A heartbreaker of a play, A Case for the Existence of God is another of Hunter’s public explorations of his own private Idaho: a post-boom, existential vastness in which emotional and economic collapse are conjoined. And though A Case makes the connection between personal and societal calamity more explicit than ever, it may also be the purest example yet of Hunter’s approach to playwriting as an experiment in empathy.” —Jesse Green, New York Times
“Samuel D. Hunter’s soulful two-hander is the kind of play whose comedy is drawn directly from the depths of its tragedy.” —Rollo Romig, New Yorker
“In A Case for the Existence of God, Hunter has reduced his components to a bare minimum, offering us superfans a chance to marvel at his elegant way with exposition and the stealthy way he lures us down into the deep end of the emotional pool. We can follow Hunter as he looks deeper into his characters than the usual drama would—past behavior, past childhood, past successes and failures. He winds up considering the pas-sage of time itself, and demonstrates how he gets his sacred effects, one melodic line at a time.” —Helen Shaw, Vulture
“Mr. Hunter, one of the finest playwrights at work today, focuses on the complexities of specific human beings—appealingly unexceptional ones—and the trials, large and small, that life throws their way. Mr. Hunter’s plays are notable, or rather remarkable, for their laid-back simplicity and the depth of the compassion he shows for his characters. In A Case for the Existence of God, both are on exemplary view.” —Charles Isherwood, Wall Street Journal
