×
Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
0081227955274
$9.99
$12.99
Save 23%
Current price is $9.99, Original price is $12.99. You Save 23%.
View All Available Formats & Editions
![1984 [LP]](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v7.18.7)
CD
Members save with free shipping everyday!
See details
See details
9.99
In Stock
Overview
At the time of its release, much of the fuss surrounding 1984 involved Van Halen's adoption of synthesizers on this, their sixth album -- a hoopla that was a bit of a red herring since the band had been layering in synths since their third album, Women and Children First. Those synths were either buried beneath guitars or used as texture, even on instrumentals where they were the main instrument, but here they were pushed to the forefront on "Jump," the album's first single and one of the chief reasons this became a blockbuster, crossing over to pop audiences Van Halen had flirted with before but had never quite won over. Of course, the mere addition of a synth wasn't enough to rope in fair-weather fans -- they needed pop hooks and pop songs, which 1984 had, most gloriously on the exuberant, timeless "Jump." There, the synths played a circular riff that wouldn't have sounded as overpowering on guitar, but the band didn't dispense with their signature monolithic, pulsating rock. Alex Van Halen and Michael Anthony grounded the song, keeping it from floating to pop, and David Lee Roth simply exploded with boundless energy, making this seem rock & roll no matter how close it got to pop. And "Jump" was about as close as 1984 got to pop, as the other seven songs -- with the exception of "I'll Wait," which rides along on a synth riff as chilly as "Jump" is warm -- are heavy rock, capturing the same fiery band that's been performing with a brutal intensity since Women and Children First. But where those albums placed an emphasis on the band's attack, this places an emphasis on the songs, and they're uniformly terrific, the best set of original tunes Van Halen ever had. Surely, the anthems "Panama" and "Hot for Teacher" grab center stage -- how could they not, when the former is the band's signature sound elevated to performance art, with the latter being as lean and giddy, their one anthem that could be credibly covered by garage rockers? -- but "Top Jimmy," "Drop Dead Legs," and the dense yet funky closer, "House of Pain," are full-fledged songs, with great riffs and hooks in the guitars and vocals. It's the best showcase of Van Halen's instrumental prowess as a band, the best showcase for Diamond Dave's glorious shtick, the best showcase for their songwriting, just their flat-out best album overall. It's a shame that Roth left after this album, but maybe it's for the best, since there's no way Van Halen could have bettered this album with Dave around (and they didn't better it once Sammy joined, either). [1984 was re-released on LP in 2015.]
Product Details
Release Date: | 03/31/2015 |
---|---|
Label: | Rhino |
UPC: | 0081227955274 |
catalogNumber: | 547641 |
Rank: | 431 |
Related Subjects
Customer Reviews
Related Searches
Explore More Items
10 From 6 means ten songs from six albums -- namely, Bad Company's first six
records, all of which were big hits on album-oriented rock radio. This brief yet very effective collection gathers all of the group's best-known songs (Can't ...
David Coverdale built Whitesnake's commercial breakthrough on a collection of loud, polished hard rockers, plus ...
David Coverdale built Whitesnake's commercial breakthrough on a collection of loud, polished hard rockers, plus
the band's best set of pop hooks. The Led Zeppelin-ish Still of the Night offered headbanger appeal, but it was the big chorus of Here ...
Billboard Top Hits: 1982 gathers the year's most popular singles, including Hall & Oates' Maneater, ...
Billboard Top Hits: 1982 gathers the year's most popular singles, including Hall & Oates' Maneater,
the J. Geils Band's Centerfold, Journey's Open Arms, and Men at Work's Who Can It Be Now? Laura Branigan's Gloria, the Alan Parsons Project's Eye ...
Fair Warning was such a dark, intense record that Van Halen almost had no choice ...
Fair Warning was such a dark, intense record that Van Halen almost had no choice
but to lighten up on their next album, and 1982's Diver Down is indeed much lighter than its predecessor. In many ways, it's a return ...
Blessed with their first full-fledged hit album, ZZ Top followed it up with Fandango!, a ...
Blessed with their first full-fledged hit album, ZZ Top followed it up with Fandango!, a
record split between a side of live tracks and a side of new studio cuts. In a way, this might have made sense, since they ...
There has been no shortage of Deep Purple compilations over the years, but unlike some ...
There has been no shortage of Deep Purple compilations over the years, but unlike some
of the British hard rock legends' contemporaries (Sabbath, Zeppelin, etc.), they've managed a fairly consistent stream of output since their 1968 debut. Rhino's A Fire ...
Rhino's Mascara & Monsters presents a more concise alternative to 1999's mammoth, four-disc set The ...
Rhino's Mascara & Monsters presents a more concise alternative to 1999's mammoth, four-disc set The
Life & Crimes of Alice Cooper. Like the box set, this album delivers digitally remastered versions of 22 of Cooper's best-known rock anthems, including Eighteen, ...