100 New Yorkers of the 1970s
The interviews for this book were conducted from May 1977 to December 1979. They appeared as cover stories for the __TV Shopper__, a free weekly paper that was distributed to homes and businesses in New York City. Founded by Bruce Logan in the mid-1970s as the __West Side TV Shopper__, it consisted of TV listings, advertisements, and two full-page stories per issue. One was a "friendly" restaurant review of an advertiser; the other was a profile of a prominent resident of the Upper West Side of Manhattan. The honoree's face appeared on the cover, framed by a TV screen.
The formula was successful enough so that in 1978, Bruce began publishing the __East Side TV Shopper__ as well. My job was to track down the biggest names I could find for both papers, interview them, and write a 900-word story. Most interviewees were in the arts and entertainment industry — actors, singers, dancers, writers, musicians, news broadcasters and radio personalities. Bruce quickly recruited me to write the restaurant reviews as well. During my two and a half years at the paper, I wrote about 210 interviews. These are my 100 favorites of the ones that survive.
These stories represent my first professional work as a journalist. I arrived in New York City in November 1976 at age 26, hungry for an opportunity to write full-time after spending six years practicing my craft at college and community newspapers in New England. I had just started to sell a few stories in Maine, but realized I would have to move to a big city if I was serious about switching careers from social worker to journalist.
My gigs as an unpaid writer for small local papers included a music column for the __East Boston Community News__ and a theater column for the Wise Guide in Portland, Maine. I had learned the two most important rules of journalism — get your facts straight and meet your deadlines. I had taught myself Pitman's shorthand and could take notes at 100 words a minute. So I felt ready to make the leap if someone gave me a chance.
Full of hope, I quit my job in rural Maine as a senior citizens' aide, drove to New York, sold my car, moved into an Upper West Side apartment with two aspiring opera singers, and began to look for work.
One aspect of the New York personality, I soon observed, was that the great often mingled freely with the ordinary. At the Alpen Pantry Cafe in Lincoln Center, where I worked briefly, David Hartman, host of Good Morning America, came in for his coffee every morning and waited in line like everyone else. John Lennon was said to walk his Westside neighborhood alone, and largely undisturbed.
The other side of the New York mentality was shown by nightclubs surrounded by velvet ropes, where uniformed doormen stood guard like army sentries. Disdaining the riffraff, they picked out certain attractive individuals milling outside and beckoned them to cut through the crowd, pay their admission and enter. The appearance of status counted for much, and many people who lived on 58th Street, one block from Central Park, got their mail through the back entrance so they could claim the higher class address of Central Park West.
In early 1977 my shorthand skills got me a part-time job at the home of Linda Grover, a scriptwriter for the TV soap opera The Doctors. On the day I met her, she dictated a half-hour script to me, winging it while glancing at an outline. My trial of fire was to transcribe it, type it up that night and turn it in the next morning for revisions. I got little sleep, but completed the job. After that I became her secretary.
Linda's soap work was unsteady, and to supplement her income she wrote all the cover stories for TV Shopper. After I'd been helping her for a few months, she accepted a full-time job as headwriter for a new soap. I had told her of my ambition and shown her some of my writing, so she recommended me to Bruce as her replacement.
For my first assignment, Bruce sent me to interview Delores Hall, star of a Broadway musical with an all-black cast, Your Arms Too Short to Box With God. I went to the theater, watched the show, then met Delores backstage. The first question I asked her was: "Is that your real hair?" She smiled good-naturedly at my lack of diplomacy and didn't answer, but made me feel completely at ease. She led me outside the theater, and without embarrassment, asked me to hail the taxi for us. Then she directed the driver to a favorite soul food restaurant, where she stuffed herself while I conducted the interview. She was as gracious in my company as she had been on the stage while bowing to a standing ovation. Later, her role in the show won her the Tony Award for Best Featured Actress in a Musical.
After completing my Delores Hall story, I was kept constantly busy at the TV Shopper for as long as I stayed in New York. At first Bruce gave me all the leads,
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The formula was successful enough so that in 1978, Bruce began publishing the __East Side TV Shopper__ as well. My job was to track down the biggest names I could find for both papers, interview them, and write a 900-word story. Most interviewees were in the arts and entertainment industry — actors, singers, dancers, writers, musicians, news broadcasters and radio personalities. Bruce quickly recruited me to write the restaurant reviews as well. During my two and a half years at the paper, I wrote about 210 interviews. These are my 100 favorites of the ones that survive.
These stories represent my first professional work as a journalist. I arrived in New York City in November 1976 at age 26, hungry for an opportunity to write full-time after spending six years practicing my craft at college and community newspapers in New England. I had just started to sell a few stories in Maine, but realized I would have to move to a big city if I was serious about switching careers from social worker to journalist.
My gigs as an unpaid writer for small local papers included a music column for the __East Boston Community News__ and a theater column for the Wise Guide in Portland, Maine. I had learned the two most important rules of journalism — get your facts straight and meet your deadlines. I had taught myself Pitman's shorthand and could take notes at 100 words a minute. So I felt ready to make the leap if someone gave me a chance.
Full of hope, I quit my job in rural Maine as a senior citizens' aide, drove to New York, sold my car, moved into an Upper West Side apartment with two aspiring opera singers, and began to look for work.
One aspect of the New York personality, I soon observed, was that the great often mingled freely with the ordinary. At the Alpen Pantry Cafe in Lincoln Center, where I worked briefly, David Hartman, host of Good Morning America, came in for his coffee every morning and waited in line like everyone else. John Lennon was said to walk his Westside neighborhood alone, and largely undisturbed.
The other side of the New York mentality was shown by nightclubs surrounded by velvet ropes, where uniformed doormen stood guard like army sentries. Disdaining the riffraff, they picked out certain attractive individuals milling outside and beckoned them to cut through the crowd, pay their admission and enter. The appearance of status counted for much, and many people who lived on 58th Street, one block from Central Park, got their mail through the back entrance so they could claim the higher class address of Central Park West.
In early 1977 my shorthand skills got me a part-time job at the home of Linda Grover, a scriptwriter for the TV soap opera The Doctors. On the day I met her, she dictated a half-hour script to me, winging it while glancing at an outline. My trial of fire was to transcribe it, type it up that night and turn it in the next morning for revisions. I got little sleep, but completed the job. After that I became her secretary.
Linda's soap work was unsteady, and to supplement her income she wrote all the cover stories for TV Shopper. After I'd been helping her for a few months, she accepted a full-time job as headwriter for a new soap. I had told her of my ambition and shown her some of my writing, so she recommended me to Bruce as her replacement.
For my first assignment, Bruce sent me to interview Delores Hall, star of a Broadway musical with an all-black cast, Your Arms Too Short to Box With God. I went to the theater, watched the show, then met Delores backstage. The first question I asked her was: "Is that your real hair?" She smiled good-naturedly at my lack of diplomacy and didn't answer, but made me feel completely at ease. She led me outside the theater, and without embarrassment, asked me to hail the taxi for us. Then she directed the driver to a favorite soul food restaurant, where she stuffed herself while I conducted the interview. She was as gracious in my company as she had been on the stage while bowing to a standing ovation. Later, her role in the show won her the Tony Award for Best Featured Actress in a Musical.
After completing my Delores Hall story, I was kept constantly busy at the TV Shopper for as long as I stayed in New York. At first Bruce gave me all the leads,
100 New Yorkers of the 1970s
The interviews for this book were conducted from May 1977 to December 1979. They appeared as cover stories for the __TV Shopper__, a free weekly paper that was distributed to homes and businesses in New York City. Founded by Bruce Logan in the mid-1970s as the __West Side TV Shopper__, it consisted of TV listings, advertisements, and two full-page stories per issue. One was a "friendly" restaurant review of an advertiser; the other was a profile of a prominent resident of the Upper West Side of Manhattan. The honoree's face appeared on the cover, framed by a TV screen.
The formula was successful enough so that in 1978, Bruce began publishing the __East Side TV Shopper__ as well. My job was to track down the biggest names I could find for both papers, interview them, and write a 900-word story. Most interviewees were in the arts and entertainment industry — actors, singers, dancers, writers, musicians, news broadcasters and radio personalities. Bruce quickly recruited me to write the restaurant reviews as well. During my two and a half years at the paper, I wrote about 210 interviews. These are my 100 favorites of the ones that survive.
These stories represent my first professional work as a journalist. I arrived in New York City in November 1976 at age 26, hungry for an opportunity to write full-time after spending six years practicing my craft at college and community newspapers in New England. I had just started to sell a few stories in Maine, but realized I would have to move to a big city if I was serious about switching careers from social worker to journalist.
My gigs as an unpaid writer for small local papers included a music column for the __East Boston Community News__ and a theater column for the Wise Guide in Portland, Maine. I had learned the two most important rules of journalism — get your facts straight and meet your deadlines. I had taught myself Pitman's shorthand and could take notes at 100 words a minute. So I felt ready to make the leap if someone gave me a chance.
Full of hope, I quit my job in rural Maine as a senior citizens' aide, drove to New York, sold my car, moved into an Upper West Side apartment with two aspiring opera singers, and began to look for work.
One aspect of the New York personality, I soon observed, was that the great often mingled freely with the ordinary. At the Alpen Pantry Cafe in Lincoln Center, where I worked briefly, David Hartman, host of Good Morning America, came in for his coffee every morning and waited in line like everyone else. John Lennon was said to walk his Westside neighborhood alone, and largely undisturbed.
The other side of the New York mentality was shown by nightclubs surrounded by velvet ropes, where uniformed doormen stood guard like army sentries. Disdaining the riffraff, they picked out certain attractive individuals milling outside and beckoned them to cut through the crowd, pay their admission and enter. The appearance of status counted for much, and many people who lived on 58th Street, one block from Central Park, got their mail through the back entrance so they could claim the higher class address of Central Park West.
In early 1977 my shorthand skills got me a part-time job at the home of Linda Grover, a scriptwriter for the TV soap opera The Doctors. On the day I met her, she dictated a half-hour script to me, winging it while glancing at an outline. My trial of fire was to transcribe it, type it up that night and turn it in the next morning for revisions. I got little sleep, but completed the job. After that I became her secretary.
Linda's soap work was unsteady, and to supplement her income she wrote all the cover stories for TV Shopper. After I'd been helping her for a few months, she accepted a full-time job as headwriter for a new soap. I had told her of my ambition and shown her some of my writing, so she recommended me to Bruce as her replacement.
For my first assignment, Bruce sent me to interview Delores Hall, star of a Broadway musical with an all-black cast, Your Arms Too Short to Box With God. I went to the theater, watched the show, then met Delores backstage. The first question I asked her was: "Is that your real hair?" She smiled good-naturedly at my lack of diplomacy and didn't answer, but made me feel completely at ease. She led me outside the theater, and without embarrassment, asked me to hail the taxi for us. Then she directed the driver to a favorite soul food restaurant, where she stuffed herself while I conducted the interview. She was as gracious in my company as she had been on the stage while bowing to a standing ovation. Later, her role in the show won her the Tony Award for Best Featured Actress in a Musical.
After completing my Delores Hall story, I was kept constantly busy at the TV Shopper for as long as I stayed in New York. At first Bruce gave me all the leads,
The formula was successful enough so that in 1978, Bruce began publishing the __East Side TV Shopper__ as well. My job was to track down the biggest names I could find for both papers, interview them, and write a 900-word story. Most interviewees were in the arts and entertainment industry — actors, singers, dancers, writers, musicians, news broadcasters and radio personalities. Bruce quickly recruited me to write the restaurant reviews as well. During my two and a half years at the paper, I wrote about 210 interviews. These are my 100 favorites of the ones that survive.
These stories represent my first professional work as a journalist. I arrived in New York City in November 1976 at age 26, hungry for an opportunity to write full-time after spending six years practicing my craft at college and community newspapers in New England. I had just started to sell a few stories in Maine, but realized I would have to move to a big city if I was serious about switching careers from social worker to journalist.
My gigs as an unpaid writer for small local papers included a music column for the __East Boston Community News__ and a theater column for the Wise Guide in Portland, Maine. I had learned the two most important rules of journalism — get your facts straight and meet your deadlines. I had taught myself Pitman's shorthand and could take notes at 100 words a minute. So I felt ready to make the leap if someone gave me a chance.
Full of hope, I quit my job in rural Maine as a senior citizens' aide, drove to New York, sold my car, moved into an Upper West Side apartment with two aspiring opera singers, and began to look for work.
One aspect of the New York personality, I soon observed, was that the great often mingled freely with the ordinary. At the Alpen Pantry Cafe in Lincoln Center, where I worked briefly, David Hartman, host of Good Morning America, came in for his coffee every morning and waited in line like everyone else. John Lennon was said to walk his Westside neighborhood alone, and largely undisturbed.
The other side of the New York mentality was shown by nightclubs surrounded by velvet ropes, where uniformed doormen stood guard like army sentries. Disdaining the riffraff, they picked out certain attractive individuals milling outside and beckoned them to cut through the crowd, pay their admission and enter. The appearance of status counted for much, and many people who lived on 58th Street, one block from Central Park, got their mail through the back entrance so they could claim the higher class address of Central Park West.
In early 1977 my shorthand skills got me a part-time job at the home of Linda Grover, a scriptwriter for the TV soap opera The Doctors. On the day I met her, she dictated a half-hour script to me, winging it while glancing at an outline. My trial of fire was to transcribe it, type it up that night and turn it in the next morning for revisions. I got little sleep, but completed the job. After that I became her secretary.
Linda's soap work was unsteady, and to supplement her income she wrote all the cover stories for TV Shopper. After I'd been helping her for a few months, she accepted a full-time job as headwriter for a new soap. I had told her of my ambition and shown her some of my writing, so she recommended me to Bruce as her replacement.
For my first assignment, Bruce sent me to interview Delores Hall, star of a Broadway musical with an all-black cast, Your Arms Too Short to Box With God. I went to the theater, watched the show, then met Delores backstage. The first question I asked her was: "Is that your real hair?" She smiled good-naturedly at my lack of diplomacy and didn't answer, but made me feel completely at ease. She led me outside the theater, and without embarrassment, asked me to hail the taxi for us. Then she directed the driver to a favorite soul food restaurant, where she stuffed herself while I conducted the interview. She was as gracious in my company as she had been on the stage while bowing to a standing ovation. Later, her role in the show won her the Tony Award for Best Featured Actress in a Musical.
After completing my Delores Hall story, I was kept constantly busy at the TV Shopper for as long as I stayed in New York. At first Bruce gave me all the leads,
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100 New Yorkers of the 1970s
100 New Yorkers of the 1970s
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Product Details
| BN ID: | 2940148205678 |
|---|---|
| Publisher: | Lost Leaf Publications |
| Publication date: | 01/21/2014 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| File size: | 402 KB |
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