The publication of Alcools marked a turning point in modern poetry with Guillaume Apollinaire’s vivid and inventive voice. The opening lines of “La Chanson du Mal-Aimé” reflect a scene that captivated readers upon its discovery, portraying a blend of melancholy and bold, bohemian spirit that challenges traditional poetic structures. Apollinaire's work resonated with readers for its raw evocativeness, free of ornate rhyme schemes, instead exploring an expressive musicality and deeper, sometimes dreamlike themes.
By 1909, Apollinaire, born Wilhelm-Apollinaris de Kostrowitzky, was gaining recognition within avant-garde circles, admired for his connections with artists and for his literary innovations. His personal history, shaped by an unconventional upbringing, transient romances, and an immersion in various cultural influences, fueled his poetry’s dynamic style. "La Chanson du Mal-Aimé," initially published in a truncated form, captures the intensity and complexity of his experiences and relationships, culminating in his first major collection, Alcools, in 1913. This work was significant not only for Apollinaire’s bold content but also for his choice to omit punctuation, a deliberate stylistic choice that invites fluid interpretation and emphasizes the poem’s rhythmic cadence and emotional tone.
Throughout Alcools, Apollinaire’s poetry merges tradition and innovation, resonating with the mystical allure of folk song, romantic imagery, and urban melancholy. The poems evoke a timeless search for identity, meaning, and connection in an increasingly fragmented world, blending the old with the radically new. The mix of myth, contemporary references, and introspective depth in Alcools encapsulates Apollinaire’s contributions to modernist poetry, establishing him as a transformative figure in early 20th-century literature.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
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By 1909, Apollinaire, born Wilhelm-Apollinaris de Kostrowitzky, was gaining recognition within avant-garde circles, admired for his connections with artists and for his literary innovations. His personal history, shaped by an unconventional upbringing, transient romances, and an immersion in various cultural influences, fueled his poetry’s dynamic style. "La Chanson du Mal-Aimé," initially published in a truncated form, captures the intensity and complexity of his experiences and relationships, culminating in his first major collection, Alcools, in 1913. This work was significant not only for Apollinaire’s bold content but also for his choice to omit punctuation, a deliberate stylistic choice that invites fluid interpretation and emphasizes the poem’s rhythmic cadence and emotional tone.
Throughout Alcools, Apollinaire’s poetry merges tradition and innovation, resonating with the mystical allure of folk song, romantic imagery, and urban melancholy. The poems evoke a timeless search for identity, meaning, and connection in an increasingly fragmented world, blending the old with the radically new. The mix of myth, contemporary references, and introspective depth in Alcools encapsulates Apollinaire’s contributions to modernist poetry, establishing him as a transformative figure in early 20th-century literature.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
Alcools
The publication of Alcools marked a turning point in modern poetry with Guillaume Apollinaire’s vivid and inventive voice. The opening lines of “La Chanson du Mal-Aimé” reflect a scene that captivated readers upon its discovery, portraying a blend of melancholy and bold, bohemian spirit that challenges traditional poetic structures. Apollinaire's work resonated with readers for its raw evocativeness, free of ornate rhyme schemes, instead exploring an expressive musicality and deeper, sometimes dreamlike themes.
By 1909, Apollinaire, born Wilhelm-Apollinaris de Kostrowitzky, was gaining recognition within avant-garde circles, admired for his connections with artists and for his literary innovations. His personal history, shaped by an unconventional upbringing, transient romances, and an immersion in various cultural influences, fueled his poetry’s dynamic style. "La Chanson du Mal-Aimé," initially published in a truncated form, captures the intensity and complexity of his experiences and relationships, culminating in his first major collection, Alcools, in 1913. This work was significant not only for Apollinaire’s bold content but also for his choice to omit punctuation, a deliberate stylistic choice that invites fluid interpretation and emphasizes the poem’s rhythmic cadence and emotional tone.
Throughout Alcools, Apollinaire’s poetry merges tradition and innovation, resonating with the mystical allure of folk song, romantic imagery, and urban melancholy. The poems evoke a timeless search for identity, meaning, and connection in an increasingly fragmented world, blending the old with the radically new. The mix of myth, contemporary references, and introspective depth in Alcools encapsulates Apollinaire’s contributions to modernist poetry, establishing him as a transformative figure in early 20th-century literature.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
By 1909, Apollinaire, born Wilhelm-Apollinaris de Kostrowitzky, was gaining recognition within avant-garde circles, admired for his connections with artists and for his literary innovations. His personal history, shaped by an unconventional upbringing, transient romances, and an immersion in various cultural influences, fueled his poetry’s dynamic style. "La Chanson du Mal-Aimé," initially published in a truncated form, captures the intensity and complexity of his experiences and relationships, culminating in his first major collection, Alcools, in 1913. This work was significant not only for Apollinaire’s bold content but also for his choice to omit punctuation, a deliberate stylistic choice that invites fluid interpretation and emphasizes the poem’s rhythmic cadence and emotional tone.
Throughout Alcools, Apollinaire’s poetry merges tradition and innovation, resonating with the mystical allure of folk song, romantic imagery, and urban melancholy. The poems evoke a timeless search for identity, meaning, and connection in an increasingly fragmented world, blending the old with the radically new. The mix of myth, contemporary references, and introspective depth in Alcools encapsulates Apollinaire’s contributions to modernist poetry, establishing him as a transformative figure in early 20th-century literature.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
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Alcools
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Alcools
320Paperback(First Edition)
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Product Details
| ISBN-13: | 9780520349919 |
|---|---|
| Publisher: | University of California Press |
| Publication date: | 09/23/2022 |
| Edition description: | First Edition |
| Pages: | 320 |
| Product dimensions: | 5.25(w) x 8.00(h) x 0.70(d) |
| Age Range: | 14 - 17 Years |
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