The Dream Colony: A Life in Art

The Dream Colony: A Life in Art

The Dream Colony: A Life in Art

The Dream Colony: A Life in Art

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Overview

Art Forum's Best of the Year List

“An intimate tour through fifty years of American art history” (New Yorker) through the eyes of the visionary curator who helped shape it-with an introduction by legendary artist Ed Ruscha

An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz. Ferus turned the spotlight on a new generation of West Coast artists, premiered Andy Warhol's Campbell's Soup Cans, and was at one point shut down by the L.A. vice squad for a show of Wallace Berman's edgy art. In the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art-before it was even known as Pop Art. When Hopps became the director of Washington's Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as “the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation).” He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Cocoran had a button made that said "Walter Hopps will be here in twenty minutes.") Erratic in his work habits, he never wavered in his commitment to art.

A few years before his death in 2005, Hopps began work on this book, a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century.


Product Details

ISBN-13: 9781639734856
Publisher: Bloomsbury USA
Publication date: 10/01/2024
Pages: 336
Product dimensions: 5.51(w) x 8.25(h) x 1.00(d)

About the Author

Walter Hopps (1932–2005) was a curator and museum director who worked at the Pasadena Art Museum, the Washington Gallery of Modern Art, the Corcoran Gallery of Art, the Smithsonian's National Collection of Fine Arts, the Menil Collection, which he helped create, and the Solomon R. Guggenheim Museum.
Deborah Treisman is the fiction editor of the New Yorker. She hosts the award-winning New Yorker Fiction Podcast and was the editor of the anthology 20 Under 40: Stories from The New Yorker. She was formerly the managing editor of the art and literary quarterly Grand Street, for which Hopps was the art editor.
Anne Doran has written for Art in America, Artforum, and other publications. She worked as an editor at Grand Street. Her artwork has been shown around the world.

Table of Contents

Foreword Deborah Treisman xi

Introduction Ed Ruscha xv

1 Childhood 1

2 First Encounters with Music and Art 21

3 Early Days of Curating: Jazz and Syndell Studio 38

4 The Ferus Gallery 62

5 Wallace Herman 73

6 The Creation of Ferus II 82

7 Barnett Newman 88

8 Ferus II and John Altoon 96

9 Edwin Janss 105

10 Frank Stella and Andy Warhol 117

11 Edward Kienholz 126

12 The Pasadena Art Museum 146

13 Marcel Duchamp 157

14 The Pasadena Art Museum, Part II 170

15 The 1965 Sao Paulo Bienal 177

16 Frank Lobdell and Joseph Cornell 185

17 Leaving Pasadena, and the Institute of Policy Studies 196

18 The Corcoran Gallery of Art 208

19 Three Photographers 217

20 The 1972 Venice Biennale 229

21 The National Collection of Fine Arts 232

22 Robert Rauschenberg 237

23 The Menil Collection 256 Acknowledgments 273

Walter Hopps: A Selected Chronology by Caroline Huber 275

Illustration Credits 299

Index 302

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