Worthy Brown’s Daughter is a fast and absorbing read, and Margolin’s law expertise makes the book’s climax…an exciting moment indeed.
The action is brisk and the villains are shifty…[t]his energetic tale does cover interesting regional history for readers who might be averse to picking up a book of nonfiction, but who are willing to follow Margolin in his break from the regular routine.
09/02/2013
Worthy Brown’s Daughter is a fast and absorbing read, and Margolin’s law expertise makes the book’s climax…an exciting moment indeed.” — Seattle Times
“Margolin shines in recreating pioneer life .. . . there’s legal wrangling, murder and romance, set against the backdrop of race and frontier life. . . . his scene-setting, knowledge of the frontier and relating of the hard task of the law make for an appealing read.” — Kirkus Reviews
“With plenty of action…the lively narrative will keep readers engrossed.” — Library Journal
“Margolin captures both the haphazard legal theater—when judges ride the circuit, Portland’s ‘courthouse’ is a loft on the third floor of the Coleman Barrel Company—and the daunting racism of the times.” — Oregonian (Portland)
“Worthy Brown’s Daughter reads something like Deadwood meets Twelve Years a Slave . The finale in the courtroom is as brilliant and exciting as any great legal drama…. [A] beautifully written story rooted in America’s brutal history of slavery and racism.” — Iron Mountain News
“[A] compelling tale of justice for sale… vibrant characters…bring the West to life…. If you like westerns or legal thrillers you will get both in Worthy Brown’s Daughter .” — Huffington Post
“The Old West comes alive in heart-wrenching, violent, and wicked racist color…. Legal thriller and western fans will stay with it to the last page.… Margolin’s novel offers a compelling portrait of small town justice done right.” — Booklist
“Margolin. . . [and] allows passions to sway his heroes, and generates empathy toward his crooks . . . . [On] the courtroom floor, where Margolin is clearly at home, [there is] a satisfying, white-knuckle climax.” — Publishers Weekly
“This departure for best-selling thriller writer Margolin might appeal to fans of the acclaimed movie 12 Years a Slave .” — USA Today , “New & Noteworthy”
“In New York Times bestselling author Phillip Margolin’s first historical, recently widowed attorney Matthew Penny has come to newly-settled Oregon to start fresh. He stumbles into the most challenging case of his career when a former slave, Worthy Brown, asks him to save his teenage daughter.” — Huffington Post , “Books I Want to Read Most in 2014” by Wendy Webb, author of The Vanishing
“Phillip Margolin explores intriguing new territory in Worthy Brown’s Daughter , a compelling historical drama, set in nineteenth-century Oregon, that combines a heartbreaking story of slavery and murder with classic Margolin plot twists.” — Bookreporter.com
“The action is brisk and the villains are shifty…[t]his energetic tale does cover interesting regional history for readers who might be averse to picking up a book of nonfiction, but who are willing to follow Margolin in his break from the regular routine.” — Bellingham Herald
[A] compelling tale of justice for sale… vibrant characters…bring the West to life…. If you like westerns or legal thrillers you will get both in Worthy Brown’s Daughter .
Worthy Brown’s Daughter reads something like Deadwood meets Twelve Years a Slave . The finale in the courtroom is as brilliant and exciting as any great legal drama…. [A] beautifully written story rooted in America’s brutal history of slavery and racism.
Margolin captures both the haphazard legal theater—when judges ride the circuit, Portland’s ‘courthouse’ is a loft on the third floor of the Coleman Barrel Company—and the daunting racism of the times.
The Old West comes alive in heart-wrenching, violent, and wicked racist color…. Legal thriller and western fans will stay with it to the last page.… Margolin’s novel offers a compelling portrait of small town justice done right.
The Old West comes alive in heart-wrenching, violent, and wicked racist color…. Legal thriller and western fans will stay with it to the last page.… Margolin’s novel offers a compelling portrait of small town justice done right.
This departure for best-selling thriller writer Margolin might appeal to fans of the acclaimed movie 12 Years a Slave .
Phillip Margolin explores intriguing new territory in Worthy Brown’s Daughter , a compelling historical drama, set in nineteenth-century Oregon, that combines a heartbreaking story of slavery and murder with classic Margolin plot twists.
The American frontier drew scoundrels and saints seeking a fresh start. Narrator Jason Culp colorfully creates such types with crisp shadings and dialects in this riveting drama. The center of this story, set in fledgling Portland, Oregon, is haunted attorney Matthew Penny. Penny takes the case of freed slave Worthy Brown, whose daughter remains the property of slimy transplanted lawyer Caleb Barbour, who reneged on his promise to free her. Murder follows, with the anguished Penny seeking justice. Culp's soft-spoken portrayal of Penny reveals the young lawyer's cagey intellect. Culp also utilizes his vocal chops to create memorable secondary characters, not just among the many males but also for key females. Like the mighty Willamette, this sterling production rolls swiftly along. D.E.M. © AudioFile 2014, Portland, Maine
FEBRUARY 2014 - AudioFile
2013-10-21Sleight of Hand, 2013, etc.) turns back the clock to confront murder, deceit and slavery in frontier Oregon. It's 1860. Matthew Penny's established a hardscrabble law practice in bustling Portland, but Matthew isn't happy. On the trail from Ohio to Oregon, his wife, Rachel, drowned during a river crossing. Haunted by her death, Matthew throws himself into cases he finds in taverns, farms and settlements, like Phoenix. Matthew's there to try a civil case against Ben Gillette, Oregon's richest man. Before that trial, however, the judge compels Matthew to defend a salesman against theft charges brought by a beautiful, mysterious traveler from San Francisco, Sharon Hill. Matthew loses, but before that trial, he had been approached by Worthy Brown, a former slave. Worthy warns him that Ben's attorney intends to fix the Gillette jury. For that information, Worthy wants Matthew's assistance in freeing his daughter from indentured servitude. Ben's attorney, Caleb Barbour, came to Oregon from the slave state of Georgia. Caleb's reneged on a promise to free the pair after arrival in Oregon. Margolin's novel draws on historical elements, but midnarrative, he strays from legal confrontations over slavery. The story becomes historical fiction encompassing murder and romance, albeit one peopled with sympathetic characters, major and minor. Margolin shines in recreating pioneer life, especially as Matthew rides the court circuit, traipses mud-bogged Portland streets and sails to gold-rush–rich San Francisco. There, Matthew confronts a crooked lawyer conspiring to loot the Gillette empire. In the end, there's legal wrangling, murder and romance, set against the backdrop of race and frontier life. Margolin's dialogue is sometimes affected, sometimes faintly anachronistic, but his scene-setting, knowledge of the frontier and relating of the hard task of the law make for an appealing read that, the author says, took 30 years to write.
