The book does well is packaging a lot of serious topics without being dense or disorienting. Love, lust, hate, endurance, patience, dilemma, abuse, conflict, relationship and what have you, Acharya seems to throw everything but the kitchen sink in this story and yet, it does not burden the reader. It is not a chore to have to follow so many plot threads because they are not a tangled mess. It speaks volumes about Acharya's abilities as a writer that he can deliver so much so clearly. The editor, if one is present, deserves credit too-- Aashis Mishra, Published in the Rising Nepal Feb 25, 2022.
The novel is full of aromatic references of different writers of East and West. The novel's plot flows spontaneously while pulling the strings of the heart of even a stone hearted reader. The references to the beauty of nature, the solace found by Jeevan in the lap of nature and in the meditation of Tapoban are so fresh and pure that they seem to appear like morning dew drops. The novel reveals the mind of Osho, the greatest mystic of the century at times. While reading the novel, any reader, consciously or unconsciously, might be impressed and influenced once more by Parijat's " Sirish ko Phool," meaning blue mimosa, Parijat's magnum opus-- Gayatri Neupane, published in Samayasamachar.com.
In the way the novel addresses the readers reflects the author's craftsmanship in the construction of the novel. The technique used in the novel makes the reader continue to read until finished. There are some other techniques the author uses, such as flashbacks. The protagonist Jeevan flies, flapping the wings of nostalgia while he is on a plane or in the bus. The hook of the novel is the tension, the conflict of the narrator within himself and other female characters when he cannot decide who could be the right life partner in his life until he visits Tapoban, a quiet and meditative place in Nagarjun, Kathmandu, and, finally, he becomes enlightened--Madhav Chamlagain published in Myrepublica.
