By any measure,
Resonance's 2019 box
Hittin' the Ramp: The Early Years (1936-1943) is a monumental achievement in musical preservation. Over the course of seven CDs (or 10 LPs),
Hittin' the Ramp chronicles the earliest recordings of
Nat King Cole, rounding up every known track from the days prior to his time at
Capitol Records. Those records for
Capitol -- sessions that found him slowly transitioning from a swinging jazz pianist to smooth pop crooner -- were what brought
Cole lasting fame, but the sides on
Hittin' the Ramp lie at the foundation of his music. Playing with a trio comprised of guitarist
Oscar Moore and usually
Wesley Prince on bass (
Johnny Miller took over his role toward the end of 1942),
Cole essayed a sly, sophisticated spin on swing, one that relied on a standards songbook yet found plenty of space for blues, boogie, and originals. The standards hint at the refined vocal style
Cole developed at
Capitol, but the focus here isn't on singing, it's on
Cole as a bandleader. During the eight years covered on this set, he worked in a variety of formats, beginning as the musical director for his older brother
Eddie in 1936, then sharpening his skills as a leader with his trio. The group worked hard, supporting vocalists and hopping through transcription services as they cut the occasional session for fledgling labels. While many of these sides, particularly the ones recorded for
Decca, have been reissued numerous times on fly-by-night imprints, the producers of
Hittin' the Ramp took the effort to remaster these recordings so they gleam, then placed them in exacting context, augmented by notes by
Will Friedwald. As history, the set is essential, but
Hittin' the Ramp isn't a mere scholastic text. The music is jumping, lively, and alive, still brimming with wit and joy. As valuable as it is to have a way to trace the evolution of
Cole as a stylist during these early years, it's simply a delight to have these recordings so thoughtfully and lovingly presented. ~ Stephen Thomas Erlewine
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