Interviews
An Interview with Margaret Peterson Haddix
What inspired you to create the Shadow Children series?
MPH: I first started thinking about the whole scenario when my husband and I were trying to decide whether or not to have a third child. We discussed the issue of overpopulation, and how that should affect our decision. In frustration one night I thought, "Well, if overpopulation were that bad of a problem, there'd be a law that nobody could have more than two children." My next thought was, "Wow. What if there were a law like that?"
By any chance, are you a third child? Do you have more than two children?
MPH: No to both questions. I'm a second child, out of four. And I have only two children, though there are usually several of my kids' friends hanging around the house so it often seems like I have more.
When you wrote the first book, Among the Hidden, did you envision it would be the first in a series?
MPH: Not at all. I intended it to be a stand-alone book, and for a long time I resisted all suggestions that I continue the story. Then I got the image in my head of Luke lying in bed at night in a strange place, surrounded by strangers, and whispering his real name to himself in a desperate attempt to hold on to his real identity. That became the opening scene of Among the Impostors and the beginning of the rest of the series.
Each of the books has been so different, yet based on the same themes. How are you able to keep the series fresh?
MPH: I think it's helped to switch between main characters, so everything isn't always from Luke's perspective. And, although I didn't plan this from the beginning, the situations in the books keep changing, with the shift in the government and more restrictive rules. My characters are becoming more desperate, with good reason.
Your books all offer so many twists and turns that they are real page-turners, yet all of the angles come together. How are you able to keep everything straight as you write these books?
MPH: Well, I'm not always able to keep it all straight the first time through. Sometimes I write myself into corners and struggle to find a way out. Revision is definitely helpful.
You don't specify the setting for the books. Is this meant to suggest that this type of totalitarian government can take place anywhere in the world, at any time?
MPH: I don't want to sound like that much of an alarmist, although it amazes me how ordinary, otherwise sane and supposedly even good people accepted dictators like Hitler in the past. I did consider, early on, stating outright that these books take place in the United States in some not-so-distant future, after droughts and famines and a drastic change in the government. But explaining all of that would have been an immense interruption in the story. And I thought a lot of people would dismiss such a possibility out of hand, and then dismiss the entire series as implausible. So I left the setting as some vague, fictional place in some vague, fictional future, with hopes that this would make readers think for themselves about whether such a shift would be possible here.
How much do current events affect your plot choices for the series?
MPH: The first three books were not affected at all by current events. Instead, while I was planning for them, I did a lot of historical research: I read about famines in the past; I read about the difficulties Jewish children faced coming out of hiding after World War II; I read about the different resistance movements that sprang up to fight the Nazis throughout Europe; I read about the Soviet Union under Stalin; I thought about my father's stories about growing up during the Depression and my own fascination with some world events of the 1980s, particularly Tiananmen Square and the fall of Communism in Eastern Europe. I thought I was drawing on tragedies and hopes of the past in order to imagine children fighting a dismal future that I didn't believe would really happen.
My perspective changed after September 11. I had just begun writing Among the Barons in the fall of 2001, and for a few weeks after the terrorist attacks I felt it was impossible to continue. It seemed wrong to write about opposing the government -- any government. I knew Oscar was going to carry out some form of sabotage, and it made me sick to think about writing that. When I finally returned to Barons, it became a very different book than it would have been if I'd finished it September 10, 2001. Luke's confusion and dread mirrored a lot of what I was feeling in real life.
Among the Brave and Among the Enemy have been less connected to current events, but there are certainly overtones. In the Shadow Children world, people gave up all their freedom for food; our country is currently struggling with the question of how much freedom we can or should give up for security. In Brave and Enemy, Trey and Matthew and Matthias put their lives on the line trying to protect or save other people; soldiers and firefighters and police officers made and continue to make similar choices.
I really wish we were living in safer, happier times, and I could base the books solely on my own imagination and history. But seeing all the connections to reality does make me more thoughtful and careful about what I write.
The Shadow Children long to live freely, yet have been conditioned to fear the outside world. Do you feel that readers can relate to this feeling of fear and powerlessness? Why?
MPH: Yes. We live in frightening times, and it's hard to know what to do. I think a lot of people feel powerless right now. Also, on a less dramatic scale, I think most teens and preteens can relate to wanting to be in control of their own lives but being afraid of all the responsibility. That's part of growing up.
It's fascinating how minor characters in earlier books become the protagonists of later books. Did you plan this when you began writing the series?
MPH: When I agreed to do more books after Among the Hidden, I expected to tell about numerous characters besides Luke. But I didn't really plan the interconnections -- my original thought was that I'd skip from one character to another, in vastly different circumstances. I think I was seeing the series as several related stand-alone books, rather than an actual series. But then after Among the Impostors, it was like Nina said to me, "Hey, I've got a story, too. Want to hear it?" In retrospect, it makes sense to me that the minor characters grow into main characters in subsequent books. With practically every book I've ever written, I've known more about the minor characters than I can fit into the book. So it's been a joy to get to expand on some of those characters in other books.
The Shadow Children series is hugely popular with middle grade and teen readers. What are the most common questions that kids ask you about the books?
MPH: A lot of kids ask where the books take place, and whether I think the events in the books will really happen. They ask how I got the idea for the series, and whether I know about the one-child policy in China. One of the most poignant questions anyone ever asked me came from a boy who wanted to know where the Population Police are because, he said, "I don't want to go there." And I thought, okay, maybe he doesn't quite understand the difference between fiction and non-fiction, but he does get the bigger point. None of us should ever want to go to those kinds of restrictions, that kind of a police state.
Do you hope to send any particular message or moral when writing these books?
MPH: My primary goal is to tell a good story -- I can't think of much that turns off kids faster than books that are overly didactic or moralistic. But I'm always glad when kids tell me these books have made them think about freedom and courage and personal choices and sacrificing for others.
