Narrator Nicola Barber builds tensions and personalities with a delicate touch. Newlyweds Tom and Kezia keep busy with the family farm even as the ominous rumblings of WWI are being felt around the world. Barber keeps her performance understated and charming. Later, as Tom fights on the front in France, his sister, Thea, Kezia’s best friend, enlists as an ambulance driver. From the homefront, Kezia writes to Tom, describing sumptuous meals she imagines preparing for him. Barber’s sensitive delivery of Winspear’s precise period details and mannered character behaviors is entirely convincing. Listeners spend time with a group of ethical, decent people, and Barber makes them real. S.J.H. © AudioFile 2014, Portland, Maine

05/12/2014
The Great War’s impact on the home front and battlefield is portrayed in Winspear’s (the Maisie Dobbs series) winning stand-alone tale about two girlfriends and how their disparate lives entwine when one of them marries the other’s brother. Kezia and Thea couldn’t be more different: Kezia is a vicar’s daughter and Thea (originally called “Dorrit”—from Dorothea—by her Dickens-loving family) grew up on the family farm as a tomboy, competing with her younger brother, Tom. Both girls were scholarship students, but it’s their differences that bind them. Tensions rise when Kezia becomes engaged to Tom. Thea doubts her city-born friend can manage farm life and, as a dig, gives her The Woman’s Book, a publication advising women on a variety of subjects. Excerpts from it, as well as from military manuals of the time, set up chapters told from varying points of view, including that of Edmund Hawkes, a member of the gentry and Tom’s neighbor, who becomes Tom’s commanding officer. Tom enlists and becomes his sergeant’s whipping boy; Kezia thrives as mistress of the farm; and Thea transforms from being a suffragist and pacifist to running an ambulance on the front lines. To keep up Tom’s spirits, Kezia sends letters detailing the imaginary scrumptious meals she’s prepared for him, which he shares with his comrades. While questioning war’s value and showing its terrible effects off the battlefield, Winspear fashions a stunning trajectory for her main characters. Agent: Amy Ren­nert, Amy Rennert Agency. (July)

Winspear has returned—via a good new, standalone, non-mystery novel called The Care and Management of Lies—to the wartime period that clearly continues to haunt her. In a publishing season crowded with commemorations of the outbreak of World War I...Winspear’s books more than hold their own.” — Maureen Corrigan, NPR's Fresh Air

“Captivating….It is in Kezia’s imagination and kitchen where this tragic story of war, passion, love and friendship comes alive. Winspear illustrates how food-whether it’s imaginary or real-can provide the perfect amount of tenderness and compassion when it’s needed the most….A suspenseful wartime narrative.” — San Francisco Chronicle

“Jacqueline Winspear is one of our best….Beautifully imagined and executed….As with every Winspear novel, there is beautiful writing-and in Kezia and Tom, two characters you won’t soon forget.” — USA Today

“Fiction at once fresh and timeless, intimate and sweeping that chronicles the challenging friendship between a suffragist and a farmer’s wife….A rare stand-alone novel by the author of the beloved Maisie Dobbs series.” — O, the Oprah Magazine

“In a stand-alone departure from her popular post-WWI mystery series featuring psychologist Maisie Dobbs, Winspear has created memorable characters in a moving, beautifully paced story of love and duty.” — Booklist

“Winspear knows the history of the war that changed the world. In The Care and Management of Lies, she’s telling us the story, she’s bringing it home. Beautifully, tragically, indelibly.” — Bobbi Dumas, NPR Books

“Captivating.” — Good Housekeeping

“A winning stand-alone tale….While questioning war’s value and showing its terrible effects off the battlefield, Winspear fashions a stunning trajectory for her main characters.” — Publishers Weekly

“Without questioning either the cause of the war or the dubious tactics employed…these characters simply get on with it, reaffirming our faith in the possibility of everyday nobility....A sad, beautifully written, contemplative testament.” — Kirkus

“s much a story of the home front as of the battlefield, this new stand-alone novel is, above all, a moving tale about the beauty of those very virtues—fortitude, faithfulness, compassion—that the Great War called into question.” — Washington Post

“Just as strong [as the Maisie Dobbs series]-enough to guarantee satisfaction for even the most fervent Maisie fan.” — Seattle Times

“A moving and remarkable book.” — Washington Times

“Without questioning either the cause of the war or the dubious tactics employed…these characters simply get on with it, reaffirming our faith in the possibility of everyday nobility....A sad, beautifully written, contemplative testament.” — Kirkus Reviews (starred review)

“Winspear’s fans should welcome the keen period detail and thoughtful tone so familiar from the Maisie Dobbs books, while historical fiction readers will be gripped by this sensitive portrayal of ordinary men and women on the home front and battlefield.” — Library Journal

“An engaging picture of the human spirit in a distant time of war, World War I, from the battlefields to the home front in an English village.” — Herman Wouk, author of The Winds of War and War and Remembrance

“In this dazzling novel Jacqueline Winspear writes irresistibly about the First World War, both in the trenches of France and the fields of England. Her characters walk off the page and into our imaginations, as we fight with them, farm with them, cook with them. I devoured this book.” — Margot Livesey, author of The Flight of Gemma Hardy

“A haunting evocation, from an unusual angle, of the war that cast such a shadow over the whole 20th century. Jacqueline Winspear knows her native England, and the human heart, very well indeed.” — Adam Hochschild, author of To End All Wars: A Story of Loyalty and Rebellion 1914-1918

“There is power in subtlety. This one is a stunner.” — Martin Cruz Smith, author of Tatiana and Gorky Park

“A simply told, beautifully written story.” — Bill Goldstein, "Bill's Books," Weekend Today in New York

Captivating….It is in Kezia’s imagination and kitchen where this tragic story of war, passion, love and friendship comes alive. Winspear illustrates how food-whether it’s imaginary or real-can provide the perfect amount of tenderness and compassion when it’s needed the most….A suspenseful wartime narrative.

Captivating.

Jacqueline Winspear is one of our best….Beautifully imagined and executed….As with every Winspear novel, there is beautiful writing-and in Kezia and Tom, two characters you won’t soon forget.

s much a story of the home front as of the battlefield, this new stand-alone novel is, above all, a moving tale about the beauty of those very virtues—fortitude, faithfulness, compassion—that the Great War called into question.

Winspear knows the history of the war that changed the world. In The Care and Management of Lies, she’s telling us the story, she’s bringing it home. Beautifully, tragically, indelibly.

In a stand-alone departure from her popular post-WWI mystery series featuring psychologist Maisie Dobbs, Winspear has created memorable characters in a moving, beautifully paced story of love and duty.

Fiction at once fresh and timeless, intimate and sweeping that chronicles the challenging friendship between a suffragist and a farmer’s wife….A rare stand-alone novel by the author of the beloved Maisie Dobbs series.

Winspear has returned—via a good new, standalone, non-mystery novel called The Care and Management of Lies—to the wartime period that clearly continues to haunt her. In a publishing season crowded with commemorations of the outbreak of World War I...Winspear’s books more than hold their own.

Captivating….It is in Kezia’s imagination and kitchen where this tragic story of war, passion, love and friendship comes alive. Winspear illustrates how food-whether it’s imaginary or real-can provide the perfect amount of tenderness and compassion when it’s needed the most….A suspenseful wartime narrative.

Jacqueline Winspear is one of our best….Beautifully imagined and executed….As with every Winspear novel, there is beautiful writing-and in Kezia and Tom, two characters you won’t soon forget.

In a stand-alone departure from her popular post-WWI mystery series featuring psychologist Maisie Dobbs, Winspear has created memorable characters in a moving, beautifully paced story of love and duty.

s much a story of the home front as of the battlefield, this new stand-alone novel is, above all, a moving tale about the beauty of those very virtues—fortitude, faithfulness, compassion—that the Great War called into question.

A haunting evocation, from an unusual angle, of the war that cast such a shadow over the whole 20th century. Jacqueline Winspear knows her native England, and the human heart, very well indeed.

A moving and remarkable book.

There is power in subtlety. This one is a stunner.

An engaging picture of the human spirit in a distant time of war, World War I, from the battlefields to the home front in an English village.

A simply told, beautifully written story.

Just as strong [as the Maisie Dobbs series]-enough to guarantee satisfaction for even the most fervent Maisie fan.

In this dazzling novel Jacqueline Winspear writes irresistibly about the First World War, both in the trenches of France and the fields of England. Her characters walk off the page and into our imaginations, as we fight with them, farm with them, cook with them. I devoured this book.

Winspear has returned—via a good new, standalone, non-mystery novel called The Care and Management of Lies—to the wartime period that clearly continues to haunt her. In a publishing season crowded with commemorations of the outbreak of World War I...Winspear’s books more than hold their own.

Narrator Nicola Barber builds tensions and personalities with a delicate touch. Newlyweds Tom and Kezia keep busy with the family farm even as the ominous rumblings of WWI are being felt around the world. Barber keeps her performance understated and charming. Later, as Tom fights on the front in France, his sister, Thea, Kezia’s best friend, enlists as an ambulance driver. From the homefront, Kezia writes to Tom, describing sumptuous meals she imagines preparing for him. Barber’s sensitive delivery of Winspear’s precise period details and mannered character behaviors is entirely convincing. Listeners spend time with a group of ethical, decent people, and Barber makes them real. S.J.H. © AudioFile 2014, Portland, Maine

★ 2014-05-19
Five kind and honorable people are caught up in the depredations of the Great War in this first stand-alone novel by the author of the Maisie Dobbs mystery series (Leaving Everything Most Loved, 2013, etc.)In 1914, as war looms, newlyweds Tom and Kezia Brissenden are making a go of the farm Tom inherited from his father, a farm that would have been part of the estate of wealthy gentleman Edmund Hawkes had not his great-grandfather lost it to Tom's great-grandfather in a darts game. Kezia, a vicar's daughter, is earnestly striving to supplant her finishing school ways with those of a farm wife, consulting a housewifery guide, The Woman's Book. Although Hawkes is attracted to Kezia, he keeps a respectful distance, just as he is cordial but not friendly toward Tom. This distance persists as Tom and Hawkes both enlist and are sent to the front line in France, where Tom, a private, serves under Capt. Hawkes. Kezia keeps Tom's spirits up with her letters describing the sumptuous meals she prepares for him in her imagination, where wartime food shortages and government inroads on the farm's production aren't problems. The whole battalion soon looks forward to her letters and the occasional fruitcake. However, Tom is scapegoated by this novel's closest thing to a villain, the cynical and embittered Sgt. Knowles, who resents the influx of so many green recruits. Meanwhile, Tom's sister (and Kezia's best friend), Thea, anguishes over whether she will be arrested for her activities as a suffragette and pacifist. Ultimately, she decides that the only way to escape government oppression is to reaffirm her loyalty: She becomes an ambulance driver at the front, where Kezia's father, Rev. Marchant, is ministering to troops in the trenches. Without questioning either the cause of the war or the dubious tactics employed, seemingly, to ensure maximum loss of life for minimal military advantage, these characters simply get on with it, reaffirming our faith in the possibility of everyday nobility.A sad, beautifully written, contemplative testament.