A FINE SUMMER’S DAY is an absolute pleasure to read and a true treat for faithful readers of this series.
A bittersweet gift to longtime readers of this wonderful series.
Pure fun for fans.
A Fine Summer’s Day” is a high point in this evocative series that has never disappointed.
South Florida Sun Sentinel
Readers familiar with the series can’t imagine a Rutledge who doesn’t hear the voice of MacLeod in his head, and this novel adds poignancy to the Rutledge we avidly follow. Grade: A
The books are Charles Todd recounting the cases of Scotland Yard Inspector Ian Rutledge in the days following WWI are as quintessentially English as anything by Ruth Rendell, PD James or John Harvey....These are some of the finest historical mystery novels in print....Todd [is] in top form again.
BookPage on A FINE SUMMER'S DAY
An excellent tale. As always when it comes to Charles Todd, this mother/son team of authors are in-depth, refined, and offer up a true thriller of a story.
Suspense Magazine on A Fine Summer's Day
…a bittersweet gift to longtime readers of this wonderful series…This intimate look into the personal life of a detective we've known only as a damaged soul is no small gift…Although [the] mystery is intelligently developed and fairly resolved, the greater gift here is the portrait it presents of England before the war…
The New York Times Book Review - Marilyn Stasio
11/24/2014 Series fans will appreciate Todd’s 17th Ian Rutledge mystery (after 2014’s Hunting Shadows), a prequel set in the summer of 1914. Rutledge, a Scotland Yard inspector, has just gotten engaged, and as the guns of August loom, he lands a tricky murder case in Dorset. Furniture maker Ben Clayton—who had no obvious enemies—was hanged from his staircase by an intruder. More deaths follow, but a scene that Todd (the mother-son writing team of Caroline and Charles Todd) presents early on makes this a thriller rather than a whodunit. The writing is as sharp as ever, but without the series regular Hamish MacLeod, whom Rutledge was forced to execute during WWI for disobeying orders and who subsequently haunts the shell-shocked Rutledge as a sort of ghostly Watson, newcomers won’t appreciate how extraordinary this series is. Five-city author tour. Agent: Jane Chelius, Jane Chelius Literary Agency. (Jan.)
An excellent tale. As always when it comes to Charles Todd, this mother/son team of authors are in-depth, refined, and offer up a true thriller of a story.” — Suspense Magazine on A Fine Summer's Day
“A very welcome addition to, and expansion of, a much-loved series.” — Booklist
“The books are Charles Todd recounting the cases of Scotland Yard Inspector Ian Rutledge in the days following WWI are as quintessentially English as anything by Ruth Rendell, PD James or John Harvey....These are some of the finest historical mystery novels in print....Todd [is] in top form again.” — BookPage on A FINE SUMMER'S DAY
“Readers familiar with the series can’t imagine a Rutledge who doesn’t hear the voice of MacLeod in his head, and this novel adds poignancy to the Rutledge we avidly follow. Grade: A” — Cleveland Plain Dealer
“A tight plot keeps readers on the edge until the stunning final pages.” — Library Journal
“A Fine Summer’s Day” is a high point in this evocative series that has never disappointed.” — South Florida Sun Sentinel
“Pure fun for fans. ” — Charlotte Observer
“A bittersweet gift to longtime readers of this wonderful series.” — Marilyn Stasio, New York Times Book Review
“A FINE SUMMER’S DAY is an absolute pleasure to read and a true treat for faithful readers of this series.” — Bookreporter.com
A very welcome addition to, and expansion of, a much-loved series.
Pure fun for fans.
An excellent tale. As always when it comes to Charles Todd, this mother/son team of authors are in-depth, refined, and offer up a true thriller of a story.
Suspense Magazine on A Fine Summer's Day
01/01/2015 It was a fine summer's day in 1914 when life changed for so many people: Scotland Yard inspector Ian Rutledge proposed to his longtime companion, Jean Gordon, Archduke Ferdinand and his wife were assassinated in Sarajevo, and the death of a mother sparked a trail of murders, leading Rutledge across the English countryside in search of the killer. As Rutledge closes in on the solution to the case, rumors of war become a reality, and the inspector must not only deal with the aftermath of his investigation but also face the increasing needs of his betrothed, family, Scotland Yard, and Britain itself. VERDICT In this prequel and 17th series entry (after Hunting Shadows), Rutledge deals with a killer's past and his own future in a country readying for war. A tight plot keeps readers on the edge until the stunning final pages. [See Prepub Alert, 7/28/14.]
In this 17th Ian Rutledge mystery, fans will enjoy an exceptional performance by Steven Crossley. Charles Todd (a mother-son writing team) takes a step back to the summer of 1914. In this series prequel, the brutalities of war haven’t yet taken their toll on Rutledge. Newly engaged to the daughter of a military family, Rutledge has picked up a complicated case—suicide or murder? But as he gets closer to a solution, he’s pressured to drop the case. In true storyteller mode, Crossley disappears into every character, offering a seemingly endless supply of accents, voices, and personalities, whether from the Scottish Highlands or the English Lowlands. As war becomes a reality, Crossley’s remarkable character development combined with Todd’s deft plotting provides fine listening, whatever the season. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2015, Portland, Maine