Mansfield Park: Introduction by Peter Conrad
At the center of Jane Austen's Mansfield Park is Fanny Price, the classic “poor cousin” who has been brought to live with the rich Sir Thomas Bertram and his wife as an act of charity. Over time, Fanny comes to demonstrate forcibly those virtues Austen most admired: modesty, firm principles, and a loving heart. As Fanny watches her cousins Maria and Julia cast aside their scruples in dangerous flirtations (and worse), and as she herself resolutely resists the advantages of marriage to the fascinating but morally unsteady Henry Crawford, her seeming austerity grows in appeal and makes clear why she was Austen’s own favorite among her heroines.

Mansfield Park encompasses not only Austen’s great comedic gifts and her genius as a historian of the human animal, but her personal credo as well—her faith in a social order that combats chaos through civil grace, decency, and wit. With an introduction by Peter Conrad.

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Mansfield Park: Introduction by Peter Conrad
At the center of Jane Austen's Mansfield Park is Fanny Price, the classic “poor cousin” who has been brought to live with the rich Sir Thomas Bertram and his wife as an act of charity. Over time, Fanny comes to demonstrate forcibly those virtues Austen most admired: modesty, firm principles, and a loving heart. As Fanny watches her cousins Maria and Julia cast aside their scruples in dangerous flirtations (and worse), and as she herself resolutely resists the advantages of marriage to the fascinating but morally unsteady Henry Crawford, her seeming austerity grows in appeal and makes clear why she was Austen’s own favorite among her heroines.

Mansfield Park encompasses not only Austen’s great comedic gifts and her genius as a historian of the human animal, but her personal credo as well—her faith in a social order that combats chaos through civil grace, decency, and wit. With an introduction by Peter Conrad.

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Mansfield Park: Introduction by Peter Conrad

Mansfield Park: Introduction by Peter Conrad

Mansfield Park: Introduction by Peter Conrad

Mansfield Park: Introduction by Peter Conrad

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Overview

At the center of Jane Austen's Mansfield Park is Fanny Price, the classic “poor cousin” who has been brought to live with the rich Sir Thomas Bertram and his wife as an act of charity. Over time, Fanny comes to demonstrate forcibly those virtues Austen most admired: modesty, firm principles, and a loving heart. As Fanny watches her cousins Maria and Julia cast aside their scruples in dangerous flirtations (and worse), and as she herself resolutely resists the advantages of marriage to the fascinating but morally unsteady Henry Crawford, her seeming austerity grows in appeal and makes clear why she was Austen’s own favorite among her heroines.

Mansfield Park encompasses not only Austen’s great comedic gifts and her genius as a historian of the human animal, but her personal credo as well—her faith in a social order that combats chaos through civil grace, decency, and wit. With an introduction by Peter Conrad.


Product Details

ISBN-13: 9780679412694
Publisher: Knopf Doubleday Publishing Group
Publication date: 06/02/1992
Series: Everyman's Library Classics Series
Edition description: Reprint
Pages: 536
Sales rank: 327,456
Product dimensions: 5.22(w) x 8.30(h) x 1.20(d)
Age Range: 7 - 9 Years

About the Author

About The Author
Though the domain of Jane Austen’s novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family’s entertainment. As a clergyman’s daughter from a well-connected family, she had an ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At twenty-one, she began a novel called The First Impressions, an early version of Pride and Prejudice. In 1801, on her father’s retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815).

After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby. Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen’s identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818.

Date of Birth:

December 16, 1775

Date of Death:

July 18, 1817

Place of Birth:

Village of Steventon in Hampshire, England

Place of Death:

Winchester, Hampshire, England

Education:

Taught at home by her father

Read an Excerpt

About thiry years ago, Miss Maria Ward, of Huntingdon, with only seven thousand pounds, had the good luck to captivate Sir Thomas Bertram, of Mansfield Park, in the county of Northampton, and to be thereby raised to the rank of a baronet's lady, with all the comforts and consequences of an handsome house and large income. All Huntingdon exclaimed on the greatness of the match, and her uncle, the lawyer, himself allowed her to be at least three thousand pounds short of any equitable claim to it. She had two sisters to be benefited by her elevation; and such of their acquaintances as thought Miss Ward and Miss Frances quite as handsome as Miss Maria, did not scruple to predict their marrying with almost equal advantage. But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them. Miss Ward, at the end of half-a-dozen years, found herself obliged to be attached to the Rev. Mr. Norris, a friend of her brother-in-law, with scarcely any private fortune, and Miss Frances fared yet worse. Miss Ward's match, indeed, when it came to the point, was not contemptible; Sir Thomas being happily able to give his friend an income in the living of Mansfield; and Mr. and Mrs. Norris began their career of conjugal felicity with very little less than a thousand a year. But Miss Frances married, in the common phrase, to disoblige her family, and by fixing on a lieutenant of marines, without education, fortune, or connections, did it very thoroughly. She could hardly have made a more untoward choice. Sir Thomas Bertram had interest which, from principle as well as pride, from a general wish of doing right, and a desire of seeing all that were connectedwith him in situations of respectability, he would have been glad to exert for the advantage of Lady Bertram's sister; but her husband's profession was such as no interest could reach; and before he had time to devise any other method of assisting them, an absolute breach between the sisters had taken place. It was the natural result of the conduct of each party, and such as a very imprudent marriage almost always produces. To save herself from useless remonstrance, Mrs. Price never wrote to her family on the subject till actually married. Lady Bertram, who was a woman of very tranquil feelings, and a temper remarkably easy and indolent, would have contented herself with merely giving up her sister, and thinking no more of the matter; but Mrs. Norris had a spirit of activity, which could not be satisfied till she had written a long and angry letter to Fanny, to point out the folly of her conduct, and threaten her with all its possible ill consequences. Mrs. Price, in her turn, was injured and angry; and an answer, which comprehended each sister in its bitterness, and bestowed such very disrespectful reflections on the pride of Sir Thomas, as Mrs. Norris could not possibly keep to herself, put an end to all intercourse between them for a considerable period.

Their homes were so distant, and the circles in which they moved so distinct, as almost to preclude the means of ever hearing of each other's existence during the eleven following years, or, at least, to make it very wonderful to Sir Thomas, that Mrs. Norris should ever have it in her power to tell them, as she now and then did, in an angry voice, that Fanny had got another child. By the end of eleven years, however, Mrs. Price could no longer afford to cherish pride or resentment, or to lose one connection that might possibly assist her. A large and still increasing family, an husband disabled for active service, but not the less equal to company and good liquor, and a very small income to supply their wants, made her eager to regain the friends she had so carelessly sacrificed; and she addressed Lady Bertram in a letter which spoke so much contrition and despondence, such a superfluity of children, and such a want of almost everything else, as could not but dispose them all to a reconciliation. She was preparing for her ninth lying-in; and after bewailing the circumstance, and imploring their countenance as sponsors to the expected child, she could not conceal how important she felt they might be to the future maintenance of the eight already in being. Her eldest was a boy of ten years old, a fine spirited fellow who longed to be out in the world; but what could she do? Was there any chance of his being hereafter useful to Sir Thomas in the concerns of his West Indian property? No situation would be beneath him; or what did Sir Thomas think of Woolwich? or how could a boy be sent out to the East?

The letter was not unproductive. It re-established peace and kindness. Sir Thomas sent friendly advice and professions, Lady Bertram dispatched money and baby-linen, and Mrs. Norris wrote the letters.

Such were its immediate effects, and within a twelvemonth a more important advantage to Mrs. Price resulted from it. Mrs. Norris was often observing to the others that she could not get her poor sister and her family out of her head, and that, much as they had all done for her, she seemed to be wanting to do more; and at length she could not but own it to be her wish that poor Mrs. Price should be relieved from the charge and expense of one child entirely out of her great number.

'What if they were among them to undertake the care of her eldest daughter, a girl now nine years old, of an age to require more attention than her poor mother could possibly give? The trouble and expense of it to them would be nothing, compared with the benevolence of the action.' Lady Bertram agreed with her instantly. 'I think we cannot do better,' said she; 'let us send for the child.'

Table of Contents

Acknowledgements
Introduction
Jane Austen: A Brief Chronology
A Note on the Text

Mansfield Park

Appendix A: The Theatricals at Mansfield Park

  1. August von Kotzebue, from Lovers’ Vows
  2. Austen family correspondence, from The Austen Papers
  3. Erasmus Darwin, from A Plan for the Conduct of Female Education in Boarding Schools
  4. Thomas Gisborne, from “On Amusements in General”

Appendix B: Religion

  1. Jane Austen’s prayers, from The Works of Jane Austen
  2. Hannah More, Strictures on the Modern System of Female Education
  3. William Wilberforce, from A Practical View of the Prevailing Religious System of Professed Christians
  4. Dr. John Gregory, from “Religion”

Appendix C: Ideals of Femininity

  1. Henry Austen, from “Biographical Notice” of Jane Austen
  2. Thomas Gisborne, from “On the Importance of the Female Character”
  3. Dr. John Gregory, from “Conduct and Behaviour”
  4. Hannah More, from “The Benefits of Restraint”

Appendix D: “The Improvement of the Estate”

  1. William Cowper, from The Garden
  2. Humphry Repton, from Observations on the Theory and Practice of Landscape Gardening

Appendix E: The West Indian Connection

  1. A Permanent and Effectual Remedy Suggested for the Evils Under Which the British West Indies Now Labour
  2. Joseph Lowe, from An Inquiry into the State of the British West Indies
  3. Excerpt from Frank Austen’s notebook 1808, from Jane Austen’s Sailor Brothers
  4. Thomas Clarkson, from The History of the Rise, Progress, and Accomplishment of the Abolition of the African Slave-Trade
  5. Hannah More, “The Sorrows of Yamba or the Negro Woman’s Lamentation”

Appendix F: Women’s Education

  1. Thomas Gisborne, from “On Female Education”
  2. Thomas Gisborne, from “On Parental Duties”
  3. Hannah More, from “Comparison of the Mode of Female Education in the Last Age With That of the Present Age”
  4. Maria Edgeworth and Richard Lovell Edgeworth, from “Prudence and Economy”
  5. Mary Wollstonecraft, from “Introduction” to A Vindication of the Rights of Woman

Appendix G: Contemporary Reception of Mansfield Park

  1. Richard Whateley, from Quarterly Review, January 1821
  2. Excerpt from “Opinions of Mansfield Park: collected and transcribed by Jane Austen”
  3. Excerpt from “Opinions of Emma: collected and transcribed by Jane Austen”

Appendix H: Jane Austen’s Letters and Mansfield Park

  1. Letter from JA to Cassandra Austen. January 1813
  2. Letter from JA to Francis Austen. July 1813
  3. Letter from JA to Francis Austen. September 1813

Works Cited and Recommended Reading

What People are Saying About This

Elizabeth Bowen

"The technique of the novel is beyond praise, and has been praised. The master of the art she choose, or that choose her, is complete: How she achieved it no one will ever know."

Russel-Mitford

"I would almost cut of one of my hands if it would enable me to writer like Jane Austin with the other."

From the Publisher

"McCaddon is the ideal choice to present this classic...a nineteenth-century 'tell all' just as impossible to resist as the tabloids in the check-out line." —-AudioFile

Reading Group Guide

1. Though it was very successful, Jane Austen deemed Pride and Prejudice, her second novel, rather too light.? As Carol Shields mentions in her Introduction, Austen hoped to address more serious issues in her next novel, Mansfield Park. Many readers and critics think Mansfield Park is Austen's most serious and most profound novel. How does it differ from Sense and Sensibility and Pride and Prejudice — How are her treatments of class, gender, relationships, and most especially, faith, more nuanced and more mature?

2. Describe the social positions of the three Ward sisters Lady Bertram, Mrs. Norris, and Mrs. Price. How did they arrive at such different circumstances and how have their circumstances presumably affected their personalities? How do the sisters treat each other and how much of this is the result of their respective status?

3. As soon as Sir Thomas decides to accept responsibility for one of Mrs. Price's children, Fanny is put into an unusual position. Sir Bertram says, although she is to live with them, she is not a Miss Bertram . . . their rank, fortune, rights and expectations will always be different.? Describe the family's feelings for Fanny as the novel develops. How does the treatment of Fanny by Mrs. Norris and the Bertram sisters distinguish her from the rest of the children? How does Fanny feel about the Bertrams and how do her feelings change, especially for Sir Bertram and Edmund? Before her marriage, what changes take place that allow for her acceptance in the family?

4. Fanny Price inspires strong reactions in readers; she is cast by some as a dreary killjoy, and by others as an endearing, admirable heroine. Is this dichotomy Austen's intention? Discuss the ways in which Fanny embodies both sides of this polarized debate. What is your opinion of her in relation to other well-known female protagonists of the day?

5. Mansfield Park was divided into three volumes, published separately. Why do you think Austen chose this structure, and how does it affect your reading of the book? Think about other writing that employs this structure to inform your response.

6. From the moment the idea is suggested, Edmund is against the staging of a play. Why is the play seen as inappropriate by both Edmund and Fanny? Why, once it is decided upon, does Edmund accept a part in the play, even though he would appear a hypocrite? How much of this license was taken because of the absence of Sir Thomas and how much was simply the influence of Tom? What is the significance of their choice of plays, Lover's Vows?

7. Describe the similarities and differences between the courtship of Edmund and Mary and that of Fanny and Henry. What are the stumbling blocks in these two courtships that cause them to fail? To what extent were the trials of these courtships responsible for Edmund's change of heart toward Fanny?




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