Black Boy

Black Boy

by Richard Wright

Narrated by Peter Francis James

Unabridged — 15 hours, 28 minutes

Black Boy

Black Boy

by Richard Wright

Narrated by Peter Francis James

Unabridged — 15 hours, 28 minutes

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Overview

Richard Wright's*powerful and unforgettable memoir of his journey from innocence to experience in the Jim Crow South. At*once an unashamed confession and a profound indictment, Black Boy is a poignant record of struggle and endurance-a seminal literary work that illuminates our own time.

When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.”

The once controversial, now classic American autobiography*measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him-whites indifferent, pitying, or cruel, and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he made his way north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to ""hurl words into this darkness and wait for an echo."" Seventy-five years later, his words continue to reverberate.


Editorial Reviews

Sacred Fire

Black Boy is Richard Wright’s unforgettable story of growing up in the Jim Crow South. Published in 1945, it is often considered a fictionalized autobiography or an autobiographical novel because of Wright’s use of fiction techniques (and possibly fictional events) to tell his story. Nevertheless, the book is a lyrical and skillfully wrought description of Wright’s hungry youth in rural Mississippi and Memphis, told from the perspective of the adult Wright, who was still trying to come to grips with the cruel deprivations and humiliations of his childhood.

Life in the pre—civil rights South was intensely alienating for young Richard. At every turn, his desire to communicate was stunted, whether by famiIy members who insisted he "hush!" or by teachers who harassed and mocked him. He was surrounded by people he considered contemptibly ignorant, people who willingly allowed their lives to be restricted by tradition and authority no matter how illegitimate or self-destructive. Whether they were racist whites or passive, uncompassionate blacks, his fellow southerners viewed Richard’s independence and intelligence with suspicion and scorned and humiliated him for his family's poverty. He lashed out by hitting the streets: He was already drinking by the time he turned six, and he fought constantly. He finally found his outlet in writing; by the end of the book, he decided that there was nothing he could ever do to improve his life in the South and committed to moving to Chicago to pursue his art.

When first published,Black Boy was considered by many to be an angry attack on the racist South because of Wright’s hard-hitting portrayal of the racism he faced, not to mention his already-acquired reputation as a "protest writer." But the book’s value goes deeper than that: Wright bears witness to the American struggle for the right of self-definition. His own quest to escape the suffocating world of his childhood and find a place where he could freely exercise his individuality, creativity, and integrity was ultimately successful. But Black Boy also offers insight into an entire culture of people, both black and white, who had unthinkingly accepted a narrowly prescribed course of life. As Wright put it, "[though] they lived in America where in theory there existed equality of opportunity, they knew unerringly what to aspire to and what not to aspire to." Despite Wright’s stifling environment, his story is inspirational for its portrait of how a black boy shucked off the limited expectations of those around him and dared to aspire.

From the Publisher

Superb. . . . A great American writer speaks with his own voice about matters that still resonate at the center of our lives.” — New York Times Book Review

“A visceral and unforgettable account of a young black man’s coming of age in the American south in the bitter decades before the civil rights movement.” — Guardian

“In this poignant and disturbing book one of the most gifted of America’s younger writers turns from fiction to tell the story of his own life during the nineteen years he lived in the South.” — New York Times

“One of the most important literary talents of contemporary America.” — New York Times

“The publication of this new edition is not just an editorial innovation. It is a major event in American literary history.” — Andrew Delbanco, New Republic

Guardian

A visceral and unforgettable account of a young black man’s coming of age in the American south in the bitter decades before the civil rights movement.

New York Times Book Review

Superb. . . . A great American writer speaks with his own voice about matters that still resonate at the center of our lives.

New York Times

In this poignant and disturbing book one of the most gifted of America’s younger writers turns from fiction to tell the story of his own life during the nineteen years he lived in the South.

Andrew Delbanco

The publication of this new edition is not just an editorial innovation. It is a major event in American literary history.

Alfred Kazin

Superb....A great American writer speaks with his own voice about matters that still resonate at the center of our lives.

Library Journal

Son of a tenant farmer and school teacher, the award-winning novelist was always hungry as a boy. Whether at home, in an orphanage, or in the care of an aunt or grandmother, he begged or stole food without remorse. His 1945 Dickens-like story of abandonment, child labor, and self-education is a classic of survival in the Jim Crow South.

(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

FEB/MAR 99 - AudioFile

Wright's unforgettable account of his upbringing in the Deep South is harrowing. It makes palpable the terror that existed in the everyday lives of Southern blacks in the early part of the century. In Wright's America, an inadvertent remark or gesture could ignite a spasm of life-changing violence. As spellbinding as Wright's narrative is, James's reading makes it even more vivid. His command of Southern and African-American dialects lends an authority that makes Wright's disturbing story as vital and contemporary as ever. And James's timing underscores the tension and suspense that are never far removed in Wright's powerful story. M.O. ©AudioFile, Portland, Maine

Product Details

BN ID: 2940173147202
Publisher: HarperCollins Publishers
Publication date: 02/18/2020
Edition description: Unabridged

Read an Excerpt

Black Boy

Chapter One

One winter morning in the long-ago, four-year-old days of my life I found myself standing before a fireplace, warming my hands over a mound of glowing coals, listening to the wind whistle past the house outside. All morning my mother had been scolding me, telling me to keep still, warning me that I must make no noise. And I was angry, fretful, and impatient. In the next room Granny lay ill and under the day and night care of a doctor and I knew that I would be punished if I did not obey. I crossed restlessly to the window and pushed back the long fluffy white curtains-which I had been forbidden to touch-and looked yearningly out into the empty street. I was dreaming of running and playing and shouting, but the vivid image of Granny's old, white, wrinkled, grim face, framed by a halo of tumbling black hair, lying upon a huge feather pillow, made me afraid.

The house was quiet. Behind me my brother-a year younger than I-was playing placidly upon the floor with a toy. A bird wheeled past the window and I greeted it with a glad shout.

"You better hush," my brother said.

"You shut up," I said.

My mother stepped briskly into the room and closed the door behind her. She came to me and shook her finger in my face.

"You stop that yelling, you hear?" she whispered. "You know Granny's sick and you better keep quiet!"

I hung my head and sulked. She left and I ached with boredom.

"I told you so," my brother gloated.

"You shut up," I told him again.

I wandered listlessly about the room, trying to think of something to do, dreading the return of my mother, resentful of being neglected. The room heldnothing of interest except the fire and finally I stood before the shimmering embers, fascinated by the quivering coals. An idea of a new kind of game grew and took root in my mind. Why not throw something into the fire and watch it burn? I looked about. There was only my picture book and MY mother would beat me if I burned that. Then what? I hunted around until I saw the broom leaning in a closet. That's it ... Who would bother about a few straws if I burned them? I pulled out the broom and tore out a batch of straws and tossed them into the fire and watched them smoke, turn black, blaze, and finally become white wisps of ghosts that vanished. Burning straws was a teasing kind of fun and I took more of them from the broom and cast them into the fire. My brother came to my side, his eyes drawn by the blazing straws.

"Don't do that," he said.

"How come?" I asked.

"You'll burn the whole broom," he said.

"You hush," I said.

"I'll tell," he said.

"And I'll hit you," I said.

My idea was growing, blooming. Now I was wondering just how the long fluffy white curtains would look if I lit a bunch of straws and held it under them. Would I try it? Sure. I pulled several straws from the broom and held them to the fire until they blazed; I rushed to the window and brought the flame in touch with the hems of the curtains. My brother shook his head.

"Naw," he said.

He spoke too late. Red circles were eating into the white cloth: then a flare of flames shot out. Startled, I backed away. The fire soared to the ceiling and I trembled with fright. Soon a sheet of saw her taut face peering under the edge of the house. She had found me! I held my breath and waited to hear her command me to come to her. Her face went away; no, she had not seen me huddled in the dark nook of the chimney. I tucked my head into my arms and my teeth chattered.

"Richard!"

The distress I sensed in her voice was as sharp and painful as the lash of a whip on my flesh.

"Richard! The house is on fire. Oh, find my child!"

Yes, the house was afire, but I was determined not to leave my place of safety. Finally I saw another face peering under the edge of the house; it was my father's. His eyes must have become accustomed to the shadows, for he was now pointing at me.

"There he is!"

"Naw!" I screamed.

"Come here, boy!"

"Naw!"

"The house is on fire!"

"Leave me 'lone!"

He crawled to me and caught hold of one of my legs. I hugged the edge of the brick chimney with all of my strength. My father yanked my leg and I clawed at the chimney harder.

"Come outta there, you little fool!"

"Turn me loose!"

I could not withstand the tugging at my leg and my fingers relaxed. It was over. I would be beaten. I did not care any more. I knew what was coming. He dragged me into the back yard and the instant his hand left me I jumped to my feet and broke into a wild run, trying to elude the people who surrounded me, heading for the street. I was caught before I had gone ten paces.

From that moment on things became tangled for me. Out of the weeping and the shouting and the wild talk, I learned that no one had died in the fire. My brother, it seemed, had finally overcome enough of his panic to warn my mother, but not before more than half the house had been destroyed. Using the mattress as a stretcher, Grandpa and an uncle had lifted Granny from her bed and had rushed her to the safety of a neighbor's house. My long absence and silence had made everyone think, for a while, that I had perished in the blaze.

Black Boy. Copyright (c) by Richard Wright . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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