While it's good for a titter to picture Peter Weller in full RoboCop gear reading Hesse's classic novel of intellectual absorption with the primeval, it is not entirely necessary for full appreciation of his reading. Weller, who has a Midwestern folksy personability, reads Hesse less as a work of great literature than a philosophical manual, meant to be studied for personal improvement. Hesse can be forbidding, even for the teenage readers who often discover literature through him, so Weller wisely renders his novel familiar, comfortable and friendly. Currently wrapping up a Ph.D. at UCLA in Italian Renaissance art history, Weller has clearly been taking lessons in sounding professorial-entirely apropos here. (Apr.)

"Kurt Beals’s splendid translation of this offbeat classic succeeds at once in conveying Hermann Hesse’s German cadence in elegant English and in rendering the novel’s dissonances more accessible for our times: the ambivalent, existential, dark, humorous, and magical elements within and surrounding protagonist Harry Haller. Together with the translator’s dexterous introduction for a new generation of readers and those curious to revisit the book’s multiple layers to unravel its fascinating possibilities, it is emphatically THE Steppenwolf."

"An English-language translation that highlights both the thoughtfulness and, ultimately, the sheer personal power of the original. Beals has managed the considerable feat of making a cult classic of twentieth-century literature feel completely alive for the twenty-first."

"A sharp, erudite new translation of Hesse’s moody classic."

"Kurt Beals makes this 1927 classic of psychedelic dreams sparkle in new technicolor splendor. Talk to your doctor about possible side effects."

"Hesse is a writer of suggestion, of nuance, of spiritual intimation."—The Christian Science Monitor

"For all its savagely articulate descriptions of torment and isolation, it is most eloquent about something less glamorous but far more important: healing."—The Guardian

Hesse's philosophical novel about a loner who feels divided in his soul and alienated from life was a cult classic of the 1960s’ counterculture. Peter Weller’s voice is dry, deep, almost harsh, and through much of the book, his tone is cutting, sardonic, even angry. That's a fitting take on the protagonist, Haller, but it's too much, and the tone would be better with some variation. Weller’s voice softens when Haller interacts with others, and in some of the dialogue he brings out a rhythmic lilt that is quite engaging. While a bit uneven, by and large, Weller does this dreamlike yet dour book justice. W.M. © AudioFile 2008, Portland, Maine