Deadhead Social Science: 'You Ain't Gonna Learn What You Don't Want to Know' / Edition 1

Deadhead Social Science: 'You Ain't Gonna Learn What You Don't Want to Know' / Edition 1

ISBN-10:
0742502511
ISBN-13:
9780742502512
Pub. Date:
05/30/2000
Publisher:
AltaMira Press
ISBN-10:
0742502511
ISBN-13:
9780742502512
Pub. Date:
05/30/2000
Publisher:
AltaMira Press
Deadhead Social Science: 'You Ain't Gonna Learn What You Don't Want to Know' / Edition 1

Deadhead Social Science: 'You Ain't Gonna Learn What You Don't Want to Know' / Edition 1

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Overview

Deadhead Social Science is a collection of papers examining various aspects of the complex subculture surrounding the rock band, the Grateful Dead. Deadheads, as Grateful Dead fans are called, followed the band from venue to venue until the band announced their dissolution in December of 1995 and have continued to follow bands including various surviving members of the Grateful Dead since then. Deadhead Social Science addresses the questions: What is a Deadhead? How does a Deadhead identity evolve? Why would a person choose an identity that would be viewed negatively by a larger society? Why are Deadheads viewed negatively by the larger society? Is the Deadhead community a popular religion? How did a rock band develop a religious following? The book also examines the music, the role of vendors, and the reaction by "host" communities to the Grateful Dead and its following. One key theme in Deadhead Social Science is the interconnections among teaching, research, and personal interests written from a variety of social science disciplinary traditions.


Product Details

ISBN-13: 9780742502512
Publisher: AltaMira Press
Publication date: 05/30/2000
Edition description: New Edition
Pages: 304
Product dimensions: 5.92(w) x 8.66(h) x 0.86(d)

About the Author

Rebecca G. Adams, PhD, Professor of Sociology and gerontologist in the School of Health and Social Sciences at University North Carolina Greensboro, has published 5 books and more than 70 scholarly articles and chapters, including more than 15 on Deadheads. She has taught about Deadheads on tour (1989), on campus, (2000s), and online (2019); presented at the SWPACA Grateful Dead Caucus, at other professional meetings, and to student audiences; written popular press articles about Deadheads, published a fictional piece situated on Dead tour, conducted audience research for Grateful Dead Productions, and narrated Deadheads an American Subculture (1990). She attended her first Dead show in 1970.

Robert Sardiello, MA, is adjunct professor of sociology at Nassau Community College and has published several scholarly pieces concerning Deadheads. He attended his first Dead show in 1977.

Table of Contents

chapter 1 Part I: Introduction chapter 2 "What Goes Around Comes Around": Collaborative Research and Learning chapter 3 Part II: Music chapter 4 The Grammar of the Grateful Dead chapter 5 Other People Play the Music: Improvisation as Social Interaction chapter 6 Part III: Spirituality chapter 7 The Deadhead Community: Popular Religion in Contemporary American Culture chapter 8 "We Were Given this Dance": Music and Meaning in the Early Unlimited Devotional Family chapter 9 Part IV: Outside the Show chapter 10 Vending at Dead Shows: The Bizarre Bazaar chapter 11 Community Reaction to Deadhead Subculture chapter 12 Part V: Identity chapter 13 Becoming a Deadhead chapter 14 An Eriksonian Perspective on the Journey Through Deadhead Adulthood chapter 15 Self-Concept and Ego Extension Among Grateful Dead Fans chapter 16 Deadheads and Dichotomies: Mediated and Negotiated Readings chapter 17 Part VI: Conclusion chapter 18 Studying Deadhead Subculture
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