Around the World in Eighty Days

Around the World in Eighty Days

by Jules Verne
Around the World in Eighty Days

Around the World in Eighty Days

by Jules Verne

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Overview

A fastidious English gentleman makes a remarkable wager - he will travel around the world in eighty days or forfeit his life's savings. Thus begins Jules Verne's classic 1872 novel, which remains unsurpassed in sheer story-telling entertainment and pure adventure. Phileas Fogg and his faithful manservant, Jean Passepartout, embark on a fantastic journey into a world filled with danger and beauty - from the exotic shores of India, where the heroic travelers rescue a beautiful Raja's wife from ritual sacrifice, to the rugged American frontier, where their train is ambushed by an angry Sioux tribe. Fogg's mission is complicated by an incredible case of mistaken identity that sends a Scotland Yard detective in hot pursuit. At once a riveting race against time and an action-packed odyssey into the unknown, Around the World in Eighty Days is a masterpiece of adventure fiction that has captured the imaginations of generations of readers - and continues to enthrall us today.

Product Details

ISBN-13: 9780486820613
Publisher: Dover Publications
Publication date: 02/24/2017
Series: Dover Children's Evergreen Classics
Sold by: Barnes & Noble
Format: eBook
Pages: 272
File size: 1 MB
Age Range: 8 - 14 Years

About the Author

About The Author
French writer Jules Verne (February 8, 1828 - March 24, 1905) pioneered the science fiction literary genre. He published many plays, essays, short stories, and poems during his lifetime, but is best known for Twenty Thousand Leagues Under the Sea, Around the World in 80 Days, and A Journey to the Center of the Earth. Today, he is one of the most translated authors in the world.

Date of Birth:

February 8, 1828

Date of Death:

March 24, 1905

Place of Birth:

Nantes, France

Place of Death:

Amiens, France

Education:

Nantes lycée and law studies in Paris

Read an Excerpt

Chapter one In in which Phileas Fogg and Passepartout accept each other, the one as master, the other as man

Mr. Phileas Fogg lived, in 1872, at No. 7, Saville Row, Burlington Gardens, the house in which Sheridan died in 1814. He was one of the Most noticeable members of the Reform Club, though he seemed always to avoid attracting attention; an enigmatical personage, about whom little was known, except that he was a polished man of the world. People said that he resembled Byron-at least that his head was Byronic-, but he was a bearded, tranquil Byron, who might live on a thousand years without growing old.

Certainly an Englishman it was more doubtful whether Phileas Fogg was a Londoner. He was never seen on 'Change, nor at the Bank, nor in the counting-rooms of the "City"; no ships ever came into London docks of which he was the owner; he had no public employment; he had never been entered at any of the Inns of Court, either at the Temple, or Lincoln's Inn, or Gray's Inn; nor had his voice ever resounded in the Court of Chancery, or in the Exchequer, or the Queen's Bench, or the Ecclesiastical Courts. He certainly was not a manufacturer; nor was he a merchant or a gentleman farmer. His name was strange to the scientific and learned societies, and he never was known to take part in the sage deliberations of the Royal Institution or the London Institution, the Artisan's Association or the Institution of Arts and Sciences. He belonged, in fact, to none of the numerous societies which swarm in the English capital, from the Harmonic to that of the Entomologists, founded mainly for the purpose of abolishing pernicious insects.

Phileas Fogg was a member of theReform, and that was all.

The way in which he got admission to this exclusive club was simple enough.

He was recommended by the Barings, with whom he had an open credit. His checks were regularly paid at sight from his account current, which was always flush.

Was Phileas Fogg rich? Undoubtedly. But those who knew him best could not imagine how he had made his fortune, and Mr. Fogg was the last person to whom to apply for the information. He was not lavish, nor, on the contrary, avaricious; for whenever he knew that money was needed for a noble, useful, or benevolent purpose, he supplied it quickly, and sometimes anonymously. He was, in short, the least communicative of men. He talked very little, and seemed all the more mysterious for his taciturn manner. His daily habits were quite open, to observation; but whatever he did was so exactly the same thing that he had always done before, that the wits of the curious were fairly puzzled.

Had he travelled? It was likely, for no one seemed to know the world more familiarly; there was no spot so secluded that he did not appear to have an intimate acquaintance with it. He often corrected, with a few clear words, the thousand conjectures advanced by members of the club as to lost and unheard-of travellers, pointing out the true probabilities, and seeming as if gifted with a sort of second sight, so often did events Justify his predictions. He must have travelled everywhere, at least in the spirit.

It was at least certain that Phileas Fogg had not absented himself from London for many years. Those who were honored by a better acquaintance with him than the rest, declared that nobody could pretend to have ever seen him anywhere else. His sole pastimes were reading the papers and playing whist. He often won at this game, which, as a silent one,, harmonized with his nature; but his winnings never went into his purse, being reserved as a fund for his charities. Mr. Fogg played, not to win, but for the sake of playing. The game was in his eyes a contest, a struggle with a difficulty, yet a motionless, unwearying struggle, congenial to his tastes.

Phileas Fogg was not known to have either wife or children, which may happen to the most honest people; either relatives or near friends, which is certainly more unusual. He lived alone in his house in Saville Row, whither none penetrated. A single domestic sufficed to serve him. He breakfasted and dined at the club, at hours mathematically fixed, in the same room, at the same table, never taking his meals with other members, much less bringing a guest with him; and went home at exactly midnight, only to retire at once to bed. He never used the cozy chambers which the Reform provides for its favored members. He passed ten hours out of the twentyfour in Saville Row, either in sleeping or making his toilet. When he chose to take a walk, it was with a regular step in the entrance hall with its mosaic flooring, or in the circular gallery with its dome supported by twenty red porphyry Ionic columns, and illumined by blue painted windows. When he breakfasted or dined, all the resources of the club-its kitchens and pantries, its buttery and dairy—aided to crowd his table with their most succulent stores; he was served by the gravest waiters, in dress coats, and shoes with swan-skin soles, who proffered the viands, in special porcelain, and on the finest linen; club decanters, of a lost mould, contained his sherry, his port, and his cinnamon-spiced claret; while his beverages were refreshingly cooled with ice, brought at great cost from the American lakes.

If to live in this style is to be eccentric, it must be confessed that there is something good in eccentricity!

The mansion in Saville Row, though not sumptuous, was exceedingly comfortable. The habits of its occupant were such as to demand but little from the sole domestic; but Phileas Fogg required him to be almost superhumanly prompt and regular.

Table of Contents

Victorian gentleman Phileas Fogg wagers half his fortune on the astounding proposition that he can travel all the way around the world in just eighty days. So begins this classic 1873 tale of adventure, entertainment, and suspense, as Fogg and his French valet, Passepartout, circle the globe by train and ship. To add to the drama, a Scotland Yard detective, convinced that Fogg is a criminal evading justice, has vowed to stop them in their tracks.
Jules Verne's novel colorfully recaptures the spirit of its time, when readers were fascinated by new technologies and eager to discover faraway places. This travelogue sweeps through many exotic settings, including the jungles of India, where Fogg and Passepartout rescue a rajah's widow, and across the Pacific to the American frontier, where they brave a bison stampede and an attack by Sioux Indians. Generations have thrilled to this action-packed story, which continues to capture the imagination of young readers.
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Reading Group Guide

Shocking his stodgy colleagues at the exclusive Reform Club, enigmatic Englishman Phileas Fogg wagers his fortune, undertaking an extraordinary and daring enterprise: to circumnavigate the globe in eighty days. With his French valet Passepartout in tow, Verne's hero traverses the far reaches of the earth, all the while tracked by the intrepid Detective Fix, a bounty hunter certain he is on the trail of a notorious bank robber. Set from the text of George M. Towle's original 1873 translation, this Modern Library Paperback Classic of Verne's adventure novel comes vividly alive, brilliantly reflecting on time, space, and one man's struggle to reach beyond the bounds of both science and society.

1. Having been born into a family that had made their living from the sea, Jules Verne spent his early years in a seaport town. When he was still young, Verne himself became a cabin boy on a merchant ship. In what ways do you think these elements of the author's own life may have influenced Around the World in Eighty Days?

2. Verne became very involved with theater while studying law in Paris and is the author of many plays. What elements in this novel do you think came out of Verne's theatrical experiences? After Eighty Days was published, Verne received many requests to dramatize the work. Do you think the book has particularly theatrical elements that would lead to its adaptation as a play?

3. Around the World in Eighty Days is considered one of the most popular adventure novels of all time. What do you think of this characterization and how would you compare it to contemporary adventure novels and films? What elements of the adventure genre have changed overtime, and where do you think today's adventure authors owe a debt to Verne?

4. Although the story begins in London, it eventually spans the entire globe. Despite the international setting, this book is distinctly British in many ways. Why might Verne have chosen a protagonist that is so quintessentially British, while the author himself was French?

5. Verne had an avid interest in science, particularly geology and geography, and was somewhat of an inventor. After having read Around the World in Eighty Days, does it surprise you that Verne is considered by many to be the father of science fiction? Where do you think Verne's scientific expertise adds to the story?

6. For Verne, the world is shrinking; exploration has given way to tourism and imperialism. In his Introduction, Bruce Sterling argues that comments on globalization in Eighty Days are particularly relevant today. Would you agree? What evidence can you find to support this, and what lessons do you think we can learn from this novel today?

7. In many ways, Verne's tale is one about the future, and many of his ideas have come to pass. Now that it is relatively easy to go around the world in eighty days, why is this tale still entertaining and relevant?

8. Many of the characters in the novel have names that in some way illuminate their roles. Why do you think Verne chose to call his hero Fogg, the detective Fix, and the assistant Passepartout, which means skeleton key in French?

9. Why do you think the hero, the mysterious Phileas Fogg, accepts the bet to travel the globe in eighty days?

10. When the book was written, the Parsee Indian Aouda represented the unknown and the exotic, but in many ways she is the character that the modern reader finds most familiar. Do you think this is true? In what ways is she now more modern than many of the other characters?

11. The precise and very British Phileas Fogg and his valet, the comic and very French Passepartout, are strikingly different characters. In what ways do their differences help to elucidate their individual character traits? Why does Verne include this relationship? Most of the time Passepartout is more a hindrance to his employer than helpful. Why do you think Fogg keeps him? In what ways does he serve to advance the plot, particularly with Aouda?

12. In many ways, Fogg's travels are more than just a race around the world but a quest, one in which the hero returns somehow transformed. Do you think Fogg's character is changed when he returns to London at the end of the challenge?

13. At the conclusion of the novel, the narrator asserts that Phileas Fogg in his journey has gained nothing but a charming woman, who, strange as it may appear, made him the happiest of men! Verne seems to be making the point that love and human relationships are more important than winning bets or other material gains. Do you think that the rest of the novel would support this assertion? If not, why might Verne have included it?

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