force."
"Jane Kamensky has not only crafted a stunning biography but also a truly singular account of the American Revolution. A Revolution in Color masterfully unravels any easy distinctions between patriots and loyalists."
"Richly resourced, prismatic, dynamic, factually and psychologically revelatory, and ebulliently spiked with political insights and ironies, Kamensky’s biography provides an intimate view of the American Revolution and its immediate aftermath as seen through the "acute, penetrating" gaze of a masterful artist."
Booklist (starred) - Donna Seaman
"A memorable journey into the transatlantic world in the age of revolution through a close study of the greatest colonial American artist. Kamensky, a historian with an art historian’s sensibility, provides a brilliant survey of John Singleton Copley’s life, work, and subjects, vivified by a detailed examination of letters, diaries, and official records, many previously untapped, to involve the reader in the emotional and sensory experience of living in those tumultuous times."
★ 2016-06-21 A majestic portrait of the American painter.Kamensky (History/Harvard Univ.; The Exchange Artist: A Tale of High-Flying Speculation and America's First Banking Collapse, 2008, etc.) delivers a masterful portrayal of John Singleton Copley (1738-1815), a "cautious man in a rash age," his story "peculiarly American: hard-edged, uncloaked, impolite." The author beautifully merges biography with history to tell the story of one of America's earliest and finest portrait painters. Along the way, she provides insightful profiles of many of Copley's key contemporaries, including Benjamin West and Joshua Reynolds. Born into a poor Boston household, Copley seemed destined to draw and paint. When his mother married a second time, to a portrait painter, Copley was able to take advantage of his new father's skills and materials to teach himself to paint. It was his calling, and his business as a supremely gifted portrait painter of local businessmen and British officers took off. In the 1750s, his craft improved, with "fabrics that shimmered, almost rustled; eyes that seemed to have mind, even spirit behind them." By 1764, he was experimenting with full-scale portraits. He painted the impressive A Boy with a Flying Squirrel in 1765, with his brother as the model. His portrait of John Hancock followed, and in 1768, he painted an iconic masterpiece, Paul Revere. At the time, Britain was relentlessly taxing items, including "painters colours," and passing repressive acts. As a loyalist, Copley kept his politics quiet, but after the Boston Tea Party in 1773, he feared for his family. He sailed to England in 1774, never to return. He began painting large historical paintings, but, as Kamensky writes, "his insight diminished." After signing the Treaty of Paris, John Adams sat for Copley in London for a portrait. Shortly after, Copley died "beneath a mountain of debts." An ocean away, the painter's halting rebirth began. There may never be a better biography of Copley than this sumptuous, exquisitely told story of a man and his time.