A Class Apart: The Military Man in French and British Fiction, 1740-1789

A Class Apart: The Military Man in French and British Fiction, 1740-1789

by Karen Lacey
A Class Apart: The Military Man in French and British Fiction, 1740-1789

A Class Apart: The Military Man in French and British Fiction, 1740-1789

by Karen Lacey

Paperback

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Overview

The military man has long been one of literature's archetypal figures. Using a comparative framework, this book traces the transformation of the military man in eighteenth-century British and French literature as this figure moved from noble warrior to nationalised professional in response to changes within the military structure, the role of empire and the impact of an expanding middle class. The author examines the way in which the masculinity of the military man was reimagined at a time when older models of military service persisted alongside emerging models of patriotic nationalism, inspired by bourgeois morality, the cult of sensibility and a new understanding of the role of violence in both public and private domains. Through a corpus of canonical and lesser-known literature, the book explores the military man's relationship to the state and to his fellow citizens, even in the domestic setting. With the role of the nobleman in decline, the military man, not a civilian and no longer associated with the 'aristocrat', became a separate class of man.

Product Details

ISBN-13: 9783034318877
Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
Publication date: 04/26/2016
Series: French Studies of the Eighteenth and Nineteenth Centuries , #36
Pages: 244
Product dimensions: 5.91(w) x 8.86(h) x (d)

About the Author

Karen Lacey received her first degree from Birkbeck, University of London, and her PhD from King’s College London, where she is currently a Visiting Research Fellow.

Table of Contents

Contents: The Fetish of the Sword – Young Men in a Military Profession – The Selfless Veteran in an Empire – Mercenaries in a Nation of Citizens – The Justicier in the Eighteenth-Century Domestic Tragedy.
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