Laura Ingalls Wilder's books have been treasured by generations of readers who have immersed themselves in her stories of American pioneer life. At first, listeners may be a bit put off by this audio production. As the narration moves between John Morgan's historical narrative and Tish Hicks's performance of the various letters, the pauses after section headings are awkward until one gets accustomed to the production’s cadence. However, a little patience goes a long way. Morgan and Hicks are excellent, offering clear and rich deliveries with a warmth worthy of Ingalls herself. While fans might wish for more detail about her daily life—the biographical information is largely limited to snippets between the letters—this fascinating look at American history through letters and postcards is an unexpected surprise. L.B.F. © AudioFile 2016, Portland, Maine

01/11/2016
Laura Ingalls Wilder, born in a log cabin in Wisconsin in 1867, published eight novels based on her frontier childhood. The much-loved Little House on the Prairie series has charmed several generations, and an equally beloved TV show based on it aired from 1974 to 1983. Anderson, her biographer and the author of several other Wilder-themed books such as The Little House Guidebook, assembles letters spanning 62 years of her long, productive life, from 1894 to 1956. They mix Wilder’s common-sense advice, acute observations of Americana, and nostalgia for her childhood. Some radiate the pioneer virtues, spirited optimism, and pluck that give Wilder’s books enduring appeal. Others reflect a sharp-eyed entrepreneur intent on building her brand. A number of letters provide rich descriptions of road trips through California and the still untamed West, and in one, Wilder notes she is grateful to be driving in a car, rather than a covered wagon. Wilder was unfailingly gracious to her many fans; she wrote back to one admirer who had sent her a photograph, “You look like a person it would be pleasant to know.” Wilder’s letters display a writer who kept her head amid growing fame, remaining sweet, down-to-earth, and immensely likable until her death in 1957. (Mar.)

A must for a new generation of readers of Wilder’s stories and for those who recall having enjoyed the “Little House” books as a child and wish to gain further insight into the life of the series’ author.” — Library Journal

“Wilder fans will surely rejoice at this collection, which may also serve to introduce a new generation of readers to this important and much-loved American author.” — Booklist

“[I]n her letters, just as in her books and in person, Laura Ingalls Wilder is effortlessly sunny good company...[R]eading these wonderfully human letters will make every reader hope for more.” — Christian Science Monitor

Wilder fans will surely rejoice at this collection, which may also serve to introduce a new generation of readers to this important and much-loved American author.

[I]n her letters, just as in her books and in person, Laura Ingalls Wilder is effortlessly sunny good company...[R]eading these wonderfully human letters will make every reader hope for more.

Wilder fans will surely rejoice at this collection, which may also serve to introduce a new generation of readers to this important and much-loved American author.

03/15/2016
Biographer and historian Anderson (Laura Ingalls Wilder: A Biography; River Boy: The Story of Mark Twain) draws on archives and personal collections for the more than 400 letters—the last known previously unpublished material—that comprise this glimpse into the inner life of Laura Ingalls Wilder (1867–1957). Renowned for her immensely popular "Little House on the Prairie" series, Wilder first published the stories when she was in her 60s as a response to the Great Depression. Spanning much of her adult life, from 1894 up to the year before her death, these missives comment on family (in particular, correspondence with Wilder's daughter and collaborator, Rose Wilder Lane), the day's current events, Wilder's childhood, and the books that made her a household name. Conversational and affable, Wilder's observations benefit from Anderson's headnotes and a contextual introduction that draws on his vast knowledge of the novelist's achievements. Still, even such a treasure trove of exchanges leaves gaps: "This is only a fraction of her lifetime correspondence," writes Anderson. "Sad to say, many of her letters are lost to history." VERDICT A must for a new generation of readers of Wilder's stories and for those who recall having enjoyed the "Little House" books as a child and wish to gain further insight into the life of the series' author. [See Prepub Alert, 9/28/15.]—Patrick A. Smith, Bainbridge State Coll., GA

Laura Ingalls Wilder's books have been treasured by generations of readers who have immersed themselves in her stories of American pioneer life. At first, listeners may be a bit put off by this audio production. As the narration moves between John Morgan's historical narrative and Tish Hicks's performance of the various letters, the pauses after section headings are awkward until one gets accustomed to the production’s cadence. However, a little patience goes a long way. Morgan and Hicks are excellent, offering clear and rich deliveries with a warmth worthy of Ingalls herself. While fans might wish for more detail about her daily life—the biographical information is largely limited to snippets between the letters—this fascinating look at American history through letters and postcards is an unexpected surprise. L.B.F. © AudioFile 2016, Portland, Maine

2016-01-02
Laura Ingalls Wilder (1867-1957) scholar Anderson (River Boy: The Story of Mark Twain, 2003, etc.) presents a collection of her heretofore unpublished personal and business letters. This collection is by no means exhaustive, and in his introduction, editor Anderson laments that many of Wilder's letters were lost. Still, the letters written to her daughter Rose Wilder Lane during the production of the Little House series open a window into the author's writing process and her apparent collaboration with her daughter on the series. The anthology is often uneven, especially the first few chapters, in which many of the letters are edited in a manner that leaves their contents unclear and others are short postcards that convey no relevant information. Anderson provides some brief context, but only readers intensely interested in the minutiae of Wilder's life—for instance, what kind of melons she sent to her husband—will find these engaging. Anderson warns that passages that "contain redundant information" will be replaced throughout the book with either ellipses or italicized summaries of the contents, but in these early chapters, the ellipses are ubiquitous, and it is rarely clear what redundancies have been edited. Eventually, though, the collection becomes delightful as Wilder begins work on her famous book series. Letters sent to her daughter, editor, agent, and fans all demonstrate intriguing aspects of her childhood, home life, and writing process. It's unfortunate that the collection contains so few of the letters written to Wilder by others. One of the pleasures of reading correspondence is the feeling of intimacy conferred by seeing a relationship unfold. With only one side of the many relationships portrayed here, some of that intimacy is lost. As with many volumes of selected letters, this one is studded with interesting material but patchy overall.