A Darker Shade of Magic (Shades of Magic Series #1)

A Darker Shade of Magic (Shades of Magic Series #1)

by V. E. Schwab

Narrated by Steven Crossley

Unabridged — 11 hours, 34 minutes

A Darker Shade of Magic (Shades of Magic Series #1)

A Darker Shade of Magic (Shades of Magic Series #1)

by V. E. Schwab

Narrated by Steven Crossley

Unabridged — 11 hours, 34 minutes

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Overview

Notes From Your Bookseller

If you haven't discovered the Shades of Magic series — what are you waiting for? Transport yourself to a fabulous new world via a perfect balance of plot and narrative voice.

Kell is one of the last Travelers-magicians with a rare, coveted ability to travel between parallel universes-as such, he can choose where he lands. There's Grey London, dirty and boring, without any magic, ruled by a mad King George. Then there's Red London, where life and magic are revered, and the Maresh Dynasty presides over a flourishing empire. There's White London, ruled by whoever has murdered their way to the throne. And once upon a time, there was Black London . . . but no one speaks of that now.

Officially, Kell is the Red Traveler, personal ambassador and adopted Prince of Red London, carrying the monthly correspondences between the royals of each London. Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they'll never see-a dangerous hobby, and one that has set him up for accidental treason. Fleeing into Grey London, Kell runs afoul of Delilah Bard, a cutpurse with lofty aspirations. She first robs him, then saves him from a dangerous enemy, and then forces him to spirit her to another world for a proper adventure.

Editorial Reviews

Publishers Weekly

★ 01/05/2015
Schwab (Vicious) creates an ingenious set of nesting alternate Londons in this imaginative, well-crafted fantasy. There’s Grey London, set in our mundane world’s Regency era; Red London, where magic flourishes along with the populace; and White London, where a desperate struggle to control magic has bled the city and its people. No one speaks of Black London, consumed by magic and presumed destroyed. Kell, adopted brother of Red London’s prince and one of the few Antari, who can travel between worlds, is a royal emissary and collector of forbidden artifacts from other Londons. When Kell is tricked into taking a dangerous artifact of Black London into Red, he falls in with the cross-dressing Grey thief Lila Bard, a cutpurse with a quick tongue and her own sense of honor. Confident prose and marvelous touches—a chameleon coat, a scarlet river of magic, a piratical antiheroine—bring exuberant life to an exhilarating adventure among the worlds. Agent: Holly Root, Waxman Leavell Literary. (Feb.)

From the Publisher

Entertainment Weekly's 27 Female Authors Who Rule Sci-Fi and Fantasy Right Now

A Darker Shade of Magic has all the hallmarks of a classic work of fantasy. Its plot is gripping. Its characters are memorable. Its setting in four parallel, powerful Londons is otherworldly yet believable. Schwab has given us a gem of a tale that is original in its premise and compelling in its execution. This is a book to treasure.” —Deborah Harkness, New York Times bestselling author of The All Souls Trilogy

“Compulsively readable...her characters make the book. Just as Kell has layers, Lila is a satisfyingly rich invention...With so many worlds on the map, there's plenty left to discover.” —NPR

A Darker Shade of Magic feels like a priceless object, brought from another, better world of fantasy books.” —io9

“Schwab (Vicious) creates an ingenious set of nesting alternate Londons in this imaginative, well-crafted fantasy. Confident prose and marvelous touches-a chameleon coat, a scarlet river of magic, a piratical antiheroine-bring exuberant life to an exhilarating adventure among the worlds.” —Publishers Weekly, starred review

A Darker Shade of Magic is smart, funny and sexy ... Schwab keeps the excitement coming with roller-coaster plot twists that establish her as, perhaps, the natural successor to Diana Wynne Jones's contemporary fantasy crown.” —The Independent

“Fantasy fans will love this fast-paced adventure, with its complex magic system, thoughtful hero and bold heroine.” —Kirkus Reviews

From the Publisher - AUDIO COMMENTARY

"There is much more to explore in this amazing world from the acclaimed author of Vicious." —Library Journal Starred Review

Library Journal

06/01/2017
Schwab begins a tale of four vastly different yet parallel Londons, separated by magic. The Travellers are the only people able to journey among the Londons, but when a clever thief meets one of these voyagers, they team up to fight a threat that may destroy all four worlds. VERDICT This series launch is filled with wonder, action, and marvelous characters. The final book, A Conjuring of Light, came out in February. New readers can devour the entire trilogy this summer. (LJ 12/14)

MAY 2015 - AudioFile

Narrator Steven Crossley uses pace to good advantage in this swashbuckling tale. Set in a world of parallel cities of London, each with varying degrees of magic, the story features a protagonist who can travel between the cities. Kell is the ambassador of Red London and one of two Antari who have the ability to travel between cities, engaging in a little smuggling on the side. As narrator, Crossley is presented with a cast of interesting characters, and he rises to the challenge. He seems to have fun with the interplay between Kell and Lila, a pickpocket from Gray London who causes Kell trouble and then saves his life, sparking an intriguing relationship. J.E.M. © AudioFile 2015, Portland, Maine

Kirkus Reviews

2014-12-06
A fast-paced fantasy adventure that takes readers into a series of interconnected worlds ruled by magic—or the lack of it. Long ago, the doors between worlds were open, and anyone with magic could travel from one to the next. Now the doors are closed, and only a chosen few have the power to travel between Grey London, a world without magic, Red London, a world suffused with it, and White London, a world where magic is scarce, coveted and jealously guarded. As for Black London, the city consumed, no one would be so foolish as to risk a trip—not even Kell. Officially, he's a royal messenger, carrying letters among the rulers of the three Londons. Unofficially, he's a smuggler who collects artifacts from other worlds. It's that habit that leads him to accept a dangerous relic, something that shouldn't exist. And it's when a wanted Grey London thief named Lila steals the artifact that the real trouble starts—for both of them. Schwab (Vicious, 2013, etc.) creates a memorable world—actually, three memorable worlds—and even more memorable characters. Lila in particular is a winningly unconventional heroine who, as she declares, would "rather die on an adventure than live standing still." The brisk plot makes this a page-turner that confronts darkness but is never overwhelmed by it.Fantasy fans will love this fast-paced adventure, with its complex magic system, thoughtful hero and bold heroine.

Product Details

BN ID: 2940170663361
Publisher: Tantor Audio
Publication date: 04/21/2015
Series: Shades of Magic Series , #1
Edition description: Unabridged
Sales rank: 312,890

Read an Excerpt

A Darker Shade of Magic


By V. E. Schwab, Miriam Weinberg

Tom Doherty Associates

Copyright © 2015 Victoria Schwab
All rights reserved.
ISBN: 978-0-7653-7645-9



CHAPTER 1

Kell wore a very peculiar coat.

It had neither one side, which would be conventional, nor two, which would be unexpected, but several, which was, of course, impossible.

The first thing he did whenever he stepped out of one London and into another was take off the coat and turn it inside out once or twice (or even three times) until he found the side he needed. Not all of them were fashionable, but they each served a purpose. There were ones that blended in and ones that stood out, and one that served no purpose but of which he was just particularly fond.

So when Kell passed through the palace wall and into the anteroom, he took a moment to steady himself—it took its toll, moving between worlds—and then shrugged out of his red, high-collared coat and turned it inside out from right to left so that it became a simple black jacket. Well, a simple black jacket elegantly lined with silver thread and adorned with two gleaming columns of silver buttons. Just because he adopted a more modest palette when he was abroad (wishing neither to offend the local royalty nor to draw attention) didn't mean he had to sacrifice style.

Oh, kings, thought Kell as he fastened the buttons on the coat. He was starting to think like Rhy.

On the wall behind him, he could just make out the ghosted symbol made by his passage. Like a footprint in sand, already fading.

He'd never bothered to mark the door from this side, simply because he never went back this way. Windsor's distance from London was terribly inconvenient considering the fact that, when traveling between worlds, Kell could only move between a place in one and the same exact place in another. Which was a problem because there was no Windsor Castle a day's journey from Red London. In fact, Kell had just come through the stone wall of a courtyard belonging to a wealthy gentleman in a town called Disan. Disan was, on the whole, a very pleasant place.

Windsor was not.

Impressive, to be sure. But not pleasant.

A marble counter ran against the wall, and on it a basin of water waited for him, as it always did. He rinsed his bloody hand, as well as the silver crown he'd used for passage, then slipped the cord it hung on over his head, and tucked the coin back beneath his collar. In the hall beyond, he could hear the shuffle of feet, the low murmur of servants and guards. He'd chosen the anteroom specifically to avoid them. He knew very well how little the Prince Regent liked him being here, and the last thing Kell wanted was an audience, a cluster of ears and eyes and mouths reporting the details of his visit back to the throne.

Above the counter and the basin hung a mirror in a gilded frame, and Kell checked his reflection quickly—his hair, a reddish brown, swept down across one eye, and he did not fix it, though he did take a moment to smooth the shoulders of his coat—before passing through a set of doors to meet his host.

The room was stiflingly warm—the windows latched despite what looked like a lovely October day—and a fire raged oppressively in the hearth.

George III sat beside it, a robe dwarfing his withered frame and a tea tray untouched before his knees. When Kell came in, the king gripped the edges of his chair.

"Who's there?" he called out without turning. "Robbers? Ghosts?"

"I don't believe ghosts would answer, Your Majesty," said Kell, announcing himself.

The ailing king broke into a rotting grin. "Master Kell," he said. "You've kept me waiting."

"No more than a month," he said, stepping forward.

King George squinted his blind eyes. "It's been longer, I'm sure."

"I promise, it hasn't."

"Maybe not for you," said the king. "But time isn't the same for the mad and the blind."

Kell smiled. The king was in good form today. It wasn't always so. He was never sure what state he'd find his majesty in. Perhaps it had seemed like more than a month because the last time Kell visited, the king had been in one of his moods, and Kell had barely been able to calm his fraying nerves long enough to deliver his message.

"Maybe it's the year that has changed," continued the king, "and not the month."

"Ah, but the year is the same."

"And what year is that?"

Kell's brow furrowed. "Eighteen nineteen," he said.

A cloud passed across King George's face, and then he simply shook his head and said, "Time," as if that one word could be to blame for everything. "Sit, sit," he added, gesturing at the room. "There must be another chair here somewhere."

There wasn't. The room was shockingly sparse, and Kell was certain the doors in the hall were locked and unlocked from without, not within.

The king held out a gnarled hand. They'd taken away his rings, to keep him from hurting himself, and his nails were cut to nothing.

"My letter," he said, and for an instant Kell saw a glimmer of George as he once was. Regal.

Kell patted the pockets of his coat and realized he'd forgotten to take the notes out before changing. He shrugged out of the jacket and returned it for a moment to its red self, digging through its folds until he found the envelope. When he pressed it into the king's hand, the latter fondled it and caressed the wax seal—the red throne's emblem, a chalice with a rising sun—then brought the paper to his nose and inhaled.

"Roses," he said wistfully.

He meant the magic. Kell never noticed the faint aromatic scent of Red London clinging to his clothes, but whenever he traveled, someone invariably told him that he smelled like freshly cut flowers. Some said tulips. Others stargazers. Chrysanthemums. Peonies. To the king of England, it was always roses. Kell was glad to know it was a pleasant scent, even if he couldn't smell it. He could smell Grey London (smoke) and White London (blood), but to him, Red London simply smelled like home.

"Open it for me," instructed the king. "But don't mar the seal."

Kell did as he was told, and withdrew the contents. For once, he was grateful the king could no longer see, so he could not know how brief the letter was. Three short lines. A courtesy paid to an ailing figurehead, but nothing more.

"It's from my queen," explained Kell.

The king nodded. "Go on," he commanded, affecting a stately countenance that warred with his fragile form and his faltering voice. "Go on."

Kell swallowed. "'Greetings to his majesty, King George III,'" he read, "'from a neighboring throne.'"

The queen did not refer to it as the red throne, or send greetings from Red London (even though the city was in fact quite crimson, thanks to the rich, pervasive light of the river), because she did not think of it that way. To her, and to everyone else who inhabited only one London, there was little need to differentiate among them. When the rulers of one conversed with those of another, they simply called them others, or neighbors, or on occasion (and particularly in regard to White London) less flattering terms.

Only those few who could move among the Londons needed a way to keep them straight. And so Kell—inspired by the lost city known to all as Black London—had given each remaining capital a color.

Grey for the magic-less city.

Red, for the healthy empire.

White, for the starving world.

In truth, the cities themselves bore little resemblance to one another (and the countries around and beyond bore even less). The fact they were all called London was its own mystery, though the prevailing theory was that one of the cities had taken the name long ago, before the doors were all sealed and the only things allowed through were letters between kings and queens. As to which city had first laid claim to the name, none could agree.

"'We hope to learn that you are well,'" continued the queen's letter, "'and that the season is as fair in your city as it is in ours.'"

Kell paused. There was nothing more, save a signature. King George wrung his hands.

"Is that all it says?" he asked.

Kell hesitated. "No," he said, folding the letter. "That's only the beginning."

He cleared his throat and began to pace as he pulled his thoughts together and put them into the queen's voice. "Thank you for asking after our family, she says. The King and I are well. Prince Rhy, on the other hand, continues to impress and infuriate in equal measure, but has at least gone the month without breaking his neck or taking an unsuitable bride. Thanks be to Kell alone for keeping him from doing either, or both."

Kell had every intention of letting the queen linger on his own merits, but just then the clock on the wall chimed five, and Kell swore under his breath. He was running late.

"Until my next letter," he finished hurriedly, "stay happy and stay well. With fondness. Her Highness Emira, Queen of Arnes."

Kell waited for the king to say something, but his blind eyes had a steady, faraway look, and Kell feared he had lost him. He set the folded note on the tea tray and was halfway to the wall when the king spoke up.

"I don't have a letter for her," he murmured.

"That's all right," said Kell softly. The king hadn't been able to write one for years. Some months he tried, dragging the quill haphazardly across the parchment, and some months he insisted on having Kell transcribe, but most months he simply told Kell the message and Kell promised to remember.

"You see, I didn't have the time," added the king, trying to salvage a vestige of his dignity. Kell let him have it.

"I understand," he said. "I'll give the royal family your regards."

Kell turned again to go, and again the old king called out to stop him.

"Wait, wait," he said. "Come back."

Kell paused. His eyes went to the clock. Late, and getting later. He pictured the Prince Regent sitting at his table in St. James, gripping his chair and quietly stewing. The thought made Kell smile, so he turned back toward the king as the latter pulled something from his robe with fumbling fingers.

It was a coin.

"It's fading," said the king, cupping the metal in his weathered hands as if it were precious and fragile. "I can't feel the magic anymore. Can't smell it."

"A coin is a coin, Your Majesty."

"Not so and you know it," grumbled the old king. "Turn out your pockets."

Kell sighed. "You'll get me in trouble."

"Come, come," said the king. "Our little secret."

Kell dug his hand into his pocket. The first time he had visited the king of England, he'd given him a coin as proof of who he was and where he came from. The story of the other Londons was entrusted to the crown and handed down heir to heir, but it had been years since a traveler had come. King George had taken one look at the sliver of a boy and squinted and held out his meaty hand, and Kell had set the coin in his palm. It was a simple lin, much like a grey shilling, only marked with a red star instead of a royal face. The king closed his fist over the coin and brought it to his nose, inhaling its scent. And then he'd smiled, and tucked the coin into his coat, and welcomed Kell inside.

From that day on, every time Kell paid his visit, the king would insist the magic had worn off the coin, and make him trade it for another, one new and pocket-warm. Every time Kell would say it was forbidden (it was, expressly), and every time the king would insist that it could be their little secret, and Kell would sigh and fetch a fresh bit of metal from his coat.

Now he plucked the old lin out of the king's palm and replaced it with a new one, folding George's gnarled fingers gently over it.

"Yes, yes," cooed the ailing king to the coin in his palm.

"Take care," said Kell as he turned to go.

"Yes, yes," said the king, his focus fading until he was lost to the world, and to his guest.

Curtains gathered in the corner of the room, and Kell pulled the heavy material aside to reveal a mark on the patterned wallpaper. A simple circle, bisected by a line, drawn in blood a month ago. On another wall in another room in another palace, the same mark stood. They were as handles on opposite sides of the same door.

Kell's blood, when paired with the token, allowed him to move between the worlds. He needn't specify a place because wherever he was, that's where he'd be. But to make a door within a world, both sides had to be marked by the same exact symbol. Close wasn't close enough. Kell had learned that the hard way.

The symbol on the wall was still clear from his last visit, the edges only slightly smeared, but it didn't matter. It had to be redone.

He rolled up his sleeve and freed the knife he kept strapped to the inside of his forearm. It was a lovely thing, that knife, a work of art, silver from tip to hilt and monogrammed with the letters K and L.

The only relic from another life.

A life he didn't know. Or at least, didn't remember.

Kell brought the blade to the back of his forearm. He'd already carved one line today, for the door that brought him this far. Now he carved a second. His blood, a rich ruby red, welled up and over, and he returned the knife to its sheath and touched his fingers to the cut and then to the wall, redrawing the circle and the line that ran through it. Kell guided his sleeve down over the wound—he'd treat all the cuts once he was home—and cast a last glance back at the babbling king before pressing his palm flat to the mark on the wall.

It hummed with magic.

"As Tascen," he said. Transfer.

The patterned paper rippled and softened and gave way under his touc h, and Kell stepped forward and through.

CHAPTER 2

Between one stride and the next, dreary Windsor became elegant St. James. The stuffy cell of a room gave way to bright tapestries and polished silver, and the mad king's mumblings were replaced by a heavy quiet and a man sitting at the head of an ornate table, gripping a goblet of wine and looking thoroughly put out.

"You're late," observed the Prince Regent.

"Apologies," said Kell with a too-short bow. "I had an errand."

The Prince Regent set down his cup. "I thought I was your errand, Master Kell."

Kell straightened. "My orders, Your Highness, are to see to the king first."

"I wish you wouldn't indulge him," said the Prince Regent, whose name was also George (Kell found the Grey London habit of sons taking father's names both redundant and confusing) with a dismissive wave of his hand. "It gets his spirits up."

"Is that a bad thing?" asked Kell.

"For him, yes. He'll be in a frenzy later. Dancing on the tables talking of magic and other Londons. What trick did you do for him this time? Convince him he could fly?"

Kell had only made that mistake once. He learned on his next visit that the King of England had nearly walked out a window. On the third floor. "I assure you I gave no demonstrations."

Prince George pinched the bridge of his nose. "He cannot hold his tongue the way he used to. It's why he is confined to quarters."

"Imprisoned, then?"

Prince George ran his hand along the table's gilded edge. "Windsor is a perfectly respectable place to be kept."

A respectable prison is still a prison, thought Kell, withdrawing a second letter from his coat pocket. "Your correspondence."

The prince forced him to stand there as he read the note (he never commented on the way it smelled of flowers), and then as he withdrew a half-finished reply from the inside pocket of his coat and completed it. He was clearly taking his time in an effort to spite Kell, but Kell didn't mind. He occupied himself by drumming his fingers on the edge of the gilded table. Each time he made it from pinky to forefinger, one of the room's many candles went out.

"Must be a draft," he said absently while the Prince Regent's grip tightened on his quill. By the time he finished the note, he'd broken two and was in a bad mood, while Kell found his own disposition greatly improved.


(Continues...)

Excerpted from A Darker Shade of Magic by V. E. Schwab, Miriam Weinberg. Copyright © 2015 Victoria Schwab. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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