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Overview

From the dust of the Montana plains to the farthest reaches of the cosmos, Terrence Malick’s films have enchanted audiences with transcendent images of nature, humanity, and grace for nearly fifty years. The contributors in this volume explore the profound implications of Malick’s stories, images, processes, and convictions as they offer comprehensive studies of the ten completed films of Terrence Malick. Each chapter takes a reflective and retrospective approach, considering new interpretations and frameworks for understanding Malick's unique creative choices. Drawing from a range of diverse academic disciplines, the collection analyzes the groundbreaking qualities of his cinematic style and the philosophical underpinnings that permeate his work. Rigorously researched and unique, the arguments presented within this volume shed new light on Malick and the cinematic medium.

Product Details

ISBN-13: 9781793608628
Publisher: Lexington Books
Publication date: 10/07/2020
Series: Critical Companions to Contemporary Directors
Pages: 288
Product dimensions: 6.34(w) x 8.97(h) x 1.05(d)

About the Author

Joshua Sikora (MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.

Table of Contents

Chapter One: Thinking of Film: What is Cavellian about Malick’s Movies? David LaRocca Chapter Two: Here and There: Malick’s Cinema and McGilchrist’s “Divided Brain” Adam Daniel Chapter Three: The Beautiful Light: The Supernaturalist Argument of The Thin Red Line David J. Gilbert Chapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the Films of Terrence Malick Kip Redick Chapter Five: How Can a Film be Poetic? The Case of The Thin Red Line Timothy E.G. Bartel Chapter Six: Fractal Reader-Response Structure: A New Narrative Theory in the Work of Terrence Malick Joshua Russell Chapter Seven: Auteurs and Movie Brats: Placing Malick’s Extraordinary Career in Context Dean Yamada Chapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in Dialogue Anthony Parisi Chapter Nine: The Journey Home: A Unity of Memory and Cosmology in Cinema Joshua Sikora Chapter Ten: Disputing Henri de Lubac’s Nature and Grace and Job’s Ending: The Tree of Life as Theological Discourse Naaman Wood Chapter Eleven: The Gifts of Death: Visions of Sacrifice in the Worlds of Terrence Malick Vernon W. Cisney Chapter Twelve: A Universal Priesthood: The Vocation of Being Human in Days of Heaven and To the Wonder Matthew Aughtry Chapter Thirteen: The Smile of Life: Recollections on Malick and the Work of Cinema Reno Lauro
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