A Bird Dance near Saturday City: Sidi Ballo and the Art of West African Masquerade

by Patrick McNaughton, Patrick R. McNaughton

Overview

In 1978, Patrick McNaughton witnessed a bird dance masquerade in the
small town of Dogoduman. He was so affected by this performance that its dazzling
artistic power has never left him. As he revisits that very special evening in A
Bird Dance near Saturday City, McNaughton carefully considers the components of the
performance, its pace, the performers, and what the entire experience means for
understandings of Bamana and West African aesthetics and culture. The performance of
virtuoso dancer Sidi Ballo becomes McNaughton's vehicle for understanding the power
of individuals in African art and the power of aesthetics as a cultural phenomenon.
Topics such as what makes art effective, what makes it "good," how production is
wrapped in individual virtuosity, and what individual artistry suggests about
society reveal how individuals work together to create the indelible experience of
outstanding performance. This exuberant and captivating book will influence views of
society, culture, art, history, and their makers in West Africa for years to
come.

Product Details

ISBN-13:	9780253000415
Publisher:	Indiana University Press
Publication date:	08/20/2008
Series:	African Expressive Cultures
Sold by:	Barnes & Noble
Format:	eBook
Pages:	328
File size:	949 KB

About the Author

Patrick McNaughton is Chancellor's Professor of African Art at Indiana
University, Bloomington. He is author of Mande Blacksmiths (IUP, 1988).

Table of Contents

Contents
Acknowledgments

Introduction: An
Explosion of Art at Dogoduman

Part 1. The Bird Dance at
Dogoduman
1. The Performance
2. How to View a Bird
Dance

Part 2. Sidi Ballo and the Disposition of
Individuals
3. Sidi Ballo at Dogoduman
4. A Closer Look at Sidi
Ballo
5. Individuals Intertwined

Part 3. From Dogoduman
to an Aesthetic of Affect
6. Sidi Ballo's Aesthetic Milieu
7. Form
Reconsidered in Mande Light
8. A Mande Aesthetic Profile
9. An
Aesthetic of Affect

Part 4. Making Meaning with a
Bird
10. Expanding the Beholder's Share
11. An Atmosphere for Sidi
Ballo's Bird Dance

Conclusion: Bird Masquerading Is Alive and
Well

Notes
Bibliography
Index

What People are Saying About This

Columbia University - Z. S. Strother

For the first time, a scholar makes us experience the charisma and 'star—appeal' of the men behind the masks in Africa. McNaughton makes the 'Mande' world vivid and brilliantly succeeds in his goal of using stories about individuals to bring societies to life. No one will think about African masquerade in the same way again after reading this book.

Editorial Reviews

"Just as the title captures our attention, so too does Ballo's larger-than-life bird masquerade. McNaughton is clearly not afraid of admitting to and appreciating the awe-inspiring power of art, and it is this appreciation that provides new ways of critically thinking about art, artistic behavior, and performance—both in Africa and more universally."—caa.reviews

"[A] fascinating study of Sidi Ballo and his art of bird dancing from the Mande masking tradition. . . . This is a book that will be immensely useful to students and scholars of African cultures, performance, and orature. . . . [I]ts open style will appeal also to non-specialists or those with just a passing interest in Africa."—New Theatre Quarterly

"This work is theoretically informed, drawing on performance studies, critiques of ethnographic representation, radical empiricism, and praxis/agency theory, but thankfully, it is a terrific read, and uses this theory to clear the way for an informed and appreciative engagement in depth with human expression in context. September, 2011"—Journal of Folklore Research

". . . a book well worth reading about a galvanizing masquerade event; its star performer; the ideas and other people with whom he created the event; and the ramifications for the study of individuality, aesthetics, and the making of meaning and value. April 2009"—Elisabeth den Otter, H-AfrArts

"For the first time, a scholar makes us experience the charisma and 'star—appeal' of the men behind the masks in Africa. McNaughton makes the 'Mande' world vivid and brilliantly succeeds in his goal of using stories about individuals to bring societies to life. No one will think about African masquerade in the same way again after reading this book."—Z. S. Strother, Columbia University

From the Publisher

This work is theoretically informed, drawing on performance studies, critiques of ethnographic representation, radical empiricism, and praxis/agency theory, but thankfully, it is a terrific read, and uses this theory to clear the way for an informed and appreciative engagement in depth with human expression in context. September, 2011

Journal of Folklore Research

Just as the title captures our attention, so too does Ballo's larger-than-life bird masquerade. McNaughton is clearly not afraid of admitting to and appreciating the awe-inspiring power of art, and it is this appreciation that provides new ways of critically thinking about art, artistic behavior, and performance—both in Africa and more universally.

caa.reviews

. . . a book well worth reading about a galvanizing masquerade event; its star performer; the ideas and other people with whom he created the event; and the ramifications for the study of individuality, aesthetics, and the making of meaning and value. April 2009

H-AfrArts - Elisabeth den Otter

[A] fascinating study of Sidi Ballo and his art of bird dancing from the Mande masking tradition. . . . This is a book that will be immensely useful to students and scholars of African cultures, performance, and orature. . . . [I]ts open style will appeal also to non-specialists or those with just a passing interest in Africa.

New Theatre Quarterly