MAY 2014 - AudioFile
Narrator Simon Vance gives a mesmerizing performance of Holsinger’s intriguing story about a book that has the potential to set fourteenth-century London ablaze with its prophecies of the deaths of the kings of England, including the current king, the young Richard II. Both Holsinger and Vance have clearly done their research. The book itself is chock-full of fascinating details that make the history and the setting come vividly to life. That vibrancy is enhanced by the variety of voices Vance employs, and the specificity and diversity of moods he’s able to create with his vocal expressions. Fans of historical mysteries won’t want to miss this blend of great story and great narration. J.L.K. © AudioFile 2014, Portland, Maine
Publishers Weekly
★ 01/20/2014
MedievalistHolsinger (Neomedievalism, Neoconservatism, and the War on Terror) delivers a first novel whose zest, breadth, and color evoke The Canterbury Tales. In 1385, Geoffrey Chaucer asks fellow poet and dealer in information, John Gower, to find a cryptic manuscript that predicts specifically how the current monarch, Richard II, will be assassinated. Gower discovers that the book has been stolen from Westminster by an unidentified woman, later murdered; dying, she gave it to a common prostitute, who is now hiding it in London. As treasonous texts begin to inflame an already dissatisfied populace, Gower realizes that the king, the book’s possessor, and his friend Chaucer are in danger, and his own son is threatened as well. For the first time, he finds himself at the mercy of other men’s secrets, rather than in control of them. Though the period’s unfamiliar terms and figures can be confusing, the intricate plot, sharp characterizations, and sweeping depiction of medieval England make this a memorable fiction debut. Agent: Helen Heller, Helen Heller Agency (Canada). (Mar.)
From the Publisher
The poet John Gower is the perfect narrator and amateur sleuth. . . . Holsinger’s research, alongside the energetic vulgarity of a language in flux, delivers up a world where even the filth is colorful.” — New York Times Book Review
“Medievalist Holsinger delivers a first novel whose zest, breadth, and color evoke The Canterbury Tales. . . . [T]he intricate plot, sharp characterizations, and sweeping depiction of medieval England make this a memorable fiction debut.” — Publishers Weekly (starred review)
“Holsinger is a graceful guide to the 14th century, lacing his thriller with just the right seasoning of antique words and all the necessary historical detail without any of the fusty smell of a documentary.” — Washington Post
” ‘A Burnable Book’ is fragrant with the stench of medieval London. . . . The central mystery of the book leads us through the mucky lanes of London, with cunning surprises around every corner. . . . jam-packed tapestry of medieval England.” — NPR
“The reader will be rewarded with a fascinating overview of pre-Renaissance London at its best and worst. A highly literate thriller from medievalist Holsinger.” — Kirkus Reviews
“Medieval England never tasted so rich nor smelled so foul as in this descriptive and intricately layered mystery. . . . [Holsinger] succeeds in elevating the missing manuscript genre to new heights that will entertain readers of both fiction and nonfiction.” — Library Journal
“Everything you want in a work of historical fiction: fascinating, rich in period detail, and propelled by a compulsively engaging story. Even better, it’s clever and witty…a superb entertainment.” — David Liss, author of The Twelfth Enchantment
“Spellbinding . . . A Burnable Book exemplifies the best in historical fiction.” — Richmond Times-Dispatch
NPR
” ‘A Burnable Book’ is fragrant with the stench of medieval London. . . . The central mystery of the book leads us through the mucky lanes of London, with cunning surprises around every corner. . . . jam-packed tapestry of medieval England.
Richmond Times-Dispatch
Spellbinding . . . A Burnable Book exemplifies the best in historical fiction.
David Liss
Everything you want in a work of historical fiction: fascinating, rich in period detail, and propelled by a compulsively engaging story. Even better, it’s clever and witty…a superb entertainment.
New York Times Book Review
The poet John Gower is the perfect narrator and amateur sleuth. . . . Holsinger’s research, alongside the energetic vulgarity of a language in flux, delivers up a world where even the filth is colorful.
Washington Post
Holsinger is a graceful guide to the 14th century, lacing his thriller with just the right seasoning of antique words and all the necessary historical detail without any of the fusty smell of a documentary.
Washington Post
Holsinger is a graceful guide to the 14th century, lacing his thriller with just the right seasoning of antique words and all the necessary historical detail without any of the fusty smell of a documentary.
MAY 2014 - AudioFile
Narrator Simon Vance gives a mesmerizing performance of Holsinger’s intriguing story about a book that has the potential to set fourteenth-century London ablaze with its prophecies of the deaths of the kings of England, including the current king, the young Richard II. Both Holsinger and Vance have clearly done their research. The book itself is chock-full of fascinating details that make the history and the setting come vividly to life. That vibrancy is enhanced by the variety of voices Vance employs, and the specificity and diversity of moods he’s able to create with his vocal expressions. Fans of historical mysteries won’t want to miss this blend of great story and great narration. J.L.K. © AudioFile 2014, Portland, Maine
Kirkus Reviews
2014-01-05
In 1385 London, the race is on to recover a missing book. Outside the walls of London, Agnes, a "maudlyn," or prostitute, observes the murder, by a cloaked, Italian-speaking thug, of a young woman, whose dress and accent bespeak noble birth. Agnes leaves the scene with a hidden prize: a book wrapped in a delicate tapestry. Meanwhile, John Gower, the 14th-century equivalent of a grizzled detective, has gotten wind of a conspiracy against the reigning king, Richard II, son of Edward the Black Prince and nephew of John of Gaunt, Duke of Lancaster. The plot may have been fomented by the followers of the recently executed heretic Wycliffe, who are using the prophecies of one Lollius, an ancient Roman, as a blueprint. Lollius, it seems, predicted the manner of death of each English sovereign since William the Conqueror, and there is one prediction yet to be fulfilled: that on St. Dunstan's Day, near a bishop's palace, butchers—abetted by a Long Castle (Lancaster)—will lie in wait to slay the current monarch. As it happens, these prophecies are contained in Agnes' contraband volume, which has fallen into the hands of her sister Millicent, who hopes to sell it to restore herself to the middle-class existence she once attained as a knight's mistress. Trouble is, possession of a "burnable book," one that embodies heresy and/or threats to the king's person, is high treason. Gower and his friend Geoffrey Chaucer are hot on the tome's trail when Gower's sinister son, Simon, returns inopportunely from exile abroad. Enter Agnes' best friend Eleanor/Edgar, a transvestite, whose main goal is to free his brother Gerald, a butcher's apprentice, from the clutches of his cruel master, Grimes. Gerald has overheard Grimes planning just the sort of butchery envisioned by the book. Although the burgeoning web of plots and plotlines is dauntingly complex, the determined reader will be rewarded with a fascinating overview of pre-Renaissance London at its best and worst. A highly literate thriller from medievalist Holsinger.
