A revitalized and layered retelling that expertly blends reality and fantasy to explore what's behind love and loss, what it takes to heal.” —Randy Ribay, author of National Book Award Finalist PATRON SAINTS OF NOTHING
“Haunting and richly detailed, this is a beautiful re-imagining that will hurt and heal, sometimes on the same page.” —Mark Oshiro, author of ANGER IS A GIFT
“Never Look Back reimagines the Orpheus myth into a bold creation that only Lilliam Rivera could breathe into life. A strange, unsettling love song of a book.” —Elana K. Arnold, Printz Honor-winning author of DAMSEL
“Seamlessly blends Caribbean and Greek myth into a contemporary teen novel, exploring realistic aspects of identity, stereotypes, trauma, and romance.” —School Library Journal, starred review
“Honors the Afro Latinx music, language, heritage and history of its characters. . . . Defying expectation and categorization, Never Look Back is a book not to be read with the mind but to be experienced with the soul. It is a revelation.” —BookPage, starred review
“This isn't a note-for-note retelling. It's something else altogether: a pensive exploration of the deep trauma historically suffered by colonized and enslaved peoples and how that entwines with more recent hardships, like Hurricane Maria, whose damage is worsened by the remnants of those same institutions. . . Never Looks Back sings its own love song to the world.” —NPR
“One of the most anticipated books of 2020.” —Women's Health
“This fresh reworking of a Greek myth will resonate.” —Kirkus Reviews
“If you wanted to hold on to those rollercoaster beach-side romances a little bit long, we highly recommend this one.” —Girls' Life
“Combines realism with magic along with an exploration of the critical need for better mental health care. . . . An emotionally challenging journey filled with peril and truth-telling.” —School Library Connection
“An absorbing supernatural romance.” —BCCB
“Rivera masterfully intertwines ancient and modern lore, leaving readers gasping for breath by the authentic but satisfying conclusion.” —Shelf Awareness Reader
“This detailed reimagining of the myth of Orpheus and Eurydice mixes contemporary realism with fantasy.” —The Horn Book Magazine
“As brutal as it is beautiful, Dealing in Dreams pulls no punches, launching us on a wild, relentless ride through the cutthroat streets of this brilliantly-realized dystopian world.” —Daniel José Older, author of the New York Times bestselling series Shadowshaper Cypher, on DEALING IN DREAMS
“Introducing Lilliam Rivera, one of the most unique and exciting new voices in YA.The Education of Margot Sanchez is funny, poignant, compelling and authentic.” —Matt de la Peña, acclaimed author of LAST STOP ON MARKET STREET, on THE EDUCATION OF MARGOT SANCHEZ
“Shatters the myth of assimilation by exposing the loss and ache that comes with it. Instead, Lilliam Rivera tells the reader that there is nothing more powerful and beautiful than staying true to oneself.” —Isabel Quintero, author of GABI: A GIRL IN PIECES, on THE EDUCATION OF MARGOT SANCHEZ
“Taking cues from Judge Dredd, Mad Max, and The Hunger Games, Rivera . . . has created a uniquely brutal hellscape. . . . Readers are left with a more ambiguousand ambitioustale that will have them questioning what kinds of people they'd be if freed from society's mores.” —Booklist, starred review, on DEALING IN DREAMS
“Rivera effectively presents the complexity of female relationships, which will resonate strongly with readers. . . . A novel exploration of societal roles, gender, and equality through the eyes of captivating lead.” —SLJ, starred review, on DEALING IN DREAMS
“A debut of great candor, depth, and empathy.” —Booklist on THE EDUCATION OF MARGOT SANCHEZ
★ 10/01/2020
Gr 9 Up—This is a modern retelling of the Orpheus and Eurydice Greek myth featuring Latinx teens. Eury and her mother lost their home to Hurricane Maria but Eury knows it was no ordinary storm. The death spirit Ato befriended Eury as a child. As she grew older, he became more possessive and sinister, wreaking havoc to get her attention and promising to take her to el Inframundo, the Underworld, so they could be together forever. No one believes Eury and she is wary of trusting people with her secret. While visiting her cousin in the Bronx, she meets Pheus, a talented and charming Afro-Dominican bachata musician. Pheus wants to spend all his time getting to know Eury and soon learns that her traumatic experience in Puerto Rico was created by a supernatural being, something outside of his comfort zone. Spending time with Eury makes him reevaluate his life, the way his friends treat others, and his casual romances. When Ato finally succeeds in taking Eury to the Underworld, Pheus risks everything to bring her back but must follow the cardinal rule of all myths: Don't turn around. This book seamlessly blends Caribbean and Greek myth into a contemporary teen novel, exploring realistic aspects of identity, stereotypes, trauma, and romance. VERDICT This #OwnVoices novel is highly recommended for all teen collections. No prior knowledge of the original myth is needed, but readers may be inspired to research it after devouring this compelling and updated retelling.—Marissa Lieberman, East Orange P.L., NJ
2020-06-25
An otherworldly Latinx retelling of the Orpheus and Eurydice myth set in the South Bronx.
Pheus visits his father in the Bronx every summer. The Afro-Dominican teen is known for his mesmerizing bachata music, love of history, and smooth way with the ladies. Eury, a young Puerto Rican woman and Hurricane Maria survivor, is staying with her cousin for the summer because of a recent, unspecified traumatic event. Her family doesn’t know that she’s been plagued since childhood by the demonlike Ato. Pheus and Eury bond over music and quickly fall in love. Attacked at a dance club by Sileno, its salacious and satyrlike owner, Eury falls into a coma and is taken to el Inframundo by Ato. Pheus, despite his atheism, follows the advice of his father and a local bruja to journey to find his love in the Underworld. Rivera skillfully captures the sounds and feels of the Bronx—its unique, diverse culture and the creeping gentrification of its neighborhoods. Through an amalgamation of Greek, Roman, and Taíno mythology and religious beliefs, gaslighting, the colonization of Puerto Rico, Afro-Latinidad identity, and female empowerment are woven into the narrative. While the pacing lags in the middle, secondary characters aren’t fully developed, and the couple’s relationship borders on instalove, the rush of a summertime romance feels realistic. Rivera’s complex world is well realized, and the dialogue rings true. All protagonists are Latinx.
This fresh reworking of a Greek myth will resonate. (Fabulism. 14-adult)