A Doll's House
A collection of literature anthologies and reference books for Key Stage 3 onwards.
"1116747947"
A Doll's House
A collection of literature anthologies and reference books for Key Stage 3 onwards.
19.05 In Stock
A Doll's House

A Doll's House

A Doll's House

A Doll's House

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Overview

A collection of literature anthologies and reference books for Key Stage 3 onwards.

Product Details

ISBN-13: 9780521483421
Publisher: Cambridge University Press
Publication date: 09/30/1995
Series: Cambridge Literature
Edition description: New
Pages: 128
Product dimensions: 5.08(w) x 7.76(h) x 0.35(d)
Age Range: 16 - 18 Years

About the Author

After graduating from Oxford University, Tanika Gupta worked as a community worker and in an Asian women's refuge for several years. She began writing drama in the early 1990s. Tanika has written extensively for theatre, radio, film and television. Her play, The Waiting Room (National Theatre), won the John Whiting Award in 2000. Titles published by Oberon Books include Inside Out (Clean Break), Hobson's Choice (Young Vic and Manchester Royal Exchange), Catch (Royal Court), Sugar Mummies (Royal Court), White Boy (National Youth Theatre/Soho Theatre), The Empress (RSC), Mindwalking (Bandbazi), Lions and Tigers (Shakespeare's Globe), Red Dust Road (National Theatre of Scotland), among others.

She was nominated for the Laurence Olivier Award for Outstanding Achievement (2004), was the recipient of the Amnesty International Media Award (2005) for her radio play, Chitra and won the BBC Audio Drama Award 2013 for 'best adaptation' for her version of A Doll's House. Tanika was awarded an MBE in 2008 and received the James Tait Black Award for Lions and Tigers in 2018. She is a visiting lecturer at Central School for Speech and Drama where she is an Honorary Fellow.

Table of Contents

Acknowledgements
Introduction
Henrik Ibsen and A Doll’s House: A Brief Chronology
A Note on the Text

A Doll’s House

A Note on Nora’s Final Exit

Appendix A: Contemporary Adaptations, Sequels, and Parodies
  • 1. From a letter from Ibsen to a Danish newspaper regarding the ending of the play (17 February 1880)
  • 2. Ibsen’s alternative ending (1880)
  • 3. From Henry Arthur Jones and Henry Herman, Breaking a Butterfly (1882)
  • 4. From August Strindberg, “A Doll’s House” (1884)
  • 5. From Walter Besant, “The Doll’s House—and After,” The English Illustrated Magazine (October 1890)
  • 6. From Ednah Dow Cheney, Nora’s Return: A Sequel to The Doll’s House (1890)
  • 7. From Israel Zangwill and Eleanor Marx-Aveling, “A Doll’s House Repaired,” Time (March 1891)
  • 8. From F. Anstey, “Nora; or, The Bird-Cage,” Mr Punch’s Pocket Ibsen (1893)
Appendix B: William Archer and A Doll’s House
  • 1. From Archer’s review of the first performance in England of A Doll’s House, Dramatic Review (4 April 1885)
  • 2. From a letter to Charles Archer (13 June 1889)
  • 3. From “Ibsen and English Criticism,” Fortnightly Review (July 1889)
  • 4. From William Archer, The Theatrical “World” for 1893 (1894)
  • 5. From The Collected Works of Henrik Ibsen (1906)
Appendix C: Bernard Shaw and A Doll’s House
  • 1. On A Doll’s House, Penny Illustrated Paper (1 June 1889)
  • 2. From Shaw’s review of A Doll’s House, Manchester Guardian (8 June 1889)
  • 3. From a letter to William Archer (11 June 1889)
  • 4. From “Still after the Doll’s House,” Time (February 1890)
  • 5. From The Quintessence of Ibsenism (1891)
  • 6. From “A Doll’s House Again,” Saturday Review (15 May 1897)
  • 7. From “The Technical Novelty in Ibsen’s Plays,” The Quintessence of Ibsenism (1913)
Appendix D: The Critics
  • 1. In London
    • a. From The Era (28 March 1885)
    • b. From The Times (8 June 1889)
    • c. From The Globe (8 June 1889)
    • d. From The Daily Telegraph (8 June 1889)
    • e. From The Pall Mall Gazette (8 June 1889)
    • f. From The Spectator (21 June 1889)
    • g. From Clement Scott, “A Doll’s House,” The Theatre (1 July 1889)
  • 2. In America
    • a. From The Courier-Journal [Louisville, Kentucky] (8 December 1883)
    • b. From The New York Times (27 September 1889)
    • c. From The Boston Globe (31 October 1889)
    • d. From The [New York] Sun (22 December 1889)
    • e. From The New York Times (22 December 1889)
    • f. From The [New York] Evening World (23 December 1889)
    • g. From The [New York] Sun (16 February 1894)
    • h. From The [New York] Evening World (7 June 1895)
  • 3. In Montreal and Sydney
    • a. From The [Montreal] Gazette (18 February 1890)
    • b. From The Sydney Morning Herald (19 July 1890)
Appendix E: Feminism
  • 1. Henrik Ibsen, “Notes for the Tragedy of Modern Times” (19 October 1878)
  • 2. From Henrietta Frances Lord, preface to her translation of A Doll’s House (1882)
  • 3. From August Strindberg, preface to Getting Married (1884)
  • 4. From Havelock Ellis, The New Spirit (1890)
  • 5. From Ellen Battelle Dietrick, “The Doll’s House—T’Other Side,” Women’s Penny Paper (15 and 22 March 1890)
  • 6. From Annie Nathan Meyer, “Ibsen’s Attitude Towards Woman,” The Critic [New York] (22 March 1890)
  • 7. From Max Nordau, Degeneration (1895)
  • 8. From Ibsen’s speech to the Norwegian Women’s Rights League (26 May 1898)
  • 9. From Louie Bennett, “Ibsen as a Pioneer of the Woman Movement,” The Westminster Review (March 1910)
Appendix F: Acting Nora
  • 1. From “Nora Helmer off for the Antipodes: An Interview with Miss Janet Achurch,” The Pall Mall Gazette (5 July 1889)
  • 2. From “Ethel Barrymore on Nora Helmer” (6 May 1905)
  • 3. Alla Nazimova, “Ibsen’s Women,” The Independent (17 October 1907)
  • 4. From Elizabeth Robins, Ibsen and the Actress (1928)
  • 5. From Liv Ullmann, Changing (1976)

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