The Innocent Man: Murder and Injustice in a Small Town
#1 NEW YORK TIMES BESTSELLER ¿ LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES ¿ “Both an American tragedy and [Grisham's] strongest legal thriller yet, all the more gripping because it happens to be true.”-Entertainment Weekly

John Grisham's first work of nonfiction: a true crime masterpiece that tells the story of small town justice gone terribly awry.

In the Major League draft of 1971, the first player chosen from the state of Oklahoma was Ron Williamson. When he signed with the Oakland A's, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory. Six years later he was back, his dreams broken by a bad arm and bad habits. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa.

In 1982, a twenty-one-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder. With no physical evidence, the prosecution's case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row.

If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you.

Don't miss Framed, John Grisham's first work of nonfiction since The Innocent Man, co-authored with Centurion Ministries founder Jim McCloskey.
1101094873
The Innocent Man: Murder and Injustice in a Small Town
#1 NEW YORK TIMES BESTSELLER ¿ LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES ¿ “Both an American tragedy and [Grisham's] strongest legal thriller yet, all the more gripping because it happens to be true.”-Entertainment Weekly

John Grisham's first work of nonfiction: a true crime masterpiece that tells the story of small town justice gone terribly awry.

In the Major League draft of 1971, the first player chosen from the state of Oklahoma was Ron Williamson. When he signed with the Oakland A's, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory. Six years later he was back, his dreams broken by a bad arm and bad habits. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa.

In 1982, a twenty-one-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder. With no physical evidence, the prosecution's case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row.

If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you.

Don't miss Framed, John Grisham's first work of nonfiction since The Innocent Man, co-authored with Centurion Ministries founder Jim McCloskey.
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The Innocent Man: Murder and Injustice in a Small Town

The Innocent Man: Murder and Injustice in a Small Town

by John Grisham

Narrated by Craig Wasson

Unabridged — 12 hours, 34 minutes

The Innocent Man: Murder and Injustice in a Small Town

The Innocent Man: Murder and Injustice in a Small Town

by John Grisham

Narrated by Craig Wasson

Unabridged — 12 hours, 34 minutes

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Overview

#1 NEW YORK TIMES BESTSELLER ¿ LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES ¿ “Both an American tragedy and [Grisham's] strongest legal thriller yet, all the more gripping because it happens to be true.”-Entertainment Weekly

John Grisham's first work of nonfiction: a true crime masterpiece that tells the story of small town justice gone terribly awry.

In the Major League draft of 1971, the first player chosen from the state of Oklahoma was Ron Williamson. When he signed with the Oakland A's, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory. Six years later he was back, his dreams broken by a bad arm and bad habits. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa.

In 1982, a twenty-one-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder. With no physical evidence, the prosecution's case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row.

If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you.

Don't miss Framed, John Grisham's first work of nonfiction since The Innocent Man, co-authored with Centurion Ministries founder Jim McCloskey.

Editorial Reviews

Entertainment Weekly

Grisham has written both an American tragedy and HIS STRONGEST LEGAL THRILLER YET, all the more gripping because it happens to be true.

New York Post

AS FANTASTIC AND GRIPPING AS ANY OF HIS FICTIONAL WORK.

New York Daily News

GRISHAM IS AT HIS SUCCINCT, AND OFTEN SARDONIC, BEST.

The Boston Globe

A PAGE-TURNING AND CHILLING descent into one innocent man's Kafkaesque nightmare of injustice and madness.

Time Magazine

A GRITTY, HARROWING TRUE-CRIME STORY.

Janet Maslin

Compared with other works in its genre, The Innocent Man is less spectacular than sturdy. It is a reminder not only of how propulsively Mr. Grisham's fiction is constructed but of how difficult it is to make messy reality behave in clear, streamlined fashion.
—The New York Times

Jonathan Yardley

The Innocent Man is a useful companion to Ultimate Punishment (2003), the argument against the death penalty by that other lawyer who writes skillful fiction, Scott Turow. Like Turow, Grisham realizes that the most powerful argument against the death penalty is that it kills the innocent as well as the guilty, a case that he makes simply by telling Williamson and Fritz's story. His prose here isn't as good as it is in his novels…but his reasoning is sound and his passion is contagious.
—The Washington Post

Publishers Weekly

Grisham's first work of nonfiction focuses on the tragedy of Ron Williamson, a baseball hero from a small town in Oklahoma who winds up a dissolute, mentally unstable Major League washout railroaded onto death row for a hometown rape and murder he did not commit. Judging by this author-approved abridgment, Grisham has chosen to present Williamson's painful story (and that of his equally innocent "co-conspirator," Dennis Fritz) as straightforward journalism, eschewing the more familiar "nonfiction novel" approach with its reconstructed dialogues and other adjustments for dramatic purpose. This has resulted in a book that, while it includes such intriguing elements as murder, rape, detection and judicial injustice, consists primarily of objective reportage, albeit shaded by the now-proven fact of Williamson's innocence. The absence of dialogue or character point of view could make for a rather bland audio. Boutsikaris avoids that by reverting to what might be called old-fashioned round-the-campfire storytelling, treating the lengthy exposition to vocal interpretations, subtle and substantial. He narrates the events leading up to the 1982 rape and murder of a young cocktail waitress with a mixture of suspicion and curiosity, moving on to astonishment at the prosecution's use of deceit and false testimony to convict Williamson and Fritz and, eventually, elation at the exoneration of the two innocent men. Throughout, he maintains an appealing conversational tone, an effect made all the more remarkable by the book's nearly total absence of conversation. Simultaneous release with the Doubleday hardcover. (Nov.)

Copyright 2007 Reed Business Information

From the Publisher

A gritty, harrowing, true-crime story.”Time

“A triumph.”Seattle Times

“Grisham has crafted a legal thriller every bit as suspenseful and fast-paced as his best-selling fiction.”Boston Globe

“Grisham’s pared-down prose and matter-of-fact voice make for tense reading.”People

“Skillfully told . . . An important book.”Atlanta Journal-Constitution

“Meticulously researched . . . a compelling narrative.”Entertainment Weekly

“John Grisham’s latest book has the usual touches fans have come to expect from the master of the legal thriller: suspense, shock, even a wrongful conviction and near execution. But this time, the tale is true.”—Associated Press

JUN/JUL 07 - AudioFile

Dennis Boutsikaris reads with an understated tone and careful pacing to capture the authentic experience of an innocent man who waits to be executed on death row. This true narrative depicts the mental torture and decline of Ron Williamson over several decades of incarceration. Williamson was accused and convicted of the rape and murder of 21-year-old Debra Sue Carter, based on junk science, ill-conceived motives, and the testimony of prisoners who had something to gain from false statements. Boutsikaris’s portrayal of Williamson’s frustration and horror as he screams for hours from his cell’s confinement brings chills. This audiobook will shock—and make you doubt the criminal justice system. G.D.W. © AudioFile 2007, Portland, Maine

Product Details

BN ID: 2940171904494
Publisher: Penguin Random House
Publication date: 10/10/2006
Edition description: Unabridged
Sales rank: 430,604

Read an Excerpt

Chapter 1

The rolling hills of southeast Oklahoma stretch from Norman across to Arkansas and show little evidence of the vast deposits of crude oil that were once beneath them. Some old rigs dot the countryside; the active ones churn on, pumping out a few gallons with each slow turn and prompting a passerby to ask if the effort is really worth it. Many have simply given up, and sit motionless amid the fields as corroding reminders of the glory days of gushers and wildcatters and instant fortunes.

There are rigs scattered through the farmland around Ada, an old oil town of sixteen thousand with a college and a county courthouse. The rigs are idle, though–the oil is gone. Money is now made in Ada by the hour in factories and feed mills and on pecan farms.

Downtown Ada is a busy place. There are no empty or boarded-up buildings on Main Street. The merchants survive, though much of their business has moved to the edge of town. The cafés are crowded at lunch.

The Pontotoc County Courthouse is old and cramped and full of lawyers and their clients. Around it is the usual hodgepodge of county buildings and law offices. The jail, a squat, windowless bomb shelter, was for some forgotten reason built on the courthouse lawn. The methamphetamine scourge keeps it full.

Main Street ends at the campus of East Central University, home to four thousand students, many of them commuters. The school pumps life into the community with a fresh supply of young people and a faculty that adds some diversity to southeastern Oklahoma.

Few things escape the attention of the Ada Evening News, a lively daily that covers the region and works hard to compete with The Oklahoman, the state’s largest paper. There’s usually world and national news on the front page, then state and regional, then the important items–high school sports, local politics, community calendars, and obituaries.

The people of Ada and Pontotoc County are a pleasant blend of small-town southerners and independent westerners. The accent could be from east Texas or Arkansas, with flat i’s and other long vowels. It’s Chickasaw country. Oklahoma has more Native Americans than any other state, and after a hundred years of mixing many of the white folks have Indian blood. The stigma is fading fast; indeed, there is now pride in the heritage.

The Bible Belt runs hard through Ada. The town has fifty churches from a dozen strains of Christianity. They are active places, and not just on Sundays. There is one Catholic church, and one for the Episcopalians, but no temple or synagogue. Most folks are Christians, or claim to be, and belonging to a church is rather expected. A person’s social status is often determined by religious affiliation.

With sixteen thousand people, Ada is considered large for rural Oklahoma, and it attracts factories and discount stores. Workers and shoppers make the drive from several counties. It is eighty miles south and east of Oklahoma City, and three hours north of Dallas. Everybody knows somebody working or living in Texas.

The biggest source of local pride is the quarter-horse “bidness.” Some of the best horses are bred by Ada ranchers. And when the Ada High Cougars win another state title in football, the town struts for years.

It’s a friendly place, filled with people who speak to strangers and always to each other and are anxious to help anyone in need. Kids play on shaded front lawns. Doors are left open during the day. Teenagers cruise through the night causing little trouble.

Had it not been for two notorious murders in the early 1980s, Ada would have gone unnoticed by the world. And that would have been just fine with the good folks of Pontotoc County.


As if by some unwritten city ordinance, most of the nightclubs and watering holes in Ada were on the periphery of the town, banished to the edges to keep the riffraff and their mischief away from the better folks. The Coachlight was one such place, a cavernous metal building with bad lighting, cheap beer, jukeboxes, a weekend band, a dance floor, and outside a sprawling gravel parking lot where dusty pickups greatly outnumbered sedans. Its regulars were what you would expect–factory workers looking for a drink before heading home, country boys looking for fun, late-night twenty-somethings, and the dance and party crowd there to listen to live music. Vince Gill and Randy Travis passed through early in their careers.

It was a popular and busy place, employing many part-time bartenders and bouncers and cocktail waitresses. One was Debbie Carter, a twenty-one-year-old local girl who’d graduated from Ada High School a few years earlier and was enjoying the single life. She held two other part-time jobs and also worked occasionally as a babysitter. Debbie had her own car and lived by herself in a three-room apartment above a garage on Eighth Street, near East Central University. She was a pretty girl, darkhaired, slender, athletic, popular with the boys, and very independent.

Her mother, Peggy Stillwell, worried that she was spending too much time at the Coachlight and other clubs. She had not raised her daughter to live such a life; in fact, Debbie had been raised in the church. After high school, though, she began partying and keeping later hours. Peggy objected and they fought occasionally over the new lifestyle. Debbie became determined to have her independence. She found an apartment, left home, but remained very close to her mother.

On the night of December 7, 1982, Debbie was working at the Coachlight, serving drinks and watching the clock. It was a slow night, and she asked her boss if she could go off-duty and hang out with some friends. He did not object, and she was soon sitting at a table having a drink with Gina Vietta, a close friend from high school, and some others. Another friend from high school, Glen Gore, stopped by and asked Debbie to dance. She did, but halfway through the song she suddenly stopped and angrily walked away from Gore. Later, in the ladies’ restroom, she said she would feel safer if one of her girlfriends would spend the night at her place, but she did not say what worried her.

The Coachlight began closing early, around 12:30 a.m., and Gina Vietta invited several of their group to have another drink at her apartment. Most said yes; Debbie, though, was tired and hungry and just wanted to go home. They drifted out of the club, in no particular hurry.

Several people saw Debbie in the parking lot chatting with Glen Gore as the Coachlight was shutting down. Tommy Glover knew Debbie well because he worked with her at a local glass company. He also knew Gore. As he was getting in his pickup truck to leave, he saw Debbie open the driver’s door of her car. Gore appeared from nowhere, they talked for a few seconds, then she pushed him away.

Mike and Terri Carpenter both worked at the Coachlight, he as a bouncer, she as a waitress. As they were walking to their car, they passed Debbie’s. She was in the driver’s seat, talking to Glen Gore, who was standing beside her door. The Carpenters waved good-bye and kept walking. A month earlier Debbie had told Mike that she was afraid of Gore because of his temper.

Toni Ramsey worked at the club as a shoe-shine girl. The oil business was still booming in Oklahoma in 1982. There were plenty of nice boots being worn around Ada. Someone had to shine them, and Toni picked up some much-needed cash. She knew Gore well. As Toni left that night, she saw Debbie sitting behind the wheel of her car. Gore was on the passenger’s side, crouching by the open door, outside the car. They were talking in what seemed to be a civilized manner. Nothing appeared to be wrong.

Gore, who didn’t own a car, had bummed a ride to the Coachlight with an acquaintance named Ron West, arriving there around 11:30. West ordered beers and settled in to relax while Gore made the rounds. He seemed to know everyone. When last call was announced, West grabbed Gore and asked him if he still needed a ride. Yes, Gore said, so West went to the parking lot and waited for him. A few minutes passed, then Gore appeared in a rush and got in.

They decided they were hungry, so West drove to a downtown café called the Waffler, where they ordered a quick breakfast. West paid for the meal, just as he’d paid for the drinks at the Coachlight. He had started the night at Harold’s, another club where he’d gone looking for some business associates. Instead, he bumped into Gore, who worked there as an occasional bartender and disc jockey. The two hardly knew each oher, but when Gore asked for a ride to the Coachlight, West couldn’t say no.

West was a happily married father with two young daughters and didn’t routinely keep late hours in bars. He wanted to go home but was stuck with Gore, who was becoming more expensive by the hour. When they left the café, West asked his passenger where he wanted to go. To his mother’s house, Gore said, on Oak Street, just a few blocks to the north. West knew the town well and headed that way, but before they made it to Oak Street, Gore suddenly changed his mind. After riding around with West for several hours, Gore wanted to walk. The temperature was frigid and falling, with a raw wind. A cold front was moving in.

They stopped near the Oak Avenue Baptist Church, not far from where Gore said his mother lived. He jumped out, said thanks for everything, and began walking west.

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