16 Ways of Looking at a Photograph: Contemporary Theories

by Claire Raymond

Overview

Featuring an accessible and engaging writing style, 16 Ways of Looking at a Photograph: Contemporary Theories explores key concepts that have shaped the interpretation of photography and photography itself. It begins with two important inventions—the development of the photographic negative and the capability to produce multiple prints—and then considers various theories from the nineteenth, twentieth, and twenty-first centuries. The book concludes with an excursion into "post-photography" theory: the argument that in the digital era, photography as such is altered.

Product Details

ISBN-13:	9780190646233
Publisher:	Oxford University Press
Publication date:	08/22/2019
Pages:	248
Product dimensions:	9.10(w) x 7.40(h) x 0.40(d)

About the Author

Claire Raymond is Lecturer of Art History at the University of Virginia. She is the author of several books, including The Photographic Uncanny (2019) and Women Photographers and Feminist Aesthetics (2017).

Table of Contents

List of Images
Acknowledgments
Preface
Introduction: Where to Look: Seeing Photographs, Reading Photographs
Art and History
Reading and Misreading
The Pleasure of the Photographic Text
1. The Photographic Negative: Uncanny Origins
2. Aesthetic Theory: Where the Image Is Not, and Is, All
3. A Little History of Light
4. Photography and the Crisis of Time
5. Walter Benjamin's Shadow: The Optical Unconscious and the Aura
6. Reticence or Symbolic Form
7. The Immediate Image: Are You Close Enough?
8. The Frame
9. The Question of Genius
10. Wonders: Photography of Estrangement
11. Psychic Numbing
12. The Punctum
13. Capitalism and t Traffic in Photographs
14. The Male Gaze: Gendering Photography
15. The Archive
16. Are We Post-Photography Yet?

Editorial Reviews

"16 Ways of Looking at a Photograph pinpoints many of the theoretical issues/discussion points that are desirable in a photographic theory book. It will be useful at many levels of instruction. I have evaluated and considered other photographic theory texts, and many are difficult to digest. I found the writing style of this text to be compelling."—Rebecca Foley, Missouri Western State University

"In 16 Ways of Looking at a Photograph, Claire Raymond keeps the writing current, clear, and engaging without sacrificing the historical foundations of photographic criticism. I especially admire how she uses more precise terminology, but then explains it in the next sentence. That indicates a scholar who is more concerned with educating her public than impressing her peers."—Ginger Sheridan, Jacksonville University

From the Publisher