Los Miserables

Los Miserables

by Victor Hugo

Narrated by Rodrigo Martinez

Unabridged — 16 hours, 55 minutes

Los Miserables

Los Miserables

by Victor Hugo

Narrated by Rodrigo Martinez

Unabridged — 16 hours, 55 minutes

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Overview

Los miserables*es una*novela*del*poeta*y*escritor*francés*Victor Hugo*publicada en*1862, considerada como una de las obras más importantes del*siglo XIX. La novela, de*estilo romántico, plantea por medio de su argumento una discusión sobre el*bien*y el*mal, sobre la*ley, la*política, la*ética, la*justicia*y la*religión. El autor confesó que se había inspirado en*Vidocq*-criminal*francés que se redimió y acabó inaugurando la*Policía Nacional francesa- para crear a los dos protagonistas y que la*historia de su país*le había inspirado para situar el contexto histórico. Por ese motivo, los personajes viven la*Rebelión de junio*(1832) y los posteriores cambios políticos. Además, el autor analiza los*estereotipos*de aquel momento y muestra su oposición a la*pena de muerte. En su núcleo, al fin, la novela sirve como una defensa de los oprimidos sea cual sea el lugar o situación sociohistórica que vivan.


Editorial Reviews

Library Journal

Hugo's classic tale set against the backdrop of political upheaval in 19th-century France retains its timeless appeal in this notably condensed rendition of the struggles of former convict Jean Valjean. While the abridgment inevitably cuts many of the intricate subplots and minor characters who enrich Hugo's vast tome, this suspenseful central plot tracing Valjean's endeavor to emerge from desperate circumstances while being pursued by the duty-obsessed Inspector Javert remains intact and comprehensible to listeners. The principal characters retain their epic proportions, and the major themes of redemption through good works and the importance of authentic charity are undiminished. Narrator Michael York adds vigor and distinct characterizations to the broad cast of characters in this fittingly dramatic performance. Suitable for collections that do not already contain one of the many audio versions of this work (e.g., Audio Reviews, LJ 5/1/93).--Linda Bredengerd, Hanley Lib., Univ. of Pittsburgh, Bradford

Kirkus Reviews

The Hunchback of Notre Dame (40 pp.; Sept. 1997; 0-531- 30055-2): A storybook retelling of Hugo's classic of the lonely bellringer and his hopeless love for the beautiful gypsy girl, Esmerelda, whom he rescues from hanging and the evil archdeacon Dom Frollo and reunites with her mother. While remaining relatively faithful to the original, this version from Wynne- Jones (The Maestro, 1996, etc.) is always competent, but never compelling. Slavin creates lovely illustrations, but his pale washes leave even the most festive scenes sedate. The volume lacks power or emotion; adults seeking an alternative—any alternative—to the Disney film may find that this one hardly competes for the hearts and minds of the target audience.

AUG/SEP 06 - AudioFile

Un ex-presidiario llega a convertirse en un hombre de bien y respetado por la sociedad. Su pasado estará siempre presente en la mente de los demás y originando con esto situaciones desagradables en su vida. Narrando entre capítulos y diálogos, la voz del presentador da pie a los actores, con su voz siempre apacible y sin intención alguna de expresar mas emociones que solo las necesarias. Los actores, trabajan sus personajes de forma notable, presentando buena calidad interpretativa y mucha intención dramática, llegando en algunos momentos al clímax actoral. Incluso hay momentos tan intensos, que el lector puede sentir la brillante dramatización hasta el fondo de su ser. M.B.M.

[ENGLISH TRANSLATION]--An ex-convict longs to transform himself into a person respected by society, but his unfortunate past remains in the memories of others. A merciless police inspector recognizes and persecutes him, trying to return him to prison--all for the theft of a slice of bread. Reading both narrative and dialogue, the main voice gives continuity to the actors in this dramatic production. His restrained manner never tries to express more emotion than necessary. The background music and quiet delivery sometimes obscure important words. The other narrators develop credible personalities with their skillful interpretations, sometimes achieving a dramatic crescendo. There are moments so intense that listeners may feel them in the bottom of their being. J.A.H. © AudioFile 2006, Portland, Maine

Product Details

BN ID: 2940175878340
Publisher: Stream Readers
Publication date: 09/09/2022
Edition description: Unabridged
Language: Spanish

Read an Excerpt

So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilisation, artificially creates hells on earth, and complicates a destiny that is divine, with human fatality; so long as the three problems of the age--the degradation of man by poverty, the ruin of woman by starvation, and the dwarfing of childhood by physical and spiritual night--are not yet solved; as long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless. Hauteville House, 1862.


1815, M. Charles Franois-Bienvenu Myriel was Bishop of D----. He was a man of seventy-five, and had occupied the bishopric of D---- since 1806. Although it in no manner concerns, even in the remotest degree, what we have to relate, it may not be useless, were it only for the sake of exactness in all things, to notice here the reports and gossip which had arisen on his account from the time of his arrival in the diocese.

Be it true or false, what is said about men often has as much influence upon their lives, and especially upon their destinies, as what they do.

M. Myriel was the son of a counsellor of the Parlement of Aix; of the rank given to the legal profession. His father, intending him to inherit his place, had contracted a marriage for him at the early age of eighteen or twenty, according to a widespread custom among parliamentary families. Charles Myriel, notwithstanding this marriage, had, it was said, been an object of much attention. His person was admirably moulded; although of slight figure, he was elegant andgraceful; all the earlier part of his life had been devoted to the world and to its pleasures. The revolution came, events crowded upon each other; the parliamentary families, decimated, hunted, and pursued, were soon dispersed. M. Charles Myriel, on the first outbreak of the revolution, emigrated to Italy. His wife died there of a lung complaint with which she had been long threatened. They had no children. What followed in the fate of M. Myriel? The decay of the old French society, the fall of his own family, the tragic sights of '93, still more fearful, perhaps, to the exiles who beheld them from afar, magnified by fright--did these arouse in him ideas of renunciation and of solitude? Was he, in the midst of one of the reveries or emotions which then consumed his life, suddenly attacked by one of those mysterious and terrible blows which sometimes overwhelm, by smiting to the heart, the man whom public disasters could not shake, by aiming at life or fortune? No one could have answered; all that was known was that when he returned from Italy he was a priest.

In 1804, M. Myriel was cure of B----(Brignolles). He was then an old man, and lived in the deepest seclusion.

Near the time of the coronation, a trifling matter of business belonging to his curacy--what it was, is not now known precisely--took him to Paris.

Among other personages of authority he went to Cardinal Fesch on behalf of his parishioners.

One day, when the emperor had come to visit his uncle, the worthy cure, who was waiting in the ante-room, happened to be on the way of his Majesty. Napoleon noticing that the old man looked at him with a certain curiousness, turned around and said brusquely:

'Who is this goodman who looks at me?'

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