Pamela Paul
Dabija…saturates her pictures with lush color. Of course, there is lots of green but also dusty orange, misty lavender and deep mustard, in what is as much an exploration of the variation of color as it is of nature's changeability.
—The New York Times
Publishers Weekly
Salas explores the many functions a leaf can serve with simple grace. “A leaf is a leaf—/ a bit of a tree./ But when cool days come chasing,/ it can also be a... Lake glider/ Wind rider/ Pile grower/ Hill glow-er/ Frost catcher/ Moth matcher.” Dabija bathes her mixed-media scenes in a fuzzy glow, creating a welcoming environment in every spread. Leaves serve as a “Bat shelter” in a rainforest enclave, and as a “Ground warmer” in a snowy, mint green clearing. Appended notes elaborate upon the poetic descriptions, providing more insight into the integral roles that leaves play in life cycles. Ages 5–8. (Mar.)
From the Publisher
"This book is sure to open a child's eyes to the wonder of the natural world." —Washington Parent
Kirkus Reviews
A leaf's various purposes are contemplated in this gentle celebration of nature. Fresh leaves burst forth in Salas' opening stanza, followed by two- to four-word couplets listing a leaf's many functions. This pattern continues for fall and winter, allowing her rhymed verse to reinforce the cyclical nature of the seasons. What pours forth in free-association–like fashion is sometimes poetic ("Wind rider / Lake glider"), oftentimes purposeful ("Air cleaner / Earth greener") and mostly playful ("Frost catcher / "Moth matcher"). Dabija's soft, ethereal illustrations lend a warmth and vibrancy to the text. Her palette, dictated by the weather, is full of lush greens, sultry browns, golden yellows and dusky blues. Through heavy use of the computer, she layers textures into varied patterns and shapes, giving each illustration an organic feel. While this effect is skillfully used on the backgrounds, it is less effective on the primary objects, leaving people and animals to appear pasted in, rather than integrated into the artwork. Compositionally, the images are nicely designed, but since one does not visually lead to the next, they are more like tableaux than a continuous visual narrative. An addendum explaining the author's word choices (what does she mean by "mouth filler"?) is included, as well as a suggested reading list and glossary. Simple and pleasing, with classroom-discussion and read-aloud appeal. (Picture book. 5-8)
