A Century of South African Theatre

by Loren Kruger, Bruce McConachie (Editor), Claire Cochrane (Editor)

Overview

"Theatre is not part of our vocabulary" Sipho Sepamla's provocation in 1981, the year of famous anti-apartheid play Woza Albert!, prompts the response, yes indeed, it is. A Century of South African Theatre demonstrates the impact of theatre and other performances-pageants, concerts, sketches, workshops, and performance art-over the last hundred years. Its coverage includes African responses to pro-British pageants celebrating white Union in 1910, such as the Emancipation Centenary of the abolition of British colonial slavery in 1934 organized by Griffiths Motsieloa and HIE Dhlomo, through anti-apartheid testimonial theatre by Athol Fugard, Maishe Maponya, Gcina Mhlophe, and many others, right up to the present dramatization of state capture, inequality and state violence in today's unevenly democratic society, where government has promised much but delivered little.

Building on Loren Kruger's personal observations of forty years as well as her published research, A Century of South African Theatre provides theoretical coordinates from institution to public sphere to syncretism in performance in order to highlight South Africa's changing engagement with the world from the days of Empire, through the apartheid era to the multi-lateral and multi-lingual networks of the 21st century. The final chapters use the Constitution's injunction to improve wellbeing as a prompt to examine the dramaturgy of new problems, especially AIDS and domestic violence, as well as the better known performances in and around the Truth and Reconciliation Commission. Kruger critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer William Kentridge, and Handspring Puppet Company, and highlights the local and transnational impact of major post-apartheid companies such as Magnet Theatre.

Product Details

ISBN-13:	9781350008014
Publisher:	Bloomsbury Academic
Publication date:	11/28/2019
Series:	Cultural Histories of Theatre and Performance
Pages:	288
Product dimensions:	6.10(w) x 9.10(h) x 0.70(d)

About the Author

Loren Kruger is a graduate of the University of Cape Town, South Africa, and Cornell University, USA and is Professor of English, Comparative Literature, Theatre and Performance Studies and African Studies at the University of Chicago, USA.

Table of Contents

List of Illustrations vi

Acknowledgments viii

Introduction: Theatre and South African Public Spheres 1

1 Commemorating and Contesting Emancipation: Pageants and Other Progressive Enactments 19

2 Neocolonial Theatre and "An African National Dramatic Movement" 37

3 City against Country: (Anti-)apartheid Theatre in the Shadow of Sophiatown 53

4 Dry White Seasons: Advance and Retreat of the Afrikaner Ascendancy 75

5 Dramas of Black Solidarity: Black Consciousness Movement and Beyond 101

6 Spaces and Markets: Theatre as Testimony and Performance against Apartheid 121

7 Spring Is Rebellious: Prospects and Retrospects in Post-Anti-Apartheid Theatre 147

8 The Constitution of South African Theatre at the Present Time 167

Coda 193

Notes 196

Abbreviations, Glossary, and Linguistic Conventions 221

References 229

Index 249

Editorial Reviews

[Loren Kruger's] detailed discussions of colonial-era pageants, the theatre of Afrikaner nationalism and Black Consciousness, as well as the diverse experiments of contemporary dramatists responding to HIV-AIDS, gender violence, state corruption, and the massacre of miners at Marikana, make A Century of South African Theatre essential reading. Going beyond the local, Kruger insightfully places South African theatre within a transnational frame, tracing influences ranging from the European avant-garde to African American popular stage shows.

Kruger performs the impossible. Her book provides a panoptic view of a sprawling, unwieldy and fascinating subject but there are no short cuts or bland generalisations. Instead, she moves astutely across the shifting terrain and multiple maps of theatre in South Africa, marking the tensions and contradictions of overlapping languages, cultures and authorities...Certainly, in its compelling and erudite coverage of a difficult theatrical century this is a volume not to be missed.
Liz Gunner, Visiting Research Professor LanCSAL, School of Languages, University of Johannesburg, South Africa

This book has done justice to the history of South African theatre and more specifically the history of performance and playwriting by African and women theatre makers. While Kruger gives the colonial/apartheid theatre its place and context in history, she deliberately foregrounds the subaltern. As an analyst, Kruger is privileged to have a working knowledge of isiZulu, which she uses to her advantage to view plays, collect data and make informed opinions on African performances. She straddles both the insider and outsider positions making her historical account balanced. This book is an excellent resource for all drama/theatre/performance departments offering an academic major in (South) African theatre or any cultural analyst with an interest in theatre studies.
Samuel Ravengai, Associate Professor, Head of the Wits School of the Arts, University of the Witwatersrand, South Africa

From the Publisher