"From Aristotle and Lessing to the Maxim Gorki Theatre and Black Lives Matter, Olivia Landry situates the twenty-first-century phenomenon of Berlin's 'theatre of anger' in incisive relation to affect studies, theatre history, and social justice movements today. Writing with intersectional verve and multidirectional erudition, she dramatically sharpens critical appreciation of German performance cultures and diverse aesthetic forms with which minoritarian subjects speak back to discrimination with transformative effect. Beyond twentieth-century predecessors in political theatre, and beyond postdramatic and postmigrant theatre too, the embodied outrage of live performance culture in contemporary Berlin is not merely representational but emphatically future-building."

"Theatre of Anger adds postmigrant Berliners to the rich, transnational history of radical movements that have used the stage to transubstantiate righteous, revelatory rage into resistance against social injustices and care for the vulnerable. Plays and performances hum with infectious energy, and Landry expertly plumbs the deep philosophical and political wells they tap."