A Double Life: A Novel

A Double Life: A Novel

by Flynn Berry

Narrated by Fiona Hardingham

Unabridged — 7 hours, 2 minutes

A Double Life: A Novel

A Double Life: A Novel

by Flynn Berry

Narrated by Fiona Hardingham

Unabridged — 7 hours, 2 minutes

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Overview

A gripping, intense, stunningly written novel of psychological suspense from the award-winning author of Under the Harrow

Claire is a hardworking doctor leading a simple, quiet life in London. She is also the daughter of the most notorious murder suspect in the country, though no one knows it.

Nearly thirty years ago, while Claire and her brother slept upstairs, a brutal crime was committed in her family's townhouse. The next morning, her father's car was found abandoned near the English Channel, with bloodstains on the front seat. Her mother insisted she'd seen him in the house that night, but his powerful, privileged friends maintained his innocence. The first lord accused of murder in more than a century, he has been missing ever since.

When the police tell Claire they've found him, her carefully calibrated existence begins to fracture. She doesn't know if she's the daughter of a murderer or a wronged man, but Claire will soon learn how far she'll go to finally find the truth.

Loosely inspired by one of the most notorious unsolved crimes of the 20th century—the Lord Lucan case—A Double Life is at once a riveting pause-resister and a moving reflection on women and violence, trauma and memory, and class and privilege.


Editorial Reviews

SEPTEMBER 2018 - AudioFile

Claire is living under an assumed identity in contemporary London. Narrator Fiona Hardingham helps bring her to life as she investigates the story of her father, who disappeared following the murder of her nanny and the attempted murder of her mother 30 years earlier. Hardingham’s strong characterizations of the audiobook’s many characters help keep the listener on track, particularly when during the story’s time shifts, which fill in the backstory. In particular, Hardingham’s cut-glass English accent conjures up images of the privileged as they close ranks to protect themselves and their status. The well-paced narration helps keep the suspense building, even during descriptive detail. K.J.P. © AudioFile 2018, Portland, Maine

The New York Times Book Review - Karen Valby

…Flynn Berry…writes thrillingly about women raging against a world that protects cruel and careless men. She's less preoccupied by scenes of abuse than the psychological toll of its threat. Her protagonists seethe over their knowledge of violence and are fueled by a howling grief for its victims…Berry proved in Under the Harrow that her prose can be as blistering as it is lush. Here, too, the writing is rich and moody, without any unnecessary fuss…The ending is as shocking as it is satisfying. As desperate and consumed as our messy heroine may get in the process, Berry always lets her hold onto her humanity.

Publishers Weekly

04/16/2018
London doctor Claire Alden, the 34-year-old narrator of this engrossing psychological thriller from Edgar-winner Berry (Under the Harrow), remains obsessed with finding answers decades after the horrific night when her nanny was slaughtered in her family’s Belgravia townhouse and her mother, Faye, was left near death. The crime’s prime suspect, Claire’s titled father, Colin Spenser, vanished without a trace. Claire, who leads an almost hermitlike existence, can’t stop her sleuthing. She tails some of her father’s posh friends in a desperate hunt for clues to his whereabouts as well as why they hated her working-class mother so much that they would shield a murderer. Claire combs through her own memories and Faye’s extensive diary entries and other research to vividly imagine her parents’ relationship, then subsequently manages to befriend, unrecognized, the daughter of one of Colin’s closest chums in the hope of discovering further leads. The action builds to a shocking but satisfying conclusion. Berry tells this shattering story with surprising grace. Agent: Emily Forland, Brandt & Hochman Literary Agents. (July)

From the Publisher

Breathtaking . . . as shocking as it is satisfying . . . Berry writes thrillingly . . . about women raging against a world that protects cruel and careless men. . . . As desperate and consumed as our messy heroine may get in the process, Berry always lets her hold onto her humanity.” —The New York Times Book Review (Editors' Choice) 
 
“[An] astute thriller . . . With exquisite pacing, Edgar Award-winner Berry guides us to a stunning conclusion.” —The Seattle Times

“[A] page-turner.” Entertainment Weekly

“Thrilling.” —O, The Oprah Magazine  

“Heart-stopping.”Bustle

“Impossible to put down.” —Suspense

“[A] standout . . . Beautifully paced and satisfyingly ominous.” —The Guardian

“Elegantly written [and] artfully structured . . . As her story unwinds, Berry reaches deep into the psychic wounds and social repercussions of the crime.” —BBC

“Suspense at its very best.” —CrimeReads

“Thrilling . . . Berry starts with a chilling, notorious unsolved true crime . . . and builds her story from there.” —Parade
 
“Engrossing.” —Good Housekeeping

“Psychological suspense has a new reigning queen.” —New York Journal of Books

“As well as confirming the promise of Berry’s debut...[A Double Life] demonstrates that fusing fiction and true crime…can be mesmerizingly effective.” —The Times (London)

“Satisfyingly ominous prose . . . Complex characters . . . are brought heartbreakingly to life while Britain’s unjust, and still prevalent, class system, which lies at the heart of this tale, lends the narrative some moral weight.” —East Hampton Star

“[An] engrossing psychological thriller . . . [that] builds to a shocking but satisfying conclusion. Berry tells this shattering story with surprising grace.” Publishers Weekly

A Double Life is that rare thing: a beautifully written page-turner.” The Bookseller (London)

“A thrilling page-turner [and] a compassionate and angry book: with forensic precision, Berry picks apart lives derailed by violence and the ways in which class privilege protects the guilty.” —Paula Hawkins, author of The Girl on the Train and Into the Water

A Double Life is more than just a taut thriller that will keep you poised at the edge of your seat: it's also a deeply considered examination of women, violence, and memory. Do yourself a favor and read this astonishing novel.” Rene Denfeld, author of The Child Finder

“Berry’s clever, thrilling writing wound me in and left me heartbroken when I turned the last page and realized it was over.” Fiona Barton, author of The Widow

“What a book! A skillful and compelling exploration of families, crime, and class.” Clare Mackintosh, author of I Let You Go

SEPTEMBER 2018 - AudioFile

Claire is living under an assumed identity in contemporary London. Narrator Fiona Hardingham helps bring her to life as she investigates the story of her father, who disappeared following the murder of her nanny and the attempted murder of her mother 30 years earlier. Hardingham’s strong characterizations of the audiobook’s many characters help keep the listener on track, particularly when during the story’s time shifts, which fill in the backstory. In particular, Hardingham’s cut-glass English accent conjures up images of the privileged as they close ranks to protect themselves and their status. The well-paced narration helps keep the suspense building, even during descriptive detail. K.J.P. © AudioFile 2018, Portland, Maine

Kirkus Reviews

2018-05-01
Berry's (Under the Harrow, 2016) second thriller explores the effects of a brutal crime on the family of the alleged perpetrator nearly 30 years later.Claire's father, Lord Spenser, notorious for being one of the highest-ranking members of British society to be accused of murder, disappeared 26 years ago, after Claire's mother and nanny were both attacked. The police contact her when there is a sighting or a lead, but so far, these have all turned out to be false. Driven by her need for closure and her concern for her opium-addicted brother, Claire befriends the daughter of her father's best friend under false pretenses so she can be invited to the family estate and conduct her own investigation. Claire's first-person narrative alternates with a third-person account of her parents' early courtship and marriage and Claire's own childhood memories leading up to the murder. Berry is an expert at slow pacing, letting the characters' tension gradually build to a boiling point, but that's also a drawback. The mystery, and the characters, seems to lack true passion. By the time the climax comes around, the level of action and violence contradicts the tone of the rest of the novel. She does have a talent for setting, and the emphasis on the insulation of the arrogant, if declining, aristocracy resonates as a larger commentary on British society. The most fascinating side of the novel, implied but not openly developed, is that Claire's obsession with her father leads her to make some pretty shady choices of her own, and she strongly believes that the end justifies the means. She's not quite an unreliable narrator, but those patches of darkness in her character do add an extra layer that could have been explored more deeply.A competent psychological mystery that lacks greater human resonance.

Product Details

BN ID: 2940170400003
Publisher: Penguin Random House
Publication date: 07/31/2018
Edition description: Unabridged
Sales rank: 1,118,271

Read an Excerpt

***This excerpt is from an advance uncorrected copy proof***
1

A man comes around the bend in the path. I stop short when he appears. We’re alone. The heath has been quiet today, under dark snow clouds, and we’re on the part of the path where the oak trees form a tunnel.

The man is wearing a hat and a wool overcoat with the collar turned up. When he stops to light a cigarette, I’m close enough to see his knuckles rising under his gloves, but his face is hidden by the brim of his hat.

The dog is somewhere behind me. I don’t call for him, I don’t want the man to hear. Sparrows fly over our heads to the oaks, drawn into the branches like filings to a magnet. His lighter won’t catch, and the metal rasps as he tries again.

Jasper brushes past me. I reach for his collar but miss, almost losing my balance. The lighter flares and the man tips his head to hold the cigarette in the flame. Then he drops the lighter in his pocket and holds out his fist for the dog to smell. Jasper whines, and for the first time the man looks down the path at me.

It isn’t him. I call the dog, I say sorry in a strained voice. The path is narrow here, we have to pass within a few inches of each other, and I look at him again, to be sure. Then I clip the dog’s leash and hurry towards the houses and people on Well Walk. I wish it had been him, and that instead I was searching the ground for a heavy branch, and following him into the woods.

It’s been like this for the past three days, since the detective’s visit. I’ve been seeing him everywhere.

Last Thursday night, I came home from work and ran a bath before taking off my coat. While water filled the tub, I said hello to Jasper, kissing the crown of his head. His fur always smells like clean smoke, like he’s recently been near a campfire. I poured a glass of wine and drank it standing at the counter.

In the bathroom, I filled a small wooden shovel with Epsom salts and tipped them into the water. My friend Nell had sent me the salts because they help with aches, she said, and I’m always sore after work. I undressed, listening to the tap dripping in the quiet flat. I left the bathroom open, since the dog sometimes likes to come and sit next to the tub.

I dropped under the surface, feeling the water slide along the length of my body. I need to ask Agnes to try massage for her arthritis, I thought, then tried to stop thinking about patients. It would help her loneliness, too. Her shoulders relaxed when I checked her heart and she went still, like she was absorbing the touch.

I lay with just enough of my face above the surface to breathe, the water slipping over my chin. Pasta with pesto for dinner, I thought. A sound came through the liquid, and I raised my head to listen as water spilled from my ears. Someone was ringing the buzzer.

My order, finally, I thought. The book was meant to be delivered two days earlier. I pulled a sweatshirt and tracksuit bottoms on over my wet skin, nudged Jasper back from the door, and ran down the stairs.

There are two doors before the street, and I was in the icy space between them when I saw who it was. Not a courier. The inner door closed behind me. As I opened the next one, the woman lifted her badge. “Do you have a moment to talk, Claire?”

She followed me up the stairs, which seemed to take a long time. My fingers were stiff and I had trouble with the keys. Jasper greeted her, offering her a stick from the towpath. My chest was bare under the sweatshirt, and I left her on the sofa to find a bra.

When I came back, her expression was neutral, but I could tell she’d been studying the room. I wondered what she made of it, and if she’d expected worse, considering my background. It was warm and the lamps were lit. There were books on the shelves, invitations on the fridge, a holly wreath above the mantle. She might have thought I’d made the best of a bad hand.

Or she noticed the open bottle of wine on the counter. The dog, who is half German shepherd, and the number of bolts on the door. It’s only at home, I wanted to tell her. I’m not that careful outside. I walk around at night in headphones. I sometimes fall asleep in minicabs, though not often, if I’m honest.

“What’s your name?” I asked.

“DI Louisa Tiernan,” she said, unwinding her scarf. Her voice was clear and composed, with an Irish accent. The pipes squeaked as the man upstairs turned off a tap. She said, “There’s been a sighting.”

“Here?”

“In Namibia.” DI Tiernan clasped her hands on her knees, but she didn’t continue. I didn’t understand why she had come. This wasn’t news, there have been thousands of sightings.

“Why do you believe this one?”

She handed me an old photograph of my father holding a silver flask engraved with a crest. “Your father bought it at a shop in Mayfair forty years ago. A man has been seen carrying it in Windhoek. He’s in his sixties, about six feet tall, and speaks English without an accent.”

“Has he been arrested?”

“We’re coordinating with Interpol,” she said. She looked to be in her forties, which meant she was a teenager when it happened. She must have heard about the case, it was in the news for weeks, and since then has only become more famous. He was the first lord accused of murder since the eighteenth century.

“When will they arrest him?”

“You’ll be notified if charges are filed,” she said. I wondered if she was surprised to find herself investigating him, after all this time.

“Why are they waiting?”

“I can’t share those details.”

“Who told you about the flask?”

“Our source wants to remain anonymous,” she said. To avoid the embarrassment, I thought, when he turns out to be wrong. My father has been missing for twenty-six years. People have claimed to see him in almost every country in the world, posting long descriptions of their encounters in the forums about him.

“We hope that you’ll be able to help us confirm if it is him,” she said. They needed a DNA sample from me. The detective started to explain the process, while my wet hair dripped onto my sweatshirt. I thought of the full bathtub in the other room. I hadn’t been out of it for very long, the water would still be warm, the surface perfectly smooth.

The detective put on a pair of surgical gloves. I opened my mouth and she ran the swab against the inside of my cheek, then screwed it into a sterile plastic vial.

“I’m sorry to have to ask,” she said, “but has your father ever contacted you?”

“No. Of course not.” The curtains were open behind her, and I could see a Christmas tree in the flat across the road. My mouth still tasted like rubber from the glove. I wanted to ask what she would do next, what else she needed to prepare.

After she left, I pulled the drain from the tub, dried my hair, and changed into warm clothes. I boiled water for pasta and opened a jar of good pesto. There was no reason not to eat well, not to watch a show, not to sleep. I didn’t need to change my plans, because it wasn’t him, it hadn’t been any of the other times.

Though the flask is the sort of thing he’d keep, to remind him of the Clermont Club. The click of the lighter, bending his head with a cigarette in his mouth, betting on hands of chemin de fer.

He is a hedonist. That’s part of my fury—during all of this, even now, he’s somewhere enjoying himself.

The last time I saw my father was the weekend before the attack. He’d taken me to Luxardo’s in Notting Hill. I had a scoop of ice cream covered in coconut, so it looked like a snowball, and my father ordered a peppermint ice cream. It came with a stick of red- and-white candy, which he gave to me.

Someone was angry with me that day, a friend of mine from school. I can’t remember why now, but I remember how heavily it weighed on me, how bruising it seemed, and I remember how reassuring it was to be with my father.

I’ve gone over this visit so many times. Him in a dark suit, against the parlor’s striped green walls. He had a scratch on the back of his hand, how did that happen? Did he get it during his preparations? I know from one of the forums that the police found a pulped melon at his flat. Since reading that, I’ve had the idea of him setting a melon on the counter and bringing the pipe down on it again and again, working out how hard he’d need to swing. The idea seems absurd, but no more than the rest of it. Was there a moment—while he was scooping the melon pulp into a bin, maybe, or walking to our house—when he realized what he was doing? Did he almost change his mind?

I’ve been over all of it, his work and his hobbies and interests, looking for the warnings. He liked bullfights, he brought Mum to one in Madrid once. Should that have been a cause for alarm?

He also watched horror films sometimes, but only the ones with good reviews, the ones most people ended up seeing. He didn’t seek them out, as far as I know. He said that I didn’t need to be afraid of them, he explained the different special effects, he told me it wasn’t real blood.

Now everything seems like a warning, but you could do this for anyone. Pick out a few odd interests, a few bad days, and build a theory around it. You could do it for me. You could consider the fact that I haven’t moved on as proof of something wrong with me.  I’m thirty-four years old and a doctor at a practice in Archway. This shouldn’t still consume me. It never goes away. It’s like living in a country where there’s been a war. Sometimes you forget; sometimes, on a normal road, in daylight, you’re too frightened to breathe; sometimes you’re furious that it’s fallen to you now to understand what happened, to clean it up.

But he planned it. He came to our house that night wearing gloves and carrying a length of steel pipe. He’d used a saw to cut the pipe down to the right size, and he’d wrapped gaffer’s tape around its base so his hand wouldn’t slip.

He might have already made the weapon before we sat together in a booth at Luxardo’s. It’s difficult for me to think about that visit. Not because I could have stopped him, exactly. I was eight years old. But the scene seems grotesque. The little girl, accepting a stick of red-and-white candy from him. It’s like he made me complicit.

(Continues…)



Excerpted from "A Double Life"
by .
Copyright © 2018 Flynn Berry.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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