Look Back in Anger

Anyone who's never watched someone die is suffering from a pretty bad case of virginity.
Look Back in Anger premiered at the Royal Court Theatre, London, in 1956.
'John Osborne didn't contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up.' Alan Sillitoe
'A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could fill an opera house with his bellowing hunger for a bigger, better life and a loyal love to share it with.' New York Times
'Look Back in Anger presents post-war youth as it really is. To have done this at all would be a signal achievement; to have done it in a first play is a minor miracle. All the qualities are there, qualities one had despaired of ever seeing on the stage - the drift towards anarchy, the instinctive leftishness, the automatic rejection of "official" attitudes, the surrealist sense of humour, the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that no one who dies shall go unmourned . . . I doubt if I could love anyone who did not wish to see Look Back in Anger. It is the best young play of its decade.' Kenneth Tynan, Observer
'How bracing, and, yes, even shocking, its white-hot fury remains.' The Times
This edition includes an introduction by Michael Billington and an afterword by David Hare.

1001837609
Look Back in Anger

Anyone who's never watched someone die is suffering from a pretty bad case of virginity.
Look Back in Anger premiered at the Royal Court Theatre, London, in 1956.
'John Osborne didn't contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up.' Alan Sillitoe
'A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could fill an opera house with his bellowing hunger for a bigger, better life and a loyal love to share it with.' New York Times
'Look Back in Anger presents post-war youth as it really is. To have done this at all would be a signal achievement; to have done it in a first play is a minor miracle. All the qualities are there, qualities one had despaired of ever seeing on the stage - the drift towards anarchy, the instinctive leftishness, the automatic rejection of "official" attitudes, the surrealist sense of humour, the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that no one who dies shall go unmourned . . . I doubt if I could love anyone who did not wish to see Look Back in Anger. It is the best young play of its decade.' Kenneth Tynan, Observer
'How bracing, and, yes, even shocking, its white-hot fury remains.' The Times
This edition includes an introduction by Michael Billington and an afterword by David Hare.

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Look Back in Anger

Look Back in Anger

by John Osborne
Look Back in Anger

Look Back in Anger

by John Osborne

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Overview

Anyone who's never watched someone die is suffering from a pretty bad case of virginity.
Look Back in Anger premiered at the Royal Court Theatre, London, in 1956.
'John Osborne didn't contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up.' Alan Sillitoe
'A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could fill an opera house with his bellowing hunger for a bigger, better life and a loyal love to share it with.' New York Times
'Look Back in Anger presents post-war youth as it really is. To have done this at all would be a signal achievement; to have done it in a first play is a minor miracle. All the qualities are there, qualities one had despaired of ever seeing on the stage - the drift towards anarchy, the instinctive leftishness, the automatic rejection of "official" attitudes, the surrealist sense of humour, the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that no one who dies shall go unmourned . . . I doubt if I could love anyone who did not wish to see Look Back in Anger. It is the best young play of its decade.' Kenneth Tynan, Observer
'How bracing, and, yes, even shocking, its white-hot fury remains.' The Times
This edition includes an introduction by Michael Billington and an afterword by David Hare.


Product Details

ISBN-13: 9780571300877
Publisher: Faber and Faber
Publication date: 03/21/2013
Sold by: Bookwire
Format: eBook
Pages: 96
Sales rank: 511,112
File size: 141 KB
Age Range: 18 Years

About the Author

John Osborne was born in London in 1929. His plays include Look Back in Anger (1956), The Entertainer (1957), Luther (1961), Inadmissible Evidence (1964), and A Patriot for Me (1966). Both Look Back in Anger and The Entertainer were adapted for film, and in 1963 Osborne won an Academy Award for his screenplay for Tom Jones. John Osborne died on 24 December 1994.
The Stage in 1956, Osborne submitted Look Back in Anger. Not only was the play produced, but it was to become considered as the turning point in post-war British theatre. Osborne's protagonist, Jimmy Porter, captured the rebelliousness of an entire post-war generation of 'angry young men'. His other plays include The Entertainer (1957), Luther (1961), Inadmissible Evidence (1964), and A Patriot for Me (1966). He also wrote two volumes of autobiography, A Better Class of Person (1981) and Almost a Gentleman (1991) published together as Looking Back: Never Explain, Never Apologise. His last play, Deja Vu (1991), returns to the characters of Look Back in Anger, over thirty years later. Both Look Back in Anger and The Entertainer were adapted for film, and in 1963 Osborne won an Academy Award for his screenplay for Tom Jones. John Osborne died on 24 December 1994.

Table of Contents

Time: The present
Act I
Early Evening. April
Act II
Scene 1Two weeks later
Scene 2The following evening
Act III
Scene 1Several months later
Scene 2A few minutes later

What People are Saying About This

Anthony Burgess

The British theater. . . had been concerned only with light entertainment suitable for a drowsy middle-class audience, but the feeble complacency of the bourgeois drame was shattered by the irruption, in 1956, of John Osborne's Look Back in Anger, which brought the articulate rage of the provincial working class dispossessed, newly educated by the socialists, to the appalled notice of the London bourgeoisie.
(Anthony Burgess, from One Man's Chorus)

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