Publishers Weekly
★ 06/27/2022
Spanning 30-plus years and 11 collections, Nurkse’s poems are as fresh and bizarre as ever, lingering at checkpoints, border crossings, transit areas, and “that uncertain moment/ between false dawn and dawn.” Nurkse’s portraits of travelers—with “their suitcases tied with twine, their sacks made of canvas sewn shut, their boxes”—are skillful sketches of forced displacement, as strangers navigate “the sour box” of a tenement’s elevator. These poems are varied in their subjects, exploring illness, the 9/11 attacks, divorce, the poet’s experiences teaching at Rikers Island Correctional Facility, and biological phenomena. “We know the coming disaster intimately but the present is unknowable,” Nurkse observes, and the present is where his poems are sharpest; a new baby is held “safe on that journey/ away from the body,” and a bee circles a house “diligently, like a toy airplane.” These small moments are among the many gifts this memorable collected edition offers. (Apr.)
From the Publisher
One of Library Journal's Best Poetry Books of the Year
"This substantial volume gathers work from Nurske's 35-year career to make the case that he is, quietly, one of our most engaged civic poets, even as he honors interior lives and emotional complexity." —The New York Times
"[A] generous retrospective of Nurkse's work . . . plus twenty-nine new poems—documents the passage of a quiet American life moved to speech by generation-defining events . . . providing a blueprint for the labyrinth of human affairs through which the poet finds—or may fail to find—a singular, personal connection with his times." —The Manhattan Review
"Memorable. . . . Nurkse’s poems are as fresh and bizarre as ever, lingering at checkpoints, border crossings, transit areas, and 'that uncertain moment/ between false dawn and dawn.' Nurkse’s portraits . . . are skillful sketches." —Publishers Weekly (starred review)
"To read D. Nurkse’s A Country of Strangers is to walk the roads of never-ending war, the words illuminated by the light of whistling rockets or blown up by bombs. This collection tells the truth of war in lyrical language—how it both follows and leaps ahead even as we think we will escape it, how it lives inside us even during peace time. These poems are shrouded in darkness; they reflect both the poet’s alienation from and his love for his fellow citizens. He makes it clear that although we will never completely know each other’s truest thoughts, we may somehow find hope in these bombed-out forests of words. America is lucky that Nurkse tells such truths, bears such witness with such grace." —Big City Lit
"Nurkse enshrines intimate and political vignettes into poetic myths and inscribes culture and language in the palimpsest of history." —World Literature Today
"Nurkse muses knowingly on life and loss, offering intimate, intelligent work with a strong sense of place. The new poems reflect strikingly on loosening bonds and life's diminishing returns in melancholy-mellow verse but remain alert to the world." —Library Journal
"D. Nurkse is a strange, daring poet. . . Nurkse's compelling, unusual voice . . . resists acceptance, an easy embrace, insists on its otherness, even remoteness, while pursuing its parallel realms, so persuasive and engaging, so workably close. Orienting and disorienting, offering a bare, glinting beauty. He deserves to be read and discussed as an important American voice." —Richard Silberg, Poetry Flash
"What a joy to have this overview of D. Nurske's marvelous poems - he is a master of lyric mode, one in whose hands the lines come immediately come alive, magic breathes, nuance shimmers and becomes the world all its own, see the doors open into the unknown and we see that it is strangely familiar because strangeness is, in fact, our first language, one we mouthed before words. Welcome to A Country of Strangers, readerdon't be surprised if by the time you finish this terrific book you might feel changed, and at home." —Ilya Kaminsky, author of Deaf Republic and Dancing in Odessa
Library Journal
04/01/2022
What a stellar array of poems from Whiting/Guggenheim honoree Nurkse (Love in the Last Days), encompassing both new work and a large sampling of poems from 11 previous collections dating back to 1988. The settings range from thin-walled New York City apartments to wharves and factories to tree-circled lakes, while the subjects range from love, marriage, and parenthood to the world stage: wars, immigration, workers' rights, protests, and displacement, including his parents' flight from Nazism. The war poems are among the most striking, as when Nurkse imagines an Estonian couple escaping a damaged landscape or writes "They came back, to our village, to apologize./ But by then we were just eyes in the forest,/ whispers in an extinct language." The most poignant poems involve children's power to expand our lives, yet Nurkse also implies the unfathomable distance between people, whether parents, lovers, or children. The new section showcases many prose poems reflecting on mortality, while the natural world provides respite throughout ("Thrush or vireo, loud and invisible,/ slurring two maniac notes"). VERDICT In intelligent, lyrical poems often tapping into deep emotion, Nurske brings humanity to his subjects. He could be describing the writing process itself when he says: "When I skipped rope before memory/ the song was already in my mouth." Highly recommended.—Doris Jean Lynch